Posts Tagged ‘pop culture’
Here are just a few paperback releases coming out this month that have caught my eye.
Black Is the Color by Julia Gfrorer
Black is the Color begins with a 17th-century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrorer’s delicate drawing style perfectly complements the period era of Black is the Color, bringing the lyricism and romanticism of Gfrorer’s prose to the fore. Black is the Color is a book as seductive as the sirens it depicts.
To Sell Is Human: The Surprising Truth About Moving Others by Daniel Pink
To Sell Is Human offers a fresh look at the art and science of selling. As he did in Drive and A Whole New Mind, Daniel H. Pink draws on a rich trove of social science for his counterintuitive insights. He reveals the new ABCs of moving others (it’s no longer “Always Be Closing”), explains why extraverts don’t make the best salespeople, and shows how giving people an “off-ramp” for their actions can matter more than actually changing their minds.
Along the way, Pink describes the six successors to the elevator pitch, the three rules for understanding another’s perspective, the five frames that can make your message clearer and more persuasive, and much more. The result is a perceptive and practical book–one that will change how you see the world and transform what you do at work, at school, and at home.
Hip Hop Family Tree by Ed Piskor
The lore of the early days of hip hop has become the stuff of myth, so what better way to document this fascinating, epic true story than in another great American mythological medium — the comic book? From exciting young talent and self-proclaimed hip hop nerd Ed Piskor, acclaimed for his hacker graphic novel Wizzywig, comes this explosively entertaining, encyclopedic history of the formative years of the music genre that changed global culture. Originally serialized on the hugely popular website Boing Boing, The Hip Hop Family Tree is now collected in a single volume cleverly presented and packaged in a style mimicking the Marvel comics of the same era. Piskor’s exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail. With a painstaking, vigorous and engaging Ken Burns meets- Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted. plus the charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and then-punker Rick Rubin. Piskor also traces graffiti master Fab 5 Freddy’s rise in the art world, and Debbie Harry, Keith Haring, The Clash, and other luminaries make cameos as the music and culture begin to penetrate downtown Manhattan and the mainstream at large. Like the acclaimed hip hop documentaries Style Wars and Scratch, The Hip Hop Family Tree is an exciting and essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.
The Question Concerning Technology, and Other Essays by Martin Heidegger
The advent of machine technology has given rise to some of the deepest problems of modern thought. Featuring the celebrated essay “The Question Concerning Technology,” this prescient volume contains Martin Heidegger’s groundbreaking investigation into the pervasive “enframing” character of our understanding of ourselves and the world. As relevant now as ever before, this collection is an essential landmark in the philosophy of science from “one of the most profound thinkers of the twentieth century” (New York Times).
The Guy Under the Sheets: The Unauthorized Autobiography by Chris Elliott
Is Chris Elliott a highly successful and beloved comedian—or a slightly dim-witted notalent from a celebrity family who managed to convince a generation of disillusioned youth that he was funny? From a ghastly childhood on the posh Upper East Side to his first job entertaining mobsters with his Judy Garland impersonation, The Guy Under the Sheets is packed with countless episodes from the life of a mediocre artist who somehow faked his way to the top—of semi-moderate fame and fortune. Woven throughout thectional fun in Elliott’s memoir are wonderful real-life anecdotes that will delight many new readers and loyal fans alike.
Pretty in Ink: North American Women Cartoonists 1896-2013 by Trina Robbins
With the 1896 publication of Rose O’Neill’s comic strip The Old Subscriber Calls, in Truth Magazine, American women entered the field of comics, and they never left it. But, you might not know that reading most of the comics histories out there. Trina Robbins has spent the last thirty years recording the accomplishments of a century of women cartoonists, and Pretty in Ink is her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries (such as a Native American woman cartoonist from the 1940s who was also a Corporal in the women’s army, and the revelation that a cartoonist included in all of Robbins’s previous histories was a man ) In the pages of Pretty in Ink you’ll find new photos and correspondence from cartoonists Ethel Hays and Edwina Dumm, and the true story of Golden Age comic book star Lily Renee, as intriguing as the comics she drew. Although the comics profession was dominated by men, there were far more women working in the profession throughout the 20th century than other histories indicate, and they have flourished in the 21st. Robbins not only documents the increasing relevance of women throughout the 20th century, with mainstream creators such as Ramona Fradon and Dale Messick and alternative cartoonists such as Lynda Barry, Carol Tyler, and Phoebe Gloeckner, but the latest generation of women cartoonists–Megan Kelso, Cathy Malkasian, Linda Medley, and Lilli Carre, among many others. Robbins is the preeminent historian of women comic artists; forget her previous histories: Pretty in Ink is her most comprehensive volume to date.
