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For Your Ears: Podcast Roundup

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Here are just a few podcasts that caught my attention these past few months, with choice quotes from each. You can view my occasional podcast roundup series for Longreads here.

John Freeman and Robin Sloan

Failure was something that these novelists all kept talking about, which is a weird thing with the Nobel Prizes and endowed teaching positions and everything. It’s easy to look at them and think, you’re establishment; but most of them, I think, if they are any good, still see themselves as outsiders. They still feel like they’re one bad sentence away from failure; and they feel like they’re living on the edge, and I think that comes from the fact that they’re projecting the very limits of their imagination and mind out into the world. The things if I said to you now, they would probably be uncomfortable and socially awkward, but they’re doing it by themselves, in the dark. Yes, they have editors and publishers waiting for these books but they never know if they’ve completely gone off the reservation. And so, when you sit down with as a journalist with someone like that, and their book’s not yet out — you’re a month ahead of schedule, sometimes two — and you’re one of the early readers you develop intimacy quickly because you’re one of the first people outside of the inner circle when you’re a novelist of some success you wonder how much they get criticized by their friends anymore, and that’s a very exciting couple hours.

John Freeman, in conversation with Robin Sloan, at City Lights, talking about the art of the author interview

Jerry Stahl on forgiving yourself

I’ve never forgiven myself. I think eventually you realize that it’s just another form of self-indulgence to keep beating the shit out of yourself so you sort of try not to. If you fuel all of that guilt you’re going to be the guy who walks into a room who radiates self-loathing, which God knows I’ve been for years before I realized people were passing out whenever I walked into a room. I think you do it as much for other people because it just becomes a fucking bore to carry that cross around.

Author Jerry Stahl (Permanent Midnight, Happy Mutant Baby Pills) talks about forgiving oneself on The Nerdist podcast

Bret Easton Ellis on Twitter

I don’t know if I care necessarily about other people’s reactions toward opinions. And I’m not even really talking about jokes. I get attacked for opinions. People get attacked for their likes and their dislikes. And mostly they get attacked for their dislikes because to be negative in the Twittersphere is akin to hate speech almost. [Tells the story of him tweeting something negative about Alice Munro] … The next morning when I woke up I noticed that I had some emails and that sometime during the night while I slept a thousand news agencies had picked up that tweet and I became the villain of the narrative of Alice Munro winning the Nobel.

Now, you can say, you know that kind of sucks, should I have done it? But then you get into this weird self-censoring thing and I’m not really interested in doing that. Yea, I had to deal with a lot of shit from people for a couple of days who felt I was attacking an 80-year-old Canadian woman when in fact I was just voicing an opinion; and that’s kind of the problem with Twitter, I guess, but only if you really care what other people think.

… I care about having opinions and I care about putting them out there, I don’t care about the reaction toward them to the degree that if I cared enough about the reaction I wouldn’t put them out there but I do think that having an opinion about stuff, whether it’s negative or positive, and using your Twitter account to, you know, try to get anything from Stoner by John Williams noticed or various books I liked last year, you know, get them out there, and also having dissenting opinions about stuff, I think that’s cool and I like that about Twitter a lot. What I don’t really care about is if people get super upset with something that I tweet about. I do care about my opinion and I do care about putting it out there but in terms of not putting something out there because I’m afraid I’m going to get a lot of negative response and people want to beat me up, I’m not in that realm.

Bret Easton Ellis talks to Chuck Klosterman about Twitter and Miley Cyrus for his podcast (opens with sound)

Wendy Lesser on reader’s block

Of course now there are books on tape so people who have trouble with their eyes in any way — having the book come in through the eyes — have an alternative. I would say another alternative is to try an author who works very slowly on the sentence level. Some examples are Samuel Beckett, J.M. Coetzee, Emily Dickinson. They’re people who if you read one sentence — or in the case of Emily Dickinson, eight lines — you get a huge amount. So, the issue is not quantity there, and you don’t feel as if you’re speeding through, you can get the pleasure of reading out of a very small segment. But I think, frankly, one should honor one’s blocks. If you have reader’s block at the moment there’s probably a reason like you’ve read too much bad stuff recently and you need to give it time to flush out of your system.

Threepenny Review founding editor Wendy Lesser talks with Publishers Weekly about her new book, “Why I Read: The Serious Pleasure of Books”

Greek Tragedy and Contemporary Political Spectacle

What’s so interesting about tragedy is even as it confirms what we sort of think is true about life, which is most of us just want to have a medium life, without attracting the ire–or the jealousy–of the Gods. It nonetheless is crucial to look at stories about people who go to the extremes, because it simultaneously satisfies our desire to see the great while confirming the rightness of our choice not to be one of them, I guess you could say.

As someone who was trained as a classicist, it’s basically how I see [contemporary political spectacle], you know. So, these things occur to me. You know, but then there are some things that happen which are so strongly reminiscent of actual Greek material–like the Tamerlan Tsarnaev burial controversy. It’s the first thing you think of as a classicist: the refusal to bury the body of the enemy is a culturally fraught situation that calls into question essential cultural values about what it means to be an enemy and whether there is a transcendent morality that applies even to one’s enemies; and this is of course is the central animating question of Sophocles’ Antigone, and so when that started to happen–the Tsarnaev thing–I just thought, I have to write about this. Because it just shows that the Greeks is not just old stuff that we curate because we think it’s good for you. Greek civilization continues to be vibrant because it’s just that they happen to write or make their art in a very elemental way about questions that are animating to all cultures, and so when these things happen today it seems worthwhile pointing out that this has been dealt with in a sort of incredibly distilled way by a great culture, which happens to be the culture to which we are heirs.

