Posts Tagged ‘what to watch’
In the early 2000s, Swedish film director Göran Hugo Olsson was working on the documentary “Am I Black Enough for You” about 70s soul musician Billy Paul. While researching he found an archive of 16 mm tapes in the building of Swedish Television, the country’s broadcasting company. The footage had been shot by a group of Swedish television journalists sympathetic to the Civil Rights and Black Power movements in the US. In 1967 they’d traveled to America to document the lives of both ordinary black Americans as well as those politically involved in the struggle for equal rights.
This footage, nearly 85 hours of it, sat in a basement for 30 years. In the 70s, Olsson was a student in Sweden. It was a time when his generation developed an interest in the Vietnam War and America’s role in it. This was the time of author Stieg Larsson’s political activism, when he was a photo journalist working with revolutionary groups in the Horn of Africa. There was something in the air and the group of filmmakers had caught it. Years later, Olsson was, once again, inspired by it, which led him to create The Black Power Mixtape 1967 – 1975.
Deciding “to riff on the popular ‘70s ‘mixtape’ format,” Olsson was careful not to cut the footage into pieces. Instead he kept the interviews at length and assembled them in chronological order.
The first public figure we see is Stokely Carmichael, someone I’d never heard of before this film. Carmichael could be considered a bridge between Martin Luther King, Jr. and the Black Panthers. He started out as a leader of a nonviolent student organization, taking part in the 1961 Freedom Rides, a group that originally relied on civil disobedience. Soon, he’d lost patience with MLK’s message and found a new role model in Frantz Fanon. After reading Fanon’s seminal text, Wretched of the Earth, Carmichael took the organization in a radical direction, adopting instead, Black Power ideology.
Co-producer Danny Glover, whose production company helped secure funding for the film, when he saw the footage, was taken with how clearly it showed the link between the Civil Rights and Black Power movements. Highlighting this connections, and following the flow of history, the film moves naturally from Stokely’s words to those of the Black Panthers’.
There are echoes of Stokely in the footage that follows. Eldridge Cleaver, the Black Panthers’ Minister of Information, gives a speech about the presidential nominees in San Francisco in 1968, Bobby Seale, the Chairman, explains the all-encompassing nature of the organization, and Huey P. Newton, the Minister of Defense, in 1971, released on bail after his arrest on allegations of manslaughter, discusses the “abusive” and “oppressive” treatment he experienced while in jail.
For anyone familiar with Europe’s views of the American criminal justice system, it will come as no surprise that the Attica prison riot, fueled in part by the prisoners’ desire for better living conditions, and the murder trial involving Angela Davis, whose ancillary role as owner of guns used in a hostage situation, put her in the precarious position of defending her life.
Adding a contemporary component to the film is commentary from black thinkers today. Those featured in voice-overs are musicians Talib Kweli, Erykah Badu, and Questlove of The Roots. Throughout the film they, along with poets Sonia Sanchez and Abiodun Oyewole and academic Robin Kelley discuss their memories of and experiences with the figures and moments in the archival footage.
The Black Power Mixtape takes an often-unquestioning and sympathetic view of its subject. However, this fact is stated in the opening of the film with text on the screen: “It [The Black Power Mixtape] does not presume to tell the whole story of the Black Power Movement, but to show how it was perceived by some Swedish filmmakers.” While it shouldn’t be taken as a sole account of this time period, the film is both a fascinating and educational contribution to the documentation of American history. For anyone looking for a place to start — but not a place to end — The Black Power Mixtape 1967 – 1975 is a fantastic primer.