Today, it seems like everyone has a favorite comedian; it’s almost hard not to. With great work being done for the big screen all the way down to mobile devices, smart, funny entertainment is more accessible now than during any other time in history. Here are just a few podcasts that give you a behind the scenes look at a life in comedy.
New Yorker: Emily Nussbaum, Jelani Cobb, and Sasha Weiss discuss “Key & Peele”
New Yorker television critic Emily Nussbaum and frequent contributor Jelani Cobb discuss the way the Comedy Central show “Key & Peele” addresses race.
Extra credit: read Emily’s review of the show.
By the Way, In Conversation with Jeff Garlin: Conan O’Brien
It’s hard to go wrong with an episode of Jeff Garlin’s “By The Way,” his not-so-new-anymore podcast on Earwolf. As it turns out, Jeff and Conan O’Brien were roommates during their Chicago days, which makes this episode particularly entertaining.
Extra credit: watch the special Conan put together during the year he was exiled from late night TV, “Conan O’Brien Can’t Stop.”
Recommended If You Like: Marc Maron
This past spring comedian and podcast host Marc Maron launched his latest book, Attempting Normal, with a bunch of interviews. It was interesting to hear him on the other side of the mic. In this show he talks in-depth about his career in comedy.
Extra credit: watch Marc Maron’s latest stand-up special, “Thinky Pain.”
WTF with Marc Maron: Baratunde Thurston
Marc Maron, back on his side of the table, speaks with Baratunde Thurston, comedian and author of How to Be Black. The two guys talk about their childhoods, their views on social media, and, of course, race.
Girl on Guy: Chris Rock
Host Aisha Tyler talks to Chris about his childhood, how he learned comedy, and sketch vs. stand-up.
Nerdist: Jim Rash and Nat Faxon
Jim Rash, known to “Community” fans as Dean Pelton, joins fellow actor/comedian Nat Faxon to talk about improv and teaching comedy at the LA-based comedy group The Groundlings.
Nerdist: Aziz Ansari
Having just released a new stand-up special, Aziz Ansari talks to Chris Hardwick about how he tested out the show’s material, where he is in his career right now, and the importance of change.
Extra credit: watch Aziz’s latest stand-up special, “Buried Alive,” now streaming on Netflix.
Comedy Bang Bang: Amy Poehler
What can only be described as mental jujitsu, Amy Poehler unleashes her improvisational skills for an hour and a half.
Breaking Bad, the show about a chemistry teacher turned meth kingpin, premiered in 2008 and had its series finale the other week. In the final episode there were flashbacks to the very beginning. For those who have been following in real time, it was probably a shock to see the evolution of Walter White, played by Bryan Cranston, laid bare. For those who haven’t seen the show yet, I’m jealous. It’s one of those shows you wish you could watch it for the first time over and over again. For those who have, here’s a roundup of great interviews with the cast, crew, and critics.
Stuff You Should Know: How Meth Works
In this episode, hosts Josh and Chuck discuss the culture and science of methamphetamine, from lingo to manufacturing of to biological side effects.
New Yorker Out Loud: Emily Nussbaum and Tad Friend Discuss “Breaking Bad”
The New Yorker’s TV critic Emily Nussbaum and staff writer Tad Friend discuss Walter White as an antihero and the overall nature of the show.
Nerdist Writer’s Panel: “Breaking Bad” Season Five in Review
“Breaking Bad” showrunner/creator Vince Gilligan and writers Peter Gould, Sam Catlin, George Mastras, Gennifer Hutchison, Thomas Schnauz, Moira Walley-Beckett and Gordon Smith talk about writing the show, how the fifth season unfolded, and their feelings about the finale.
Nerdist: Aaron Paul
Aaron Paul talks about how he got into acting, what it’s like playing Jesse on the show, and how it is to work alongside Bryan Cranston.