Writer and critic Daniel Mendelsohn on The New Yorker Out Loud podcast, talking about Greek tragedy

Written by Gabrielle

January 21, 2014 at 6:56 am

Scott McClanahan talks book tours, performance, and publishing

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This interview first ran on The Rumpus. You can read it in full here. Below are a few excerpts.

—-

Collected WorksI first became aware of Scott McClanahan when Lazy Fascist Press released his short story collection, The Collected Works of Scott McClanahan Vol. 1, in May of 2012. The cover looked a lot like a Penguin Classic and it made me laugh. Who was this guy, risking a lawsuit? I asked myself. It was clever, reckless, and endearing. However, it wasn’t until a year later, with the release of Crapalachia, published by Two Dollar Radio, that McClanahan’s words were put in my ears.

The subtitle, “A Biography of a Place,” highlights one McClanahan’s strengths—capturing place. Many of his stories are set in West Virginia, the state from which he hails, but to think of him as a regional writer would miss the point. McClanahan, in all his work, explores people—and those people exist everywhere. A keen observer of the world around him, McClanahan often taps into the characters who populate his family, breathing life into them, and exposing their motivations, their frustrations, and their struggles with the day-to-day.

Through the stories of his Grandma Ruby, a true matriarch; his uncle Nathan, wheelchair-bound from cerebral palsy; and the neighborhood kids who play pranks on unwitting strangers, Scott draws readers into a world that is both harsh and relentless, but also full-hearted and smirky—a cold reality with a sense of humor. Now, just out with Hill William, a short story collection from Tyrant Books, McClanahan shows once again that words can mesmerize.

Defying the laws of geographical assumptions, Scott spoke with me from California—early in the morning on the East Coast, a punishing hour on the West. He assured me that I hadn’t made him get up; he still hadn’t been to sleep.

Rumpus: No one has to go out on tour unless you get paid a lot of money for your book and the publisher says, “You need to go do this,” so what made you decide to take the trip?

McClanahan: Well, I did that kind of Southern leg with my friend Chris Oxley. He played the guitar part of the time. It’s a good show—you’d love it if you saw it. Then I also did, with some friends of mine, what we call the the Future Dead Friends tour last fall, and that was through the Midwest. People were smoking crack, but why do I do it? It’s um…oh gosh…yeah, that’s a good question. Maybe I should think about it a little bit more and I wouldn’t have the financial difficulties that I’m having. ‘Cause they’re not big tour budgets by any means.

Crapalachia

I stayed in a place in Mississippi called the Ole Miss Motel and it was a den of prostitutes and pimps. It really was. I’m talking P-I-M-P as pimps. I almost went into the wrong room one night, and they came and let me know I was going into the wrong room. Big girls with black eyes type of thing.

So it’s fun that way but, this is my answer: I think it’s important for writing to connect back to actual people rather than somebody—you know, a big publisher in New York telling you you should like something. Because you know this is a game, you’re a publicist as well. We know it’s a game. Somebody knows somebody who knows somebody, and all of a sudden you’re in Cosmopolitan or something talking about your book. I don’t want to be in Cosmo. Well, that’s not true. I do, but only if I’m on the cover.

I think it’s important to connect back to individuals who are out there—and by “out there” I mean, we’ve had cultural movements that have been in the middle of nowhere—Memphis, Tennessee in the 1950s, right? Absolutely nowhere, and they’ve not only changed American culture but they’ve changed the culture of the world. These bunch of country boys at Sun Studios. And so I think when you are out there and you read for people and you see people, there’s not that disconnect of literature with a lower case L—it’s not literature, the oral word. It’s Carl Sandburg, it’s V. Lindsey, it’s Dylan Thomas. It’s attempting to get back to that place…oh, I don’t know.

Shit, that answer makes no sense.

—–

Hill WilliamRumpus: Your stories have a darkness to them—or they could be very dark—but there’s something that keeps them from going to this place where you’re buried. I’m going to reference that movie again but you were saying how you had this story about a dog that you thought was fun, but the whole audience was devastated.

McClanahan: Yeah. It’s a different perspective. You bring up a dog that committed suicide and some people aren’t going to find that humorous. But it’s all those things together. It’s like your daily existence. Are you in New York?

Rumpus: I am.

McClanahan: So, you know, you’re about to get on the train and go into work and probably within an hour, an hour-and-a-half, you’re going to have all different experiences. Oh my god, like whoa fuck, whoa haha, that’s hilarious, but that happens anywhere really. But I think those are the good things. It’s like being in a relationship. Like, you hate the person, you love the person. There’s darkness there, there’s lightness. That’s part of any relationship—a real, a real relationship.

—-

Rumpus: What are you working on now?

McClanahan: The Sarah Book. It’s the best thing I’ve ever done. The hardcover is going to cushy like a pillow. You know how some children’s books are like? So you can dream on it or use it as a sex aid. Sometimes people need to sleep instead of reading.

Written by Gabrielle

January 15, 2014 at 7:06 am

Favorite Podcasts of 2013

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headphonesMy good buddy David over at Largehearted Boy every year rounds up year-end lists featuring books and music. On his suggestion, here’s my list of the podcasts I couldn’t stop listening to.