Watch Instant on Netflix (available for streaming at the time of this posting)
Stokely Carmichael’s essay “What We Want” (PDF)
Okay Player Interview with Film Director Goran Olsson
Malcolm X Speaks: Selected Speeches and Statements by Malcolm X
“These are the major speeches made by Malcolm X during the last tumultuous eight months of his life. In this short period of time, his vision for abolishing racial inequality in the United States underwent a vast transformation. Breaking from the Black Muslims, he moved away from the black militarism prevalent in his earlier years only to be shot down by an assassin’s bullet.” [via IndieBound]
Soul on Ice by Eldridge Cleaver
“By turns shocking and lyrical, unblinking and raw, the searingly honest memoirs of Eldridge Cleaver are a testament to his unique place in American history. Cleaver writes in Soul on Ice, “I’m perfectly aware that I’m in prison, that I’m a Negro, that I’ve been a rapist, and that I have a Higher Uneducation.” What Cleaver shows us, on the pages of this now classic autobiography, is how much he was a man.” [via IndieBound]
Revolutionary Suicide by Huey P. Newton
“Eloquently tracing the birth of a revolutionary, Huey P. Newton’s famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America’s Black Panther Party. From Newton’s impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is smart, unrepentant, and thought-provoking in its portrayal of inspired radicalism.” [via IndieBound]
Are Prisons Obsolete? by Angela Davis
“With her characteristic brilliance, grace and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. For generations of Americans, the abolition of slavery was sheerest illusion. Similarly,the entrenched system of racial segregation seemed to last forever, and generations lived in the midst of the practice, with few predicting its passage from custom. The brutal, exploitative (dare one say lucrative?) convict-lease system that succeeded formal slavery reaped millions to southern jurisdictions (and untold miseries for tens of thousands of men, and women). Few predicted its passing from the American penal landscape. Davis expertly argues how social movements transformed these social, political and cultural institutions, and made such practices untenable.” [via IndieBound”
The Black Panthers Speak edited by Philip S. Foner
“For over three decades, The Black Panthers Speak has represented the most important single source of original material on the Black Panther Party. With cartoons, flyers, and articles by Huey P. Newton, Bobby Seale, and Eldridge Cleaver, this collection endures as an essential part of civil-rights history.” [via IndieBound]
The Wretched of the Earth by Frantz Fanon
“The Wretched of the Earth (published 1961) is Frantz Fanon’s most famous work, written during and regarding the Algerian struggle for independence from colonial rule. As a psychiatrist, Fanon explored the psychological effect of colonization on the psyche of a nation as well as its broader implications for building a movement for decolonization.” [via Wikipedia] Jean Paul-Sartre’s preface.
Quality by Talib Kweli (2002)
“Talib’s elation here strikes as sophisticated, distinguishing itself from the materialistic acquisitions, drug binges and sexual conquests that pass for contentment on many hip-hop albums, with a spiritual center attained through an on-record intellectual honesty and emotional transparency that’s still rare in a culture that feeds off inflated stereotypes of machismo posturing and stands on the political platform of fatalism and resignation. In fact, Kweli’s unabashed positivity and emotional vulnerability feel almost transgressive to these ears. Even when he confronts the ills of society, as he does on the wrenching “Where Do We Go” and “Stand to the Side”, there’s a certain optimism and belief that by illuminating the darkness through hip-hop, we can hope to transcend the pain.” [via Pitchfork]
The unconventional documentary filmmaker Morgan Spurlock, best known for his film Super Size Me, an account of what happens when you eat only McDonald’s for 30 days, explores the advertising industry in his latest production. The Greatest Movie Ever Sold, now available on DVD, is an inside look at the ubiquity of advertising today. Spurlock pulls back the curtain to expose how product placement makes its way onto our television screens, into our Hollywood films, and even onto the fields of our high school football games.
In a humorous, meta-twist Spurlock seeks to finance the project with ads, auctioning off screen time in exchange for start-up money. A camera crew follows him as he meets with potential investors, pitches the idea, and hashes out the contracts.
As companies step forward, some of them major corporations with images to protect, and make their demands, Morgan worries about his integrity; however, his concern has the feel of a clever charade, a playful way to include critical voices. Morgan meets with cultural commentators such as Noam Chomsky and Ralph Nader as well as successful film directors J.J. Abrams and Quentin Tarantino. In their interviews, the former discuss corporate power and its influence on the general public while the latter share their firsthand experience with advertising in the film industry.
Pom Wonderful, the pomegranate juice company, winds up paying the largest sum, 1 million dollars, and their name, as part of the deal, is placed on the marquee. In fact, the full movie title is “Pom Wonderful Presents: The Greatest Movie Ever Sold”. Their financial support also means that whenever Morgan is in a meeting, Pom’s pomegranate juice is on the table. Similarly, wherever other drinks are present, those other company’s logos are out of focus. There are even a few commercial breaks featuring Spurlock as the star. Jet Blue, another major backer, gets the special treatment with an interview taking place in one of their terminals.
