Posts Tagged ‘podcasts’
Here are just a few awesome things I came across in the past few days.
KCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.
In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.
I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.
On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.
Alec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.
the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.
There’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.
There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.
This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.
Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.
E VS. INK
As the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.
Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.
Speaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”
The mark of a great comedy podcast is having to give this caveat: if you aren’t comfortable laughing to yourself in public, best to listen to this one at home alone. Every one of the now seven episodes of By the Way, In Conversation with Jeff Garlin has made me laugh out loud, often with an uncontrollable sputter. Not only that, I grin nearly the whole way through, which, I might add, makes me appear friendly during rush hour, a threat to my tough New Yorker exterior.
Actor, comedian, producer Jeff Garlin, known best to me for his role as Larry David’s manager and friend in Curb Your Enthusiasm, hosts a conversation with fellow talented entertainment industry creatives in front of a live audience at Largo in Los Angeles.
The run time is about an hour and a half, with J.J. Abrams clocking in at an hour and fifty, but however long the show, it never gets tedious. Garlin is one of the rare hosts who can keep you engaged and entertained long past the standard 45 minutes.
Whether Garlin has had the good fortune of sitting down with people who enjoy his company, or if he’s just that good at putting people at ease, every conversation has been comfortable and paved the way for mutual openness. In the first episode, Garlin draws out Larry David’s quirks, of which there are many—one being his dislike of listening to music for its own sake. In episode two, he and Lena Dunham discuss the hell that is awards shows—unless, as was the case with Dunham, you have your quick-witted mom in tow. Parenting, and family life in general, is a common topic: both J.J. Abrams and Will Ferrell like to make their kids breakfast and see them off to school. Farrell volunteers at his son’s soccer games and J.J. makes up stories at bedtime.
Even if Garlin didn’t have great timing and a knack for getting stories out of his guests, his laugh, boisterous and infectious, would be enough to get your smile going. The only downside of By the Way is its lack of an archive, having just begun in January of this year. However, if you get in on it now, you’ll be one of the lucky ones with bragging rights, able to say you were listening to it back when, because, with a bit of luck and more excellent guests, this show will be around for a very long time.
By the Way, In Conversation with Jeff Garlin
This roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”
Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.
A bit of background:
Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.
Noir-like description of Lohan:
“She was quite pale, her skin not on speaking terms with daylight.”
This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.
Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.
On his approach to interviewing for a job, which can be applied to many other things:
You want to be surprising. People love surprises. That is how we stay interested.
On using edited material for “bonus features”:
The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.
Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.
Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.
The Millions ran an argument in favor of reading fewer books in 2013:
This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.
Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”
Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.
Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.
Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.
And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.
The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.
I don’t believe this is a new phenomenon but I’ve noticed an overwhelming amount of quality journalism on the Internet lately. Here are a few pieces that made me think about creative nonfiction, links to more straightforward writing articles, and, of course, television shows and podcasts for when you’re done reading.
The Food That Ate Manhattan: The Implacable Rise of Frozen Yogurt Leaves Us Cold by Kim Velsey for The New York Observer
Anyone who knows me knows about my terrible frozen yogurt habit. I’ve memorized the locations of all the self-serve places below 14th street. I know the Tasti-d-Lites that surround the stores and coffee shops I frequent. I couldn’t go a day without it, or at least not easily. So, when I came across this fantastic article on the rise of frozen yogurt, specifically in New York City, and read its mocking, horrified tone, I was enthralled and wanted to share with everyone I knew.
It was not until one day in Union Square that I realized, in a moment of disquieting clarity, that frozen yogurt shops were everywhere. A Joyride frozen yogurt truck idled by the park, Diet Lite Ice Cream was visible just down 17th Street, and a Yelp search revealed that a Pinkberry, a Tasti D-Lite, a Red Mango, a 16 Handles, a Yoqua Bar and a Yogurberry were all within a five to 10 minute walk. None of which were deemed satisfactory by the friend at my side, who urged us on toward Flavaboom on Sixth Avenue, where one could get the nonfat flavors twisted together and heaped with cheesecake bites and cookie dough.
Nearly skipping with anticipation, she raved about frozen yogurt the whole way there. It was alarming. How could she be so into frozen yogurt? I wondered. How could anyone?
Saying Goodbye to Now by Thomas Beller for the New Yorker’s Culture Desk
Thomas Beller is an excellent observer. In this essay he looks at the difference between memories and photographs. At one point he asks, “Are [these memories] any more vivid to me because there are no photographs? Conversely, would photographing have taken me away and made it all less sharp in my mind?” But first he begins:
My daughter was now airborne. A flying monkey coming right at me, headfirst: straw-yellow hair, a blue skirt, blue spaghetti-strap shirt, apple cheeks, and lips garishly smudged with pink lip gloss within which is the whiteness of her bared teeth—
Stop! Right here, let’s freeze the frame. Here is an image that I will never see again, except in my memory. A girl in mid-flight, waves of green behind her, her face all bright with the colors —blue, pink, yellow, white—of joy and delight, and behind her, as though it was the place from which she had fled, an old, dignified mansion.