By the Way with Jeff Garlin
Possibly the best find of the year has been By the Way, Jeff Garlin’s new podcast. Recorded live at Largo in Los Angeles, Garlin sits down with his talented friends to discuss all sorts of things. Garlin’s laugh alone makes this one infectious but the conversations will keep you coming back. If you’ve not been listening to it, your 2013 has been a wash.

Longform Podcast
Longform journalism has been making some noise lately and, along with Longreads, the site Longform has done much to propel it into the public consciousness. What might not be as known is that they have a weekly podcast where they interview journalists about their work. The conversations range from particular stories the writer has worked on to how they make ends meet between jobs. I look forward to it every week.

Other People
Just over the 200 episode mark and still going strong, Other People, hosted by Brad Listi, is one of the best author interview podcasts out there. Not content with a simple conversation about the writer’s latest book, Brad delves into childhood memories, the writing process, and anything unique to his guest’s experience that they’re willing to discuss.

Book Riot
Literary website Book Riot started a podcast this year and it quickly became one of my favorites. Every weekend I look forward to the bookish banter of co-founder Jeff O’Neal and Senior Editor Rebecca Schinsky. Together they parse out the week’s publishing and literary news, discuss the latest book gadgets, and go over the week’s new releases. Always fresh. A must-listen.

Late Night Library
If you’re reading this site, there’s a good chance you can never hear enough about publishing. Late Night Library is an organization based in Portland dedicated to promoting book culture, especially the indie sort. On their podcast Late Night Conversation, along with writers they interview industry people about their various positions and how it works within the chain of events, manuscript to bookstore.

Pop Culture Happy Hour
Hosted by NPR editors, producers, and critics, Pop Culture Happy Hour is a casual conversation about the week’s pop culture news. The chemistry of the co-hosts, their familiarity with each other, is most-endearing. Perfect way to kick off the weekend.

Design Matters
I became aware of Debbie Millman after Maria Popova highlighted her book, Brand Thinking, a collection of interviews with design and advertising creatives. A look into these minds was fascinating, in large part due to Millman’s knowledge of the industry and her subjects. On Design Matters, a podcast hosted by Design Observer, Millman brings her impeccable research and optimism to the conversation.

Slate
I don’t think it’s a stretch to say that Slate has perfected the podcast. Duration, format, everything. They’ve nailed it. While there are four main shows — the Political Gabfest, the Culture Gabfest, the Double X, and for all you sports fans, Hang Up and Listen, hosted by Stefan Fatsis, Josh Levin, and Mike Pesca — they continue to explore themed series. There’s Lexicon Valley, which discusses language, the monthly Audio Book Club, and, most recently, Mom and Dad are Fighting, a frank and honest look at parenting.

Gweek
The popular site Boing Boing has a number of podcasts on their roster. One of my favorites is Gweek, a show where editor Mark Frauenfelder and friends bring authors, artists, and other creative types on to discuss their work. Some recent shows include interviews with Clive Thompson for his book on the Internet, book designer Chip Kidd, and Wired magazine founding editor Kevin Kelly.

Six Pixels of Separation
If you’re the least bit interested in where business and creativity meet, Mitch Joel’s interviews are a goldmine.

Also recommended:
Stuff You Should Know
Recommended if You Like
Next Market (a podcast about podcasting)

Written by Gabrielle

December 24, 2013 at 7:11 am

Week in the News for November 18

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Here are this week’s interesting publishing and media stories. Add your favorites to the comments section.

E-books, E-readers, and Apps

  • In Russia, 95% of e-books are pirated. A company has developed an app to stop the trend. All Tech Considered
  • Self publishing is big in Germany and has helped Amazon dominate the e-book market. Publishing Perspectives
  • E-books are increasingly popular holiday gifts. Forbes

Tech

  • The Internet is a valuable distraction for this writer. New York Times
  • How technology changes language. Prospero
  • 18 games for typography fans. Mashable

Social Media

  • 10 surprising social media facts. FastCompany
  • 5 tools for identifying online influencers. PR Daily
  • Derek Thompson reviews the video sharing site Upworthy. The Atlantic
  • The semantics of online advertising. The Guardian

Media and Publishing

  • Publishing experts debate the future of the book. Publishers Weekly
  • A roundup of independent print magazines and interviews with the editors. New York
  • Brief interviews with very small publishers. The Morning News
  • Five female writers discuss sexism in the literary world. Brooklyn Based
  • Reality TV shows for writers are cropping up around the globe. The Guardian

Lifehack and Business

  • How to build a strong team at work. Fast Company
  • How to build a balanced creative team. 99u
  • 10 brands that changed the world. AdWeek
  • Coca-Cola is aiming to kill the press release. PR Daily

Writing and Grammar

Podcasts

  • Author, publisher, and Powell’s bookseller Kevin Sampsell talks to Brad Listi. Other People
  • Media strategist Ryan Holiday talks to Mitch Joel. Twist Image

For fun

Written by Gabrielle

November 22, 2013 at 10:25 am

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Week in the News for November 11

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Here are this week’s interesting media and publishing stories. Add your favorites to the comments section.