As the advertising industry’s marketing departments mingle with science, their tactics are honed to perfection. Using manipulation, these companies are able to steer customers away from the competition and toward their product. Morgan visits a neuroscientist who scans his brain in an MRI machine while he watches advertisements featuring images meant to inspire fear, induce cravings, and rev up the hormones.
In his trip to Sao Paolo, Brazil, where public advertising has been banned, the audience is given a glimpse of urban life without a barrage of images, a stark contrast to the scenes shot in New York City and Los Angeles.
The Greatest Movie Ever Sold benefits from Spurlock’s wit and charm. As the New York Times says in their review, “Mr. Spurlock has Mr. [Michael] Moore’s prankster’s instincts, though not his sense of outrage.” It’s this lack of outrage that makes an otherwise damning movie downright amusing. No one comes out looking like a villain but viewing audiences will walk away better educated.
This film is perfect for those who appreciate sarcasm and those concerned with endless advertising in our lives—and everyone in between. The Greatest Movie Ever Sold shows that a lighthearted approach to a serious topic can be just as thought-provoking as a dogmatic one. After watching Spurlock’s on-screen antics, you’ll never miss those faced-out soda cans on your favorite prime time show again.
The Greatest Story Ever Sold official website
Morgan Spurlock’s TED Talk for The Greatest Story Ever Sold
Morgan Spurlock on KCRW’s The Business
Morgan Spurlock on NPR’s Talk of the Nation
Morgan Spurlock on Funny or Die (opens with sound)
Interview with Morgan Spurlock at AdWeek
Rogert Ebert’s review
New York Times review
AdWeek dives deeper into the MRI
What’s On the Shelf?
The Hidden Persuaders by Vance Packard
“The Hidden Persuaders is Vance Packard’s pioneering and prescient work revealing how advertisers use psychological methods to tap into our unconscious desires in order to “persuade” us to buy the products they are selling.
A classic examination of how our thoughts and feelings are manipulated by business, media and politicians, The Hidden Persuaders was the first book to expose the hidden world of “motivation research,” the psychological technique that advertisers use to probe our minds in order to control our actions as consumers. Through analysis of products, political campaigns and television programs of the 1950s, Packard shows how the insidious manipulation practices that have come to dominate today’s corporate-driven world began.” [via IndieBound]
Consuming Kids: Protecting Our Children from the Onslaught of Marketing & Advertising by Susan Linn
“[P]rovides instead a measured, but ultimately devastating, critique of consumerism and American childhood.
Children influence some $600 billion in annual spending, and marketers, as Linn amply documents, will stop at nothing to harness this kiddie-consumer juggernaut. Of the head-shaking stats and anecdotes Linn supplies, perhaps the most repulsive is the “nag factor study,” which identified the parents most susceptible to ‘pester power,’ whose kids thus make the most profitable advertising targets.” [via Mother Jones]
Buyology: Truth and Lies About Why We Buy by Martin Lindstrom
In Buy-ology: Truth and Lies About Why We Buy, author and marketing guru Martin Lindstromtakes us on a behind the scenes look at what sells and why we are lambs to the slaughter when it comes to buying ‘stuff.’ . . . Using one of the largest neuromarketing studies, Lindstrom attempts to look past what we say and figure out why we do what we do and how our brain responds to all of the incoming stimuli.” [via Interview with TreeHugger]
How We Decide by Jonah Lehrer
“Jonah Lehrer’s engaging new book, “How We Decide,” puts our decision-making skills under the microscope. . . . [Malcolm] Gladwell’s book [Blink] took an external vantage point on its subject, drawing largely on observations from psychology and sociology, [to study the boundary between reason and intuition] while Lehrer’s is an inside job, zooming in on the inner workings of the brain. We learn about the nucleus accumbens, spindle cells and the prefrontal cortex.” [via The New York Times] Watch Jonah discuss his book on Fora.tv (opens with sound).
No Logo by Naomi Klein
“Klein’s writing caught the wave of anti-globalization protests that swept across the planet a decade ago, beginning with the massive and violent demonstrations against the World Trade Organization meeting in Seattle in November 1999. Almost immediately, wherever world leaders gathered—international economic conferences, G8 summits, trade negotiations—they would be met with street protests and a parallel meeting of the planet’s angry marginalia, including counterculturalists, environmentalists, socialists, labor organizations, and human rights activists. No Logo was quickly adopted as the movement’s bible and, along with Nalgene water bottles and khaki cargo pants, became an essential part of the general-issue battle kit for campus lefties.