WTF with Marc Maron: Bryan Cranston
Bryan Cranston once wanted to be a policeman; he tells Marc Maron what made him change his mind and go into acting. He also talks about crafting Walter White’s persona.
By the Way, In Conversation with Jeff Garlin: Vince Gilligan
Vince talks about his career in TV, how “Breaking Bad” episodes come together, and how television differs from film today.
Fresh Air Bob Odenkirk
Bob Odenkirk, who plays the sleazy lawyer Saul Goodman, talks to Terry Gross about the basis for his character, what it’s like to play a humorous part in a dark drama, and his career as a comedy writer.
Fresh Air: Breaking Bad Writers
Breaking Bad writers Peter Gould and Thomas Schnauz talk about the final season.
It was near impossible keeping this month’s roundup short. Lots of good stuff coming out in October. Hit the bookstores!
How to Read a Novelist by John Freeman
For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the current editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he’s learned.
From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone.
What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader—a perfect companion (or gift!) for anyone who’s ever curled up with a novel and wanted to know a bit more about the person who made it possible.
Frequencies Volume 3
The latest installment of “Frequencies” follows Norman Mailer and George Plimpton to Vienna for a staged reading of “Zelda,” based on correspondence between Ernest Hemingway and the Fitzgeralds. D. Foy tracks krump, from street-art to reality television.Plus: Antonia Crane on being down-and-out in San Francisco, and a discussion between photographer Lynn Davis and husband, Rudolph Wurlitzer.
Marvel Comics: The Untold Story by Sean Howe
In the early 1960s, a struggling company called Marvel Comics presented a cast of brightly costumed characters distinguished by smart banter and compellingly human flaws: Spider-Man, the Fantastic Four, the Avengers, the X-Men. Over the course of half a century, Marvel’s epic universe would become the most elaborate fictional narrative in history and serve as a modern American mythology for millions of readers.
For the first time, Marvel Comics reveals the outsized personalities behind the scenes, including Martin Goodman, Stan Lee, Jack Kirby, and generations of editors, artists, and writers who struggled with commercial mandates, a fickle audience, and–over matters of credit and control–one another. Marvel Comics is a story of fertile imaginations, lifelong friendships, action-packed fistfights, and third-act betrayals–a narrative of one of the most extraordinary, beloved, and beleaguered pop-cultural entities in America’s history.
The Revolution of Every Day by Cari Luna
In the midnineties, New York’s Lower East Side contained a city within its shadows: a community of squatters who staked their claims on abandoned tenements and lived and worked within their own parameters, accountable to no one but each other. With gritty prose and vivid descriptions, Cari Luna’s debut novel, “The Revolution of Every Day,” imagines the lives of five squatters from that time. But almost more threatening than the city lawyers and the private developers trying to evict them are the rifts within their community. Amelia, taken in by Gerrit as a teen runaway seven years earlier, is now pregnant by his best friend, Steve. Anne, married to Steve, is questioning her commitment to the squatter lifestyle. Cat, a fading legend of the downtown scene and unwitting leader of one of the squats, succumbs to heroin. The misunderstandings and assumptions, the secrets and the dissolution of the hope that originally bound these five threaten to destroy their homes as surely as the city’s battering rams. “The Revolution of Every Day” shows readers a life that few people, including the New Yorkers who passed the squats every day, know about or understand.
What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art by Will Gompertz
In the tradition of Eats, Shoots & Leaves, art history with a sense of humor
Every year, millions of museum and gallery visitors ponder the modern art on display and secretly ask themselves, “Is this art?” A former director at London’s Tate Gallery and now the BBC arts editor, Will Gompertz made it his mission to bring modern art’s exciting history alive for everyone, explaining why an unmade bed or a pickled shark can be art—and why a five-year-old couldn’t really do it.
Rich with extraordinary tales and anecdotes, What Are You Looking At? entertains as it arms readers with the knowledge to truly understand and enjoy what it is they’re looking at.