Social Media

  • Daily Facebook activity among younger teens is in decline. AdWeek
  • Jenna Wortham wonders if Facebook is fading. Bits
  • Evan Williams, co-founder of Twitter, talks about his new venture, Medium. NYT

Media and Publishing

  • John Oliver leaves the Daily Show for HBO. AdWeek
  • BuzzFeed Books promises positive coverage. CJR
  • 10 technological innovations in TV broadcasting. Stuff of Genius

Lifehack and Business

Writing and Grammar

Podcasts

  • Marco Arment, creator of Instapaper and lead developer for Tumblr. NextMarket
  • Tim Stevens, Engadget’s former Editor-in-Chief. RIYL
  • Tech columnist David Pogue talks about leaving The New York Times for Yahoo! NextMarket

For fun

  • The experiment that led to the concept of “thinking outside the box.” io9
  • Do our brains find certain shapes more attractive than others? Smithsonian

Written by Gabrielle

November 17, 2013 at 11:39 am

Link roundup for the week of October 28

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Here are some of my favorite stories and news items from this week’s publishing, media, and tech reporting.

E-books, Readers, and Apps

Tech

  • Researchers and designers are proposing new keyboard layouts for thumb typing. The Atlantic
  • How to crack a Wi-Fi password (and protect your own) Lifehacker
  • You don’t have to leave your gadgets behind to get away from it all. GadgetLab

Social Media

  • Facebook dominates in logins; Google makes gains [infographic] SocialTimes
  • At 300 million users, Google+ activity remains in question. Digits
  • Is Facebook failing marketers? Digiday
  • Facebook is looking to develop better consumer tracking technology. WSJ
  • Has Twitter changed the role of the literary critic? NYTBR

Media and Publishing

  • World Book Night US announced their 2014 selections. WBN
  • Random House acquires Figment, an online writing community for young readers. Jacket Copy
  • Editor & Publisher’s 2013 EPPY Award winners. E&P

Writing and Grammar

  • Five best free online word processors. Mashable
  • How to polish your writing. Poynter
  • When to use the passive voice. CJR
  • Tim Kreider on writing for free. New York Times

Lifehack and Business

  • How anxiety leads decisions astray. HBR
  • Top 50 executives who make wheels turn.  AdWeek
  • The structure of a 60 second pitch. Fast Company
  • Tick is a new to-do app. Lifehacker
  • 7 apps for a faster commute. Mashable

Podcasts

  • Former editor at Esquire and GQ, now editorial director of nonfiction at Random House, Andy Ward. Longform

Misc.

  • The science of a great subway map. FastCoDesign
  • Best Longreads accounts on Twitter. Mashable
  • Paintlist, a new app by Dutch Boy, recommends paint colors based on songs. New York Times
  • New iPhone app Knoala is a repository for toddler playtime ideas. Techland

Written by Gabrielle

November 1, 2013 at 6:42 am

What to Listen To: Longform Podcast

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Long-form journalism—creative nonfiction which is longer than a traditional article but shorter than a novel—is all the rage these days. Whether you believe the genre has made a comeback or you feel it had never gone away, it’s hard to ignore the growing excitement for recently developed sites such as Byliner, Atavist, Longreads, and Longform.

Earlier this year, Buzzfeed announced its long-form section, breaking from its forte, the listicle; and just this past summer, The New York Times announced it was developing a new, long-form digital magazine.

Those who seek these medium length stories will be happy to know that Longform has a weekly podcast.

Hosted by Longform co-founders Aaron Lammer and Max Linsky, and Founder and Editor of Atavist, Evan Ratliff, the show asks nonfiction writers and editors about their assignments, creative processes, and careers. These free-flowing conversations offer invaluable insight into the world of journalism and the writers who bring you the stories.

Whether you’re a writer or a media junkie, this podcast, with sixty-five episodes in its archive, will be a highlight of your week. Here are just a few places to start, in descending date order.

Gay Talese
Gay Talese began his writing career with The New York Times as their sports reporter in the late 50s. In the mid 60s he left to write full-time for Esquire. Talese is known for his profiles, most notably the one on Sinatra, “Sinatra Has a Cold,” which ran in Esquire in 1966.
Extra credit: Gay Talese, The Art of Nonfiction, No. 2; The Paris Review

Edith Zimmerman
Edith Zimmerman, Founding Editor of The Hairpin, talks about starting up the affiliate site to The Awl, running it, and handing it over to someone else. Known for unconventional approaches to writing profiles, she talks about her piece on Chris Evans, written for GQ, and what contributed to its originality.

Natasha Vargas-Cooper
Natasha Vargas-Cooper talks about crime reporting, her approach to perspective, trying to write a book in 30 days, and her interest in the human narrative. Her writing has appeared in GQ, Spin, New York, and on BuzzFeed.

Ann Friedman
Anyone familiar with Ann Friedman’s advice column on the Columbia Journalism Review’s website, #realtalk, won’t be surprised to hear that her episode is full of excellent tips for freelancers, like creating a weekly email newsletter and drinking with editors.
Extra credit: Ann writes a weekly column at The Cut on New York magazine’s website and recently wrote a piece about LinkedIn for The Baffler.

Emily Nussbaum
Emily Nussbaum, television critic for The New Yorker, talks about criticism today, how she chooses what to write about, and how Twitter helps her brainstorm.
Extra credit: Read Emily’s archive at The New Yorker. Follow her coverage on Twitter.

Written by Gabrielle

October 29, 2013 at 6:29 am

Link roundup for the week of October 21

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Lots of interesting media, tech, and publishing news this week. Here are just a few things that caught my eye.