What are we to make of No Logo a decade on? It remains a passionate and ambitious snapshot of the newly globalized youth and consumer culture at the end of the 20th century. It is also an often infuriating work of agitprop that marries old Marxist prejudices about the market economy to a paranoid and conspiratorial account of the business of advertising.” [via Reason]
Since A Tribe Called Quest’s second album, Low End Theory, came out in 1991 I’ve been a fan. I can still remember the first time I saw the video for “Scenario”. The lines were clever—like Phife Dog’s of-the-moment opener, “Bo knows this and Bo knows that But Bo don’t know jack, cause Bo can’t rap”—and Busta Rhymes’ mesmerizing cameo. That year “Scenario” was on everyone’s mixtape. If you were in a car or at a party for more than 10 minutes, chances are you’d hear it.
Delving deeper, as fanatical teens are known to do, I liked them more and more. I loved their jazz samples and smart lyrics and stuck with them throughout the years, faithfully buying each album.
Earlier this year when I’d heard Michael Rapaport made a documentary about the group, I thought I’d heard wrong. Michael Rapaport? A Tribe Called Quest? Truly it was too awesome a pairing to be real.
For anyone who doesn’t know who Michael Rapaport is, he was usually the only white actor in 90s “black” movies, or “Hood films” as Wikipedia calls them, who wasn’t casted as a cop or corrupt politician. It was the era of Spike Lee and films like New Jack City, Boyz N the Hood, Above the Rim, and Menace II Society were huge; Rapaport was consistently authentic—he was the down white guy.
Beats, Rhymes & Life was Rapaport’s first time directing a film, a project that came about unintentionally. In passing, he’d mentioned to Q-Tip that someone needed to make a film about them. Q-Tip said, “do it”.
The first scene Michael shot became the film’s opening; the group was on their 2008 reunion tour. The footage shows the height of the group’s tension. Tribe had broken up in 1998, after their album The Love Movement was released. They’d known each other for nearly 30 years and spent 20 of those making music.
Q-Tip, Phife Dog, and Ali Shaheed Muhammad were feeling the strain of living life as one entity. The film, however, is not about the group’s decline. Beats, Rhymes & Life doesn’t sensationalize the hard times, instead it’s a celebration of who this group was and what they meant to people.
When Rapaport looks back on Tribe’s early and glory days, he’s documenting the beginning—and rise—of hip hop, the revolution of the 80s, sparked by the radio. There were boomboxes on every stoop blasting DJ Red Alert, Run DMC, and LL Cool J—all influencers on Tribe’s style.
As Tribe’s sound became known on the street, in the venues, and on the radio, they, too, became the influential. Angie Martinez, Monie Love, the Beastie Boys, Common, Black Thought, and others all get on camera to tell stories and talk about what Tribe was to them. It made me remember how much fun East Coast hip hop was in the 90s.
In his interview with the New York Times, when asked if he thought it would be difficult to make a documentary about Tribe, Rapaport said, “Honestly, no. I was a little bit innocent about that,” which is exactly why he was the best man to shoot this film. Like Rapaport, A Tribe Called Quest always had an air of honesty and innocence. The group’s issues—largely isolated to Phife feelings towards Q-Tip, as the film shows—plays it out as a brotherly tiff, a misunderstanding between stubborn family members. Beats, Rhymes & Life is a trip down memory lane paved with love and affection.
Q&A with the New York Times
Q&A with PBS’s Art Beat
Q&A with WNYC’s Culture Editor
Interview on Sound of Young America
Interview on KCRW’s The Treatment
Interview on NPR’s All Things Considered
Interview on WNYC’s Soundcheck
New York Times review
A.V. Club review
What’s on the Shelf?
The Plot Against Hip Hop by Nelson George
“THE PLOT AGAINST HIP HOP is a noir novel set in the world of hip hop culture. The stabbing murder of esteemed music critic Dwayne Robinson in a Soho office building is dismissed by the NYPD as a gang initiation. But his old friend, bodyguard/security expert D Hunter, suspects there’s much more to his death. An old cassette tape, the theft of a manuscript Robinson was working on, and some veiled threats suggest there are larger forces at work.” [via Akashic] Review in Time Out New York. Interview at okayplayer.