The Black Spider by Jeremias Gotthelf
It is a sunny summer Sunday in a remote Swiss village, and a christening is being celebrated at a lovely old farmhouse. One of the guests notes an anomaly in the fabric of the venerable edifice: a blackened post that has been carefully built into a trim new window frame. Thereby hangs a tale, one that, as the wise old grandfather who has lived all his life in the house proceeds to tell it, takes one chilling turn after another, while his audience listens in appalled silence. Featuring a cruelly overbearing lord of the manor and the oppressed villagers who must render him service, an irreverent young woman who will stop at nothing, a mysterious stranger with a red beard and a green hat, and, last but not least, the black spider, the tale is as riveting and appalling today as when Jeremias Gotthelf set it down more than a hundred years ago. The Black Spider can be seen as a parable of evil in the heart or of evil at large in society (Thomas Mann saw it as foretelling the advent of Nazism), or as a vision, anticipating H. P. Lovecraft, of cosmic horror. There’s no question, in any case, that it is unforgettably creepy.
The Dark by Sergio Chejfec
Opening with the presently shut-in narrator reminiscing about a past relationship with Delia, a young factory worker,The Dark employs Chejfec’s signature style with an emphasis on the geography and motion of the mind, to recount the time the narrator spent with this multifaceted, yet somewhat absent, woman. On their daily walks he becomes privy to the ways in which the working class functions; he studies and analyzes its structure and mindset, finding it incredibly organized, self-explanatory, and even beautiful. He repeatedly attempts to apply his “book” knowledge to explain what he sees and wants to understand of Delia’s existence, and though the difference between their social classes is initially a source of great intrigue—if not obsession—he must eventually learn that there comes a point where the boundary between observer and participant can dissolve with disarming speed.
The White Goddess: A Historical Grammar of Poetic Myth by Robert Graves
This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves’s vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet’s quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry.
Incorporating all of Graves’s final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.
Leapfrog by Guillermo Rosales
Leapfrog depicts one summer in the life of a very poor young boy in post-revolutionary Havana in the late ’50s. He has superhero fantasies, hangs around with the neighborhood kids, smokes cigarettes, tells very lame jokes: “By the way, do you know who died? No. Someone who was alive. Laughter.” The kids fight, discuss the mysteries of religion and sex, and play games — such as leapfrog. So vivid and so very credible, Leapfrog reads as if Rosales had simply transcribed everything that he’d heard or said for this one moving and touching book about a lost childhood.
Leapfrog was a finalist for Cuba’s prestigious Casa de las Americas award in 1968. Years later, Rosales’s sister told The Miami Herald that Rosales felt he hadn’t won the prize because his book lacked sufficient leftist fervor, and that subtle critiques of cruel children and hypocritical adults throughout the playful recollections had clearly “rankled” state officials. In the end the novel never appeared in Cuba. It was first published in Spain in 1994, a year after Rosales’s death.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
Hip hop began in the 1970s as an underground movement; today it’s everywhere. From house parties in the suburbs to national television advertising campaigns it’s recognizable, celebrated, and imitated. Snoop Dogg made headlines when he changed his name to Snoop Lion and Jay Z and Beyonce were given the same treatment as the British Monarchy when they had their first child.
Since its start on the street of New York, hip hop has grown into a multi-billion dollar industry. The cash flow now includes not only music but art shows featuring graffiti as well as successful clothing lines.
1. Stuff You Should Know: How Hip-Hop Works (52:13)
In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices. You can read more about it on their site.
2. Los Angeles Review of Books: 2pac and Biggie (1 hr.)
Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.
3. NPR Fresh Air: Questlove (45:14)
The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)
Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.
5. WBUR On Point: Fame and Fortune of Jay-Z (48:00)
Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.
If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.
Whether they’re reissues, reprints, or originals, there are some great books coming out in August in paperback. Here are just a few.
Creativity: The Psychology of Discovery and Invention by Mihaly Csikszentmihalyi (reissue)
The classic study of the creative process from the national bestselling author of Flow.
Creativity is about capturing those moments that make life worth living. Legendary psychologist Mihaly Csikszentmihalyi reveals what leads to these moments—be it the excitement of the artist at the easel or the scientist in the lab—so that this knowledge can be used to enrich people’s lives. Drawing on nearly one hundred interviews with exceptional people, from biologists and physicists, to politicians and business leaders, to poets and artists, as well as his thirty years of research on the subject, Csikszentmihalyi uses his famous flow theory to explore the creative process. He discusses such ideas as why creative individuals are often seen as selfish and arrogant, and why the “tortured genius” is largely a myth. Most important, he explains why creativity needs to be cultivated and is necessary for the future of our country, if not the world.