E-books, Readers, and Apps

  • Competition in the tablet market is increasing. NYT
  • 97% of newsstand apps are now free. AdWeek
  • New moms spend more time on smartphones than other adults. LA Times
  • Using metrics to boost e-book sales. MediaShift

Social Media

  • Five tips for promoting your online events using social media. Social Times
  • Facebook rolls out a new feature to help publishers increase engagement. Facebook

Media and Publishing

Writing and Grammar

Lifehack and Business

Podcasts

Misc

  • Most popular coffee brands on Twitter [infographic] All Twitter
  • Abraham Lincoln liked infographics. Elements

Written by Gabrielle

October 25, 2013 at 6:46 am

Link Roundup for the Week of September 30

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Here’s the week’s interesting tech and publishing news.

E-books, Readers, and Apps

  • Scribd teams up with HarperCollins and several smaller publishers for an $8.99 all-you-can-read subscription service. Salon
  • The American Library Association talks about e-books in libraries. Forbes
  • The Kenton County Public Library has an e-book mascot. Overdrive

Tech

  • The benefits and challenges of digitizing library collections. The Atlantic
  • How to fix music discovery sites. FastCoDesign
  • NPR’s news app editor on designing for the mobile screen. MediaShift
  • Top 20 tech hangouts in New York City. The Next Web
  • 50 people in the New York tech scene you should know. The Next Web
  • Technology and the college generation. NYT Style 

Social Media

  • Who are the most social publishers on the web? DataBlog
  • Facebook made it easier to find old status updates. Here’s how to reconfigure your privacy settings. Huffington Post
  • Important facts about the Twitter IPO. Quartz 

Media and Publishing

  • Top 30 news shows for the third quarter of 2013. Huffington Post
  • Four things trade publishers can learn from scientific, technical and medical publishers. DBW
  • Penguin Classics editorial director Elda Rotor answers questions about publishing. Reddit
  • Author website tips. Jane Friedman
  • 25 independent publishers. Flavorwire 

Writing and Grammar

Lifehack and Business

  • Career advice from top media editors. Digiday
  • How effective people handle email. 99U
  • How to establish a personal brand when you’re an introvert. Lifehacker
  • Work, life balance advice from neuroscientists. Fast Company 

Podcasts

  • Media and fashion entrepreneur Marc Ecko talks about sincerity in branding. Twist Image
  • In their second segment, the Culture Gabfest discusses the state of literary criticism. Slate
  • Reddit founder Alex talks about startups. Leonard Lopate Show 

Misc.

  • Michael Kimmelman says we should use libraries as storm shelters. The New York Times
  • 50 years of headlines from The New York Review of Books. NYRB
  • From the archive, Ursula K. Le Guin reviews Italo Calvino’s “Italian Folktales” (1980). The New Republic
  • A girl quit her tech job through a skit on camera, it went viral. Speakeasy

Written by Gabrielle

October 4, 2013 at 6:54 am

Link roundup for the week of September 9

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gossipLots of interesting publishing news and opinions this week. Share your favorite articles in the comments section.

E-books and Readers

  • 71% of travelers prefer to fly with printed books. Good E-Reader
  • Tablet sales will outpace PC sales for the first time in the final quarter of this year. Traditional PC companies are without a viable strategy. The Guardian
  • If you have an Android you can customize the font on your e-reading app. TeleRead
  • An all-digital library opened in Texas. Good E-Reader

Apps and Tech

  • Apple’s App Store is not affected by the Justice Department ruling on price-fixing. Businessweek
  • Oyster, Apple’s iPhone App, will offer all-you-can-read e-books for $9.99/mo. ZDNet
  • On Monday, the F.C.C. and Verizon went to court over Net Neutrality. The New York Times
  • Timeline of Net Neutrality. Public Knowledge
  • The Readmill app allows e-book owners to share marginalia. Damien Walter wonders about future copyright issues. The Guardian
  • Twitter to sell ads on mobile app. Bits

Social Media

  • Facebook’s new Page Insights will allow businesses to track social media engagement. Poynter
  • Social analytics platform Topsy has archived every tweet in existence. Here are 10 ways to use it as a publicity tool. PR Newser
  • Rachel Fershleiser is leading Tumblr’s new book club. GalleyCat
  • Successful real-time marketing campaigns. AdWeek
  • How publishers can get the most out of Facebook marketing. Publishing Perspectives
  • The perfect social media post for multiple platforms [infographic]. All Twitter

Media and Publishing

  • What publishers can learn from the music industry about subscription models. Music Industry Blog
  • NewsHour Weekend reviewed. CJR
  • Sponsored content is on the rise. Digiday
  • Percentage of time given to reporting vs. opinion at CNN, Fox News, and MSNBC. Poynter

Writing and Grammar

Lifehack and Business

  • Is there really such a thing as a ‘workaholic’?  The Atlantic
  • Five tips for better public speaking. 99u
  • A short tutorial on “Bullet Journal,” a new system for to-do lists. Co. Design

Podcasts

  • Cal Morgan spoke about publishing with Brad Listi. Other People
  • Alec Baldwin is getting his own show on MSNBC. Listen to his podcast Here’s the Thing. WNYC
  • What marketers need to know about Google+ Hangouts. Social Media Examiner
  • Mind and Machine, Part I. CBC Radio Ideas

Misc.