Can’t Stop Won’t Stop: A History of the Hip Hop Generation by Jeff Chang
“On the surface, Can’t Stop charts a smart history of the hip-hop movement as it’s come to be understood; Chang devotes a lot of attention to breakdancing and graffiti, as well as the music. Can’t Stop‘s real strength, however, derives from its big-picture vantage. Chang is a formidable reporter who follows individual actions to their collective vanishing point, such that principal figures like Kool Herc, Afrika Bambaataa, Rakim, Public Enemy, and Ice Cube all wade in the lapping tides of black consciousness and political unrest. Chang’s approach to history seems to stem from a question he poses in regard to dub, the remixed reggae sound whose focus on shadows helped set the stage for hip-hop: ‘What kind of mirror is it that reflects everything but the person looking into it?'” [via The AV Club]
The Big Payback: The History of the Business of Hip Hop by Dan Charnas
“Pulitzer-level reporting — Charnas interviewed more than 300 subjects — brings to life the story of the dollars behind the ballers in this absorbing account of hip-hop’s transformation from South Bronx cottage industry to multibillion-dollar global business.” [via Spin]
Interview on Fresh Air. Interview on Sound of Young America. Interview at Fader.
Decoded by Jay-Z
“. . . ‘Decoded’ is much better than it needs to be; in fact, it’s one of a handful of books that just about any hip-hop fan should own. Jay-Z explains not only what his lyrics mean but how they sound, even how they feel . . .” [via New Yorker]
Interview on Fresh Air. Video of Jay-Z in conversation with Cornell West at the New York Public Library (opens with sound).
Def Jam Recordings: The First 25 Years of the Last Great Record Label by Bill Adler, Dan Charnas, and Rick Rubin; Introduction by Russell Simmons
“Def Jam Recordings: The First 25 Years of the Last Great Record Label is a colossal read, with its oversize width reminiscent of a vinyl sleeve. But the inside isn’t daunting; in fact, it’s alluring, with photography steeped in the record company’s storied first years, alongside words from some of hip-hop’s historic moguls, such as Russell Simmons, Rick Rubin and Kevin Liles. With a relentless attention to aesthetic, Def Jam pays homage to both its past as a corporation and the past of the genre that it helped build.” [via The Root] Listen to Rick Rubin and Russell Simmons on NPR’s Weekend Edition.
What’s on your shelf this week? Comments are open.
If you’re looking for a take down of the New York Times, Page One: Inside the New York Times, is not for you. This documentary, which premiered at Sundance in January and is now available on DVD, is a look at the future of the newspaper industry through the lens of the New York Times’ media editors and reporters.
Director Andrew Rossi, previously the Associate Producer of Control Room, the 2004 documentary about Al Jazeera, had 14 months of considerable access at the Times. His footage even includes scenes from the twice-daily meetings where executives and desk editors meet to decide what stories would make it onto the front page, the coveted spot after which the movie is named.
When asked by The Huffington Post why he allowed Rossi such access, Bill Keller, who was the paper’s Executive Editor at the time of filming, said, “Andrew had what sounded like a smart angle — follow the media desk as it covers the implosion of our own industry”. More importantly, perhaps, “Andrew passed [David Carr’s] smell test.”
For those of you who don’t already who know David Carr is, you will by the end of the film. Former editor of the Twin Cities Reader and the Washington City Paper, now media columnist for the paper, David is the star of the film. He’s brash, incisive, scrappy—and incredibly likable. Despite his rough demeanor, he’s a fair journalist. In an interview with Fresh Air’s Terry Gross, Carr explains that he doesn’t trick sources into giving him good quotes. He doesn’t feed them false pleasantries hoping to lower their guard. If the story’s going to be a rough one, he tells them so they have a chance to defend themselves.
Carr’s media desk cohorts include Brian Stelter, a former anonymous blogger now Times reporter known for his fantastic Twitter skills, reporter Richard Perez-Pena, and department editor Bruce Headlam. Together, with a few other contributors, they form the site’s Media Decoder blog, which according the Times is “an insider’s guide to the media industry . . . a showcase for the extensive media coverage throughout The New York Times and a window on how the business of connecting with consumers is changing in the digital age.”