My 1980s and Other Essays by Wayne Koestenbaum
Wayne Koestenbaum has been described as “an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag” (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description.
My 1980s and Other Essays opens with a series of manifestos—or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author’s own lodestars and lodestones: literary (John Ashbery, Roberto Bolaño, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal—the voice, the style, the flair—that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience.
Koestenbaum is perched on the cusp of being a true public intellectual—his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.
Necessary Errors by Caleb Crain
An exquisite debut novel that brilliantly captures the lives and romances of young expatriates in newly democratic Prague It’s October 1990. Jacob Putnam is young and full of ideas. He’s arrived a year too late to witness Czechoslovakia’s revolution, but he still hopes to find its spirit, somehow. He discovers a country at a crossroads between communism and capitalism, and a picturesque city overflowing with a vibrant, searching sense of possibility. As the men and women Jacob meets begin to fall in love with one another, no one turns out to be quite the same as the idea Jacob has of them—including Jacob himself.
Necessary Errors is the long-awaited first novel from literary critic and journalist Caleb Crain. Shimmering and expansive, Crain’s prose richly captures the turbulent feelings and discoveries of youth as it stretches toward adulthood—the chance encounters that grow into lasting, unforgettable experiences and the surprises of our first ventures into a foreign world—and the treasure of living in Prague during an era of historic change.
The Haunted Bookshop by Christopher Morley
Volumes disappear and reappear on the shelves, but the ghosts of literature aren’t the only mysterious visitors in Roger Mifflin’s haunted bookshop.
Mifflin, who hawked books out of the back of his van in Christopher Morley’s beloved Parnassus on Wheels, has finally settled down with his own secondhand bookstore in Brooklyn. There, he and his wife, Helen, are content to live and work together, prescribing literature to those who hardly know how much they need it. When Aubrey Gilbert, a young advertising man, visits the shop, he quickly falls under the spell of Mifflin’s young assistant, Titania. But something is amiss in the bookshop, something Mifflin is too distracted to notice, and Gilbert has no choice but to take the young woman’s safety into his own hands. Her life—and the Mifflins’—may depend on it.
Man Who Sold the World: David Bowie and the 1970s by Peter Doggett
In The Man Who Sold the World, acclaimed journalist Peter Doggett explores the rich heritage of David Bowie’s most productive and inspired decade. Viewing the artist through the lens of his music and his many guises, Doggett offers a detailed analysis—musical, lyrical, conceptual, social—of every song Bowie wrote and recorded during that period, as well as a brilliant exploration of the development of a performer who profoundly affected popular music and the idea of stardom itself.
Twin Cities Noir edited by Julie Schaper and Steven Horwitz
Launched in the summer ’04, Akashic Books continues its groundbreaking series of original noir anthologies. Each book is comprised of all-new stories, each one set in a distinct neighborhood or location within the city of the book.
Brand-new stories by John Jodzio, Tom Kaczynski, Peter Schilling Jr., David Housewright, Steve Thayer, Judith Guest, Mary Logue, Bruce Rubenstein, K.J. Erickson, William Kent Krueger, Ellen Hart, Brad Zellar, Mary Sharratt, Pete Hautman, Larry Millett, Quinton Skinner, Gary Bush, and Chris Everheart.
The Rise of Ransom City by Felix Gilman
In The Half-Made World, Felix Gilman took readers deep into a world on the cusp of forging an identity. The Line, a cult of Industry, and the Gun, a mission of Chaos, were engaged in a war for dominance. The Line was winning city by city, enslaving the populations it conquered. A doctor of psychology, Liv Alverhuysen, was caught in the middle, unknowingly guarding a secret that both sides would do anything to have.
Now Liv is lost on the edge of the world with Creedmor, an agent of the Gun, and the powerful Line will stop at nothing to find them. But Harry Ransom, half con man, half mad inventor, is setting the edge of the world aglow. Town by town he is building up a bankroll and leaving hope in his wake because one of his inventions is actually working. But his genius is not going unnoticed, and when he crosses paths with the two most wanted outlaws in the “unmade world,” his stage becomes even larger and presents an opportunity more lucrative than any of his scams or inventions combined.
*Descriptions for these books have been provided by the publishers.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper.
A recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.
Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.
Another excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.
Something that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.
Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.
Bonus: Orange is the New Black
I’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.