  • Emily Nussbaum on Pivot, a new TV channel for the Internet generation. New Yorker
  • “The purpose of multitasking had gone from supporting multiple users on one computer to supporting multiple desires within one person at the same time.” Elements
  • Michael Jackson’s “Thriller” video recreated with LEGOs. DesignTaxi

Written by Gabrielle

September 13, 2013 at 6:52 am

Link roundup for the week of August 26

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Breaking NewsHere are this week’s best links collected from my daily scouring of the Internet. Share your favorites in the comment section.

E-books and Readers

  • Kobo keeps pushing boundaries. Techland
  • Kobo will offer magazine service on their devices starting in October. Good Ereader
  • Does it make sense to bundle print and e-books? Publishing Perspectives
  • The Oxford English Dictionary is not for sale (in e-book) but you can rent it. The Guardian

Apps and Tech

  • The paradox of wearable technology: can devices augment our activities without ­distracting us? Technology Review
  • Three apps to help declutter your work and life. Aliza Sherman
  • Five apps to help you dress for fall. AppNewser

Social Media

  • J Crew put their catalog on Pinterest a day before it was available elsewhere. BusinessWeek
  • Twitter will allow retailers to sell products and services within tweets. Bloomberg
  • Shoppers are turning to YouTube for product research before buying. AdWeek
  • Alexis Madrigal deconstructs the new blogging platform Medium. The Atlantic
  • How to choose a hashtag for your campaign [infographic]. All Twitter
  • How to get your client’s content into Google’s new “In-Depth Articles” PR Newser

Media and Publishing

  • NewsHour at a crossroads. CJR
  • Al Jazeera America began broadcasting last week. Here’s how to measure their success. Poynter
  • Al Jazeera America’s launch ratings. TV Newser
  • Four journalist secrets every PR person should know. Cision
  • Slate launched an LGBTQ blog, Outward. June Thomas is heading up the effort. Slate

Writing and grammar

Lifehack and Business

  • Shut down your browser tabs by accident? If you’re using Chrome, here’s a keyboard shortcut for full recovery. Slate
  • 5 ways to perfect an author reading. Huffington Post
  • Four steps to creating a documented procedure for delegation. Michael Hyatt
  • Public speaking lessons learned from touring college campuses. Fast Company
  • Four things to do before the end of each work day. MediaJobsDaily
  • LinkedIn etiquette. Good.co

Podcasts

Misc.

  • 35 innovators under 35. Technology Review
  • Three bookstores got into a Twitter fight. BuzzFeed
  • 101 best writers, reporters, and thinkers on the Internet. Wired
  • Five websites for your photojournalism fix. CJR
  • Are tech firms the new pop culture villains? GigaOm
  • 20 online talks that will change your life. The Guardian

Written by Gabrielle

August 30, 2013 at 7:01 am

Link roundup for the week of August 19th

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Breaking NewsAs a Publicity Manager specializing in online media for a publishing house, every week I’m required to put together a roundup of links to send out company-wide. Since everything looks like a blog post to a blogger I thought putting it here as well was a no-brainer. So, from here on out, I’ll have weekly link roundups featuring publishing and tech news. Please feel free to share your favorite news and sites in the comment section; I’m going to need all the help I can get!

 

E-books and Readers

  • PM Press in Oakland, Calif., is the first book publisher to bundle free e-books with nearly every one of the physical books purchased on its Web site. Publishers Weekly
  • How popular are digital magazines? The Guardian
  • Can traditional bookstores survive? A roundup of opinions. The New York Times
  • B&N reports a 20% decline in Nook revenue. AppNewser via B&N press release

Apps and Tech

  • There’s a new, free scheduling app that breaks down your day into people, places, tasks, and locations. Fast Company
  • Best Android Apps for writers. AppNewswer
  • This interactive device is threatening to kill the mouse. FastCoLabs

Social Media

  • Four tips for tweeting content. All Twitter
  • 10 social media tips from the Financial Times. Journalism.co.uk
  • How to use Google+ for book promotion. Digital Book World
  • 10 journalism sites and media people to follow on Twitter. PR Daily
  • Using multimedia in your tweets increases the chance people will share it. Poynter
  • How bookstores promote events today. Shelf Talker

 Media and Publishing

  • Conde Nast signed a distribution deal with Amazon that is the first of its kind. Conde Nast president Bob Sauerberg said, “We want to go from selling print subscriptions to selling access to all our content.” Fast Company
  • Listicles are here to stay, because the kids like them. DigiDay
  • Cory Doctorow on improving book publicity in the 21st century (spoiler: know who uses NetGalley). Locus Magazine
  • The “Today” show has a new book club. Publishers are happy. New York Times
  • A new online and print magazine called The Riveter highlights longform writing by women. Poynter
  • What’s up with cover reveals? Beyond Her Book

Writing and grammar

  • “Proofreading is the last line of defense for quality control in print and online publishing.” Here are 7 proofreading steps to make sure your writing is up to snuff. Daily Writing Tips
  • 9 tips for a better author bio. LitReactor

Lifehackery

  • What was once called “small talk” is now “conversational intelligence.” Here are five stages of a successful conversation. WSJ
  • If you still need help, here are six tips for having productive conversations. Fast Company
  • A critical look at Google’s “20% time,” which allows employees to work on hobbies during work. Harvard Business Review

Podcasts and Radio

  • What Lady Gaga can teach business about building and maintaining customer loyalty. Twist Image Podcast
  • Freelance book publicist Lauren Cerand shares some useful insight. Late Night Library
  • Media mogul and teen fashion blogger Tavi Gevinson talks to Books & Arts Daily. Radio National
  • Jeff Bezos, The Washington Post, and the Future of Newspapers. On Point

Misc.