The film sets out to chart the wave of uncertainty that swept the newspaper industry starting in 2008—and continues to this day. As part of the investigation into new media’s role in people’s consumption of news and the status of traditional news outlets, Wikileaks acts as a case study. As the paper who released the Pentagon Papers 30 years earlier, Times reporters and news analysts are able to make direct comparisons.
The film allows the editors at the paper to discuss the gaffes that had taken place in quick succession—the Judith Miller Iraq War reporting and the Jayson Blair plagiarism scandal—in their own words and how they affected traditional media’s integrity.
In a short segment on the encroaching online outlets both Gawker founder, Nick Denton, and Arianna Huffington, owner of The Huffington Post, said the future of the media is giving people what they want to read. Notable push back on this philosophy, one of hit-driven content, came from former Baltimore City reporter and Wire creator David Simon and Katrina vanden Heuval, Editor and Publisher of the liberal weekly magazine The Nation. ProPublica, an independent, non-profit investigative news outlet was praised for its model and efforts: serious reporting on issues that matter to the health of civil society and their willingness to partner with traditional media outlets for occasional content and distribution.
Also worth mentioning are the interviews with Clay Shirky, a prominent thinker on Internet technologies, and Jeff Jarvis, similarly, a media theorist, both of whom play something of a foil to the more positive predictions for traditional media outlets.
For media junkies, the talk about the future of print journalism, the behind-the-scenes footage, and David Carr’s show-stealing personality makes this documentary well-worth watching. Highly recommended for a lazy Sunday.
Page One’s official website
Page One on Netflix
Q&A with Andrew Rossi
David Carr and Andrew Rossi on NPR’s Morning Edition
David Carr on Fresh Air
David Carr on Twitter
Brian Stelter on Twitter
Michael Kinsley’s review of the film for the New York Times
Review on NPR’s All Things Considered
On the Shelf: books by people featured in the film
David Carr is outspoken about his history with drug addiction. He speaks a bit about it in the film. In this book.
“In his ambition for connection Mr. Carr decides to report on his own life as if That Guy were a stranger. If This Guy can’t clearly see That Guy through the chemical and temporal blur, perhaps others can. Across many months, equipped with tape recorder and video camera, he tracks down figures from his past: friends, antagonists (including old editors), drug dealers, former girlfriends, members of his immediate family. He even interviews his own daughters. He hopes all of them will fill in some of the blanks. For the most part they do. The emerging self-portrait is not pretty.” [Pete Hamill via New York Times]
Cognitive Surplus: How Technology Makes Consumers into Collaborators by Clay Shirky
“Shirky’s hypothesis is that a lot of the 20th century stuff we used to take for granted — most people didn’t want to create media, people didn’t value homemade and amateur productions, no one would pitch in to create something for others to enjoy unless they were being paid — weren’t immutable laws of nature, but accidents of history. The Internet has undone those accidents, by making it possible for more people to make and do cool stuff, especially together. . . . Cognitive Surplus fizzes with great insights about how people use networks and interact with each other [and] continues to prove that Clay Shirky is one of the best thinkers and advocates the net has. It’s a delight to read and will change how you think about the future.” [via BoingBoing]
You can check out his profile and videos at TED
Public Parts: How Sharing in the Digital Age Improves the Way we Work and Live by Jeff Jarvis
“Privacy has its advocates. Jeff Jarvis has made himself an advocate for publicness. In Public Parts: How Sharing in the Digital Age Improves the Way we Work and Live, the original Internet optimist argues that if we become too obsessed with guarding all personal information on the ‘Net, we’ll miss important opportunities that come with making information available.” [via Fortune at CNN Money]
You can listen to an interview with Jeff about his book on the Six Pixels of Separation podcast
The Kingdom and the Power: Behind the Scenes at The New York Times: The Institution That Influences the World by Gay Talese
Gay Talese, a former reporter for the Times, appeared in the film. He also wrote a book about the paper.
“The classic inside story of The New York Times, the most prestigious, and perhaps the most powerful, of all American newspapers. Bestselling author Talese lays bare the secret internal intrigues behind the tradition of front page exposes in a story as gripping as a work of fiction and as immediate as today’s headlines.” [IndieBound]
What’s on your shelf? Comments are open.