You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.
It’s been a big month in podcast world. Here are a few that have been especially amazing.
Judd Apatow sat down at Largo for Jeff Garlin’s incredible live show By the Way, in Conversation with Jeff Garlin. On WNYC, David Simon spoke with Alec Baldwin on his show Here’s the Thing. Aisha Tyler had a cold the other week and aired what was previously a premium episode, an interview with Henry Rollins.
Marc Maron’s doing the media rounds for his new book, Attempting Normal, and his show on IFC, Maron, and was just on the Nerdist to talk about both–among other things. In a more recent episode of The Nerdist, Billy Crystal was on the show to talk about his new movie Monsters University and also got around to discussing a few stories from his time in comedy. NPR’s comic critic Glen Weldon, who just wrote an unauthorized biography of Superman, was on the Nerdist Comics Panel to talk about the history of the superhero.
House DJ and producer Felix da Housecat dropped by KCRW to discuss the origins of house music and how he became a DJ on Metropolis. The most recent episode of the show features an interview with the two brothers who make up Disclosure, an excellent British electronic act with a new album, which I can’t recommend enough.
Meanwhile, on the Los Angeles Review of Books’ podcast, host Colin Marshall talks with co-authors Jeff Weiss and Evan McGarvey about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle, a must-listen for hip hop fans. Also not to be missed, WBEZ’s Sound Opinions explored Johnny Cash’s legendary live album, Live from Folsom Prison.
Late Night Library, an excellent podcast that interviews publishing industry professionals, spoke with fellow podcaster Ed Champion and, before that, literary agent Laura Liss. Speaking of Ed Champion, he sat down with Claire Messud for her latest novel, The Woman Upstairs.
One of my new favorite podcasts hosted by Joyland Magazine spoke with the incredible writer and critic Roxane Gay. And on a long-time staple, Other People, Brad Listi spoke with Maggie Nelson, author of Bluets, a book I loved.
Lexicon Valley, Slate’s language show, is back after a brief hiatus and the first episode is on the odd phrase, “Yeah, no …”. I’ve been warning everyone, after you listen to it, you’re going to hear everyone saying it. And finally, great news, Book Riot’s Rebecca Schinsky and Jeff O’Neal are now co-hosting a bookish podcast that is more than worth a listen. For talk on new releases and book news, subscribe to this one today.
What are you listening to?
Here are just a few awesome things I came across in the past few days.
KCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.
In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.
I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.
On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.
Alec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.
the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.
There’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.
There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.
This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.
Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.
E VS. INK
As the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.
Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.
Speaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”
The mark of a great comedy podcast is having to give this caveat: if you aren’t comfortable laughing to yourself in public, best to listen to this one at home alone. Every one of the now seven episodes of By the Way, In Conversation with Jeff Garlin has made me laugh out loud, often with an uncontrollable sputter. Not only that, I grin nearly the whole way through, which, I might add, makes me appear friendly during rush hour, a threat to my tough New Yorker exterior.
Actor, comedian, producer Jeff Garlin, known best to me for his role as Larry David’s manager and friend in Curb Your Enthusiasm, hosts a conversation with fellow talented entertainment industry creatives in front of a live audience at Largo in Los Angeles.
The run time is about an hour and a half, with J.J. Abrams clocking in at an hour and fifty, but however long the show, it never gets tedious. Garlin is one of the rare hosts who can keep you engaged and entertained long past the standard 45 minutes.
Whether Garlin has had the good fortune of sitting down with people who enjoy his company, or if he’s just that good at putting people at ease, every conversation has been comfortable and paved the way for mutual openness. In the first episode, Garlin draws out Larry David’s quirks, of which there are many—one being his dislike of listening to music for its own sake. In episode two, he and Lena Dunham discuss the hell that is awards shows—unless, as was the case with Dunham, you have your quick-witted mom in tow. Parenting, and family life in general, is a common topic: both J.J. Abrams and Will Ferrell like to make their kids breakfast and see them off to school. Farrell volunteers at his son’s soccer games and J.J. makes up stories at bedtime.
Even if Garlin didn’t have great timing and a knack for getting stories out of his guests, his laugh, boisterous and infectious, would be enough to get your smile going. The only downside of By the Way is its lack of an archive, having just begun in January of this year. However, if you get in on it now, you’ll be one of the lucky ones with bragging rights, able to say you were listening to it back when, because, with a bit of luck and more excellent guests, this show will be around for a very long time.