  • Here’s why you’re oversharing on Facebook. Slate
  • The Cronut King talks about creativity, philanthropy and copycats. DigiDay
  • A handy infographic showing cell phone etiquette by country. Repair Labs

Written by Gabrielle

August 23, 2013 at 6:35 am

New in Paperback for July

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Here are just the few of the titles coming out in paperback this July that have my attention.

The Art of Intimacy: The Space Between by Stacey D’Erasmo
Art of Intimacy“What is the nature of intimacy, of what happens in the space between us? And how do we, as writers, catch or reflect it on the page?” Stacey D’Erasmo’s insightful and illuminating study examines the craft and the contradictions of creating relationships not only between two lovers but also between friends, family members, acquaintances, and enemies in fiction. She argues for a more honest, more complex portrait of the true nature of the connections and missed connections among characters and, fascinatingly, between the writer and the reader. D’Erasmo takes us deep into the structure and grammar of these intimacies as they have been portrayed by such writers as Joan Didion, Toni Morrison, D. H. Lawrence, Virginia Woolf, and William Maxwell, and also by visual artists and filmmakers. She asks whether writing about intimacy is like staring straight into the sun, but it is her own brilliance that dazzles in this piercing and original book.

Seiobo There Below by László Krasznahorkai
SeiboSeiobo — a Japanese goddess — has a peach tree in her garden that blossoms once every three thousand years: its fruit brings immortality. InSeiobo There Below, we see her returning again and again to mortal realms, searching for a glimpse of perfection. Beauty, in Krasznahorkai’s new novel, reflects, however fleetingly, the sacred — even if we are mostly unable to bear it. Seiobo shows us an ancient Buddha being restored; Perugino managing his workshop; a Japanese Noh actor rehearsing; a fanatic of Baroque music lecturing a handful of old villagers; tourists intruding into the rituals of Japan’s most sacred shrine; a heron hunting.… Over these scenes and nine more — structured by the Fibonacci sequence — Seiobo hovers, watching it all.

Three Women in a Mirror by Eric-Emmanuel Schmitt
Three Women in a MirrorAnna, Hanna, and Anny. Three young women, free spirits all, each one at odds with the age in which they live. Despite the centuries that divide them, their stories intersect—a surprising narrative technique that lends increasing tension and richness to this novel, which builds to a thrilling crescendo of unexpected revelations.

Anne lives in Flanders in the sixteenth century. She’s a mystic who talks with animals like Saint Francis; she finds God in nature and cannot understand the need for religious rituals. Yet her ideas run against the temper of the times. It is the age of the counter reformation and the Inquisition. Her serenity and the loose tongues of those who secretly envy her, result in her being branded a heretic, with tragic consequences. Hanna lives in Vienna at the start of the twentieth century. She is a young noblewoman, dissatisfied with bourgeois conventions, who undertakes a journey of self-discovery. After much sadness she will find a method for uncovering the roots of her malaise in a new cure developed by a Viennese doctor by the name of Sigmund Freud. Anny is a Hollywood star of the 2000s. Addicted to celebrity and to variety of illicit substances she is searching for meaning in world where the only apparent thing of any value is money. Both her curse and her solace, acting will give her the key to a open a new chapter in her life where she will find love, companionship, and the meaning she has been searching for.

You Only Get Letters from Jail by Jodi Angel
You Only Get Letters From JailJodi Angel’s second story collection, You Only Get Letters from Jail, chronicles the lives of young men trapped in the liminal space between adolescence and adulthood. From picking up women at a bar hours after mom’s overdose to coveting a drowned girl to catching rattlesnakes with gasoline, Angel’s characters are motivated by muscle cars, manipulative women, and the hope of escape from circumstances that force them either to grow up or give up. Haunted by unfulfilled dreams and disappointments, and often acting out of mixed intentions and questionable motives, these boys turned young men are nevertheless portrayed with depth, tenderness, and humanity. Angel’s gritty and heartbreaking prose leaves readers empathizing with people they wouldn’t ordinarily trust or believe in.

Emmaus by Alessandro Baricco; Translated by Ann Goldstein
EmmausFour teenage boys stand on a bridge in the rain, staring down at a fast-flowing river. They’re not talking; they’re all thinking about the beautiful and enigmatic Andre—only a few months before, she had piled on every piece of clothing she owned and jumped into the black water below. Since then, the boys have been obsessed with the girl who tried to kill herself—the girl who takes men one after another into the bathroom of the local cinema, and who is forcing these devout Catholic boys to question everything they know about devotion, desire, and sin.

A haunting novel from one of the masters of contemporary European fiction, Emmausbrilliantly evokes the perils and uncertainties of youth.

Don’t Kiss Me: Stories by Lindsay Hunter
Don't Kiss MeWith broken language, deep vernacular, unexpectedly fierce empathy, and a pace that’ll break your granny’s neck, Lindsay Hunter lures, cajoles, and wrenches readers into the wild world of Don’t Kiss Me.

Here you’ll meet Peggy Paula, who works the late shift at Perkin’s and envies the popular girls who come in to eat french fries and brag about how far they let the boys get with them. You’ll meet a woman in her mid-thirties pining for her mean-spirited, abusive boyfriend, Del, a nine-year-old who is in no way her actual boyfriend. And just try to resist the noir story of a reluctant, Afrin-addled detective.