Right then, as she was airborne, my hand twitched and slapped my pocket, in the dim hope that I could locate my camera, pull it out, and shoot while the moment still held. But there was no camera, and anyway there was no time. I will never forget this image, though I may already be embellishing it. And you will never see it. You may picture it, but the picture itself was not taken. I had to fight off a sadness about this, because the moment, after all, was happening, and it was beautiful, and anything that detracted from my perception of that was a shame.
Deconstructed—Chris Ware’s Innovation by Steve Almond for The New Republic
Steve Almond is one of my favorite contemporary writers. I particularly like his nonfiction and usually find that his essays double as a writing lesson. In this review of Chris Ware’s epic graphic art experiment, Building Stories, Almond teaches us how to write about things of which we have no authority:
Let’s start with my qualifications as a critic of graphic novels: Putting aside an adolescent excursion into a stoner comic strip called the Fabulous Furry Freak Brothers, I have none. Worse yet, I tend to associate graphic novels with the regressive and haughty wing of hipsterism, the one that favors mope rock and off-brand beers. I guess what I’m getting at here is that I’m a nitwit.
There is no greater evidence of my nitwittedness (currently) than my initial reaction to the new release by the graphic novelist Chris Ware, who I have come to understand is something of a big deal in his field.
While this is totally hilarious, it is also getting at a problem that deserves attention–how do you write about something you haven’t got the slightest clue about? How do you look at a text, a work of art, a film, or listen to a piece of music and judge it, deconstruct it, and put to paper your thoughts and observations without context? Steve Almond breaks the taboo, touts his ignorance, and, inadvertently, champions the amateur.
Four hours with John McAfee by Adam Thomson for The Financial Times
This profile of John McAfee, a tech tycoon who went on the lam after his neighbor was murdered, is a story that got really weird, really fast. The first reporting I’d read was in the Financial Times when one of their correspondents met up with him in Belize to write a profile:
There was nothing serene or tranquil about McAfee. As soon as he closed the front door, he ditched the limp and the crippled arm. Then, hands trembling, he reached for one of several cigarette packets lying on the table.”
His distress, and that of Samantha, his feisty 20-year-old Belizean girlfriend – during the interview, she accused me of being scared: “I’m young and smaller than you and I’ve got more balls” – was more than understandable given the saga that their lives had become over the previous few weeks.
Apparently, VICE magazine was there as well and gave away McAfee’s location through an iPhone photo embedded with GPS coordinates. Something McAfee is now suing them for. However, as The New York Times Decoder blog reports:
Within 36 hours, he began an aggressive campaign to court and spin coverage of his story. … Mr. McAfee seemed to understand the dynamics of journalism well enough to know which assertions reporters would pass along without double-checking or qualifying — like his claim that he had eluded the police by burying himself in sand and positioning a box over his head — even as his self-created narrative veered ever further into the surreal.
WRITING and PUBLISHING
How to Write a Book Review from Daily Writing Tips
Why Netflix Makes You a Better Writer on LitReactor
Five Dos and Don’ts for Picking an Editor by Susan J. Morris for Omnivoracious
Should You Spend Money On Publicity & Marketing? by Randy Susan Meyers for Beyond the Margins
TELEVISION and PODCASTS
For those of you who don’t have cable, Lena Dunham’s show Girls is now available on DVD. While you’re at it, co-producer Judd Apatow’s show Freaks and Geeks (1999) is streaming on Netflix. And for his latest film, ‘This is 40,’ Apatow has been doing some interviews: The Nerdist with Chris Hardwick and Bullseye with Jesse Thorn.
Now that everyone’s caught up on Mad Men Season 5, you can listen to The Nerdist Writer’s Panel’s “Mad Men season five in review” episode with Creator and showrunner Matthew Weiner, showrunners Andre and Maria Jacquemetton, and writer Erin Levy.
Alec Baldwin spoke with Lapham’s Quarterly founder, Lewis Lapham, for his show, Here’s the Thing. Lapham has an excellent gravelly voice that makes his stories and wisdom even better, if that were possible. You can also read an interview Lewis recently conducted with Smithsonian Magazine that I meant to share last week.
To the Best of Our Knowledge spoke with autistic savant Daniel Tammet and it was mesmerizing. Daniel is one of the few people with autism who can express his thought process and explain what he experiences. To hear him tell the interviewer how he thinks was astounding.
Here are just a few things I’ve consumed these past few weeks that deserve some sharing.
For all you publishing junkies, Rob Spillman, editor of Tin House magazine and editorial advisor of Tin House Books, talks to Late Night Library about the book industry. For those of you who like fairy tales, WBUR’s mid-morning program, On Point, spoke with author Maria Tatar about the Brothers Grimm and Philip Pullman spoke with NPR’s Weekend Edition about his book, Fairy Tales from the Brothers Grimm, which retells the classic stories.
For something completely different, Oliver Sacks spoke with NPR’s Fresh Air about his history with hallucinogenics. And, once again The Nerdist came through with their incredible interview with veteran broadcast journalist Larry King. If you’re interested in interviewing, King shares some tips on how to get people to open up. This is a must-listen.
A few weeks ago when I tweeted Joe Queenan’s Wall Street Journal essay, which turned out to be an excerpt from his new book, One for the Books, my bit