By the Way, In Conversation with Jeff Garlin
Here are a few things I came across this week that were exceptional.
Perfect Day Publishing on Late Night Conversation
I’ve mentioned The Late Night Library’s podcast, Late Night Conversation, before but their interviews continue to be amazing, so, here we are again. This Portland-based organization is devoted to spreading the awareness of independent publishing. The show, hosted by co-founder Paul Martone, features debut authors and publishing professionals from small presses. Martone has the conversational style that makes podcasts so great. He’s thoughtful, informed, and curious.
The latest episode features Perfect Day Publishing founder Michael Heald and author Lisa Wells, whose book Yeah. No. Totally was published by the press this year. I first came to hear of Perfect Day Publishing through a previously self-published book they’d reprinted after it gained some attention. Love Is Not Constantly Wondering If You Are Making the Biggest Mistake of Your Life is one of the best books I read in 2012.
In other podcast news, Alec Baldwin talked to Billy Joel in July and I just got around to listening to it. It was pretty great.You’ll probably enjoy it more if you’re from Long Island. A personal favorite, Teju Cole was on CBC’s Writers & Company, one of the best author interview shows out there today.
This weekend I came across an article by Blake Butler on HTMLGIANT called ‘22 Things I Learned from Submitting Writing.” At first glance I expected it to be snarky. While the site is typically earnest, there’s a level of sarcasm lurking underneath. This piece from Blake, however, was truly generous. Here are a few of my favorite points:
4. Often editors who reject you are doing you a favor. Either the piece isn’t great and needs work (thus saving you face of looking back later like whyyyyy did I publish this) or taking a strong piece and making it stronger because of force of will.
5. Some pieces are you learning. Some never get it right. Don’t publish your homework.”
13. Don’t lose sight of someone you love in the midst of this.
19. Be a person, not an email address with a social profile and an onslaught.
Also of note is writer Brad Leithauser’s essay about the different ways we read fiction–mainly two ways, like a critic and like a child. He recalls the time he and his then 15-year-old daughter had a conversation about Rachel from Daphne du Maurier’s “My Cousin Rachel.”
I’m eyeballs deep in noir at the moment and came across this great essay by Raymond Chandler called “The Simple Art of Murder.” I’m sure many crime fiction fans have already stumbled on this, a few possibly owning a highlighted copy in their drawer somewhere, but for the rest of us…
Every detective story writer makes mistakes, and none will ever know as much as he should. Conan Doyle made mistakes which completely invalidated some of his stories, but he was a pioneer, and Sherlock Holmes after all is mostly an attitude and a few dozen lines of unforgettable dialogue.
The Los Angeles Review of Books has quickly become the place to go for in-depth, thoughtful coverage of the arts. Their front page has a triptych that changes at least twice a week. Recently, I came across their LARBart Tumblr where the work is displayed and explained.
While the name suggests heavy coverage of books, LARB has able people writing about other topics as well. Recently, they ran an interview with Ellen Lupton, one of the curators of “Graphic Design: Now In Production,” now on view at the Hammer Museum in Los Angeles. Ellen runs the MFA design program at the Maryland Institute College of Art and is the author of Thinking with Type.
Today, every designer is a production artist — setting type, retouching photos, and making endless updates for clients. The convergence of design and production gives us more direct control over the outcome of a project, while also loading us with an ever-growing list of skills and tasks to master. … Many designers today are using their knowledge of production techniques to become publishers, authors, editors, and instigators.
The term “graphic” has long been a point of contention in our field. … I like the word “graphic” because it connects us to the world of text, as well as to the “graphic arts” — the processes of printing and production. Typography is always about writing, and writing is a graphic phenomenon.
I usually roll my eyes at algorithms, those computer generated recommendations, but the other night while I was clicking through Netflix I noticed a British program from the 80s that was highlighted for me, The Comic Strip Presents, a sketch comedy show featuring Rik Mayall and Adrian Edmondson of The Young Ones and Jennifer Saunders, who later went on to create and star in Absolutely Fabulous. If you’re a fan of any of the above, you should stop reading now and add it to your queue. For those more familiar with Portlandia, this is their long lost British forebear.