Self-loathing, self-loving, and otherwise trapped by their own dumb selves, these characters make one cringe-worthy mistake after another. But for each bone-headed move, Hunter delivers a surprising moment that chokes you up as you peer into what seemed like deep emptiness and discover a profound longing for human understanding. It’s the collision of these moments that make this a powerful, alive book.

The stories of Don’t Kiss Me are united by Hunter’s singular voice and unflinching eye. By turns crass and tender, heartbreaking and devastatingly funny, her stories expose a world full of characters seemingly driven by desperation, but in the end, they’re the ones who get the last laugh. Hunter is at the forefront of the boldest, most provocative writers working now.

You & Me by Padgett Powell
You & MePadgett Powell has been regarded as unique and one of the most exciting writers today. The New York Times calls him “a master of voice, a generator of absolutely particular, original, hilarious human sounds.”‘

You & Me is a conversation, apparently on a porch, between two men who may be difficult to grasp. They move together in aimless, convenient debate, coming to conclusions that don’t conclude but to positions that may not finally be so aimless. They disagree to agree. They are smart, not smart; fools, not fools.

You & Me will take you on a tantalizing journey. Confounding, engaging fiction for everyone who loved The Interrogative Mood. Poignant, hilarious, opaque, diamond-clear, Padgett Powell’s new novel offers unusual delights.

L’amour by Marguerite Duras
L'amourA man—the traveler—arrives in the seaside town of S. Thala with the intent to abandon his present, and instead finds himself abruptly reintroduced to his past. Through his subsequent interactions with “her,” the woman to whom he was briefly engaged as a young man over twenty years ago, and “him,” the man who walks and keeps watch over “her,” the traveler is soon drawn back in and acclimated to the strange timelessness and company that is S. Thala.

Written in a stark and cinematic narrative style, this sequel to Duras’s 1964 novel The Ravishing of Lol Stein is a curious, yet haunting representation of the human memory: what we choose to recall, what we choose to forget, and how reliable we ultimately decide ourselves to be.

Written by Gabrielle

July 2, 2013 at 6:56 am

Books for Writers: To Show and To Tell by Phillip Lopate

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To Show and to TellIn his instructive book To Show and To Tell: The Craft of Literary Nonfiction, Phillip Lopate, essayist and Nonfiction Director at Columbia University’s School of the Arts, explores the form through a series of essays. In his introduction, Lopate poses a number of questions: where is the line between fiction and nonfiction? What are the ethics of writing about others? What are the techniques in essay writing? And, as the title alludes to, when, if ever, is it okay to tell?

Throughout the book, Lopate emphasizes the need for essayists to “think critically—to think against themselves,” to contradict themselves if need be. This is the message at the core of To Show and To Tell—that an essay is an attempt to come to an answer, not an opportunity to prove a rigidly held belief. By “thinking against oneself,” by being contrary, the essayist creates tension and suspense.

“All good essays are dialogues, and all partake of both exploration and argumentation,” Lopate writes. “In the best nonfiction, it seems to me, you’re always made aware that you are engaged with a supple mind at work.”

In addition to exploring philosophical questions about the craft, To Show and To Tell offers practical advice, such as how to turn oneself into a character (“you cannot amuse the reader unless you are already self-amused”), why one should research (“Research inspires curiosity, helps you break out of claustrophobic self-absorption”), and what’s gained by keeping a journal (“No one can expect to write well who will not first take the risk of writing badly”).

Lopate gives permission to do away with convention. For those who have trouble with endings, Lopate writes:

A common mistake students make is to assume they need to tie up with a big bow the preceding matter via a grand statement of what it all means, or what the life lesson to be drawn from it is … Readers should be left with some things to work out on their own.

The final section is a study of key essayists; Charles Lamb, William Hazlitt, and James Baldwin are just a few writers Lopate highlights. Lamb “had the quintessential personal essayist’s ability to see his own personality as problematic, and to dramatize the resulting tensions.” According to Lopate, he saw people as actors and the streets of London as a stage. Hazlitt showed that essays can change direction and Baldwin’s “Notes on a Native Son” is “A twenty-page miracle, a masterpiece of compression.”

To Show and To Tell is an inspiring book on the art of the essay. The reader will come away with a richer understanding of the form and motivated to put theory into practice.

::[Links]::
Buy To Show and To Tell from your local bookstore 
Read an interview with Phillip Lopate at Harper’s Magazine
Read an interview with Phillip Lopate on Beyond the Margins
Read an interview with Phillip Lopate at Poets & Writers
Listen to an interview with Phillip Lopate on WNYC’s Leonard Lopate Show

Written by Gabrielle

May 21, 2013 at 6:49 am

Week in the World: Music, Best Ofs, and the Science of Digital vs. Ink

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Here are just a few awesome things I came across in the past few days.

MUSIC
PhotekKCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.

In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.

I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.

On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.

Thom YorkeAlec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.

the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.

BEST OFS
GrantaThere’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.

There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.

This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.

Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.

Earlier this month they announced the finalists in fiction and poetry.

E VS. INK
eReaderAs the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.

Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.

WRITING
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.

MISCELLANY
Tavi GevinsonSpeaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”

Written by Gabrielle

April 23, 2013 at 6:59 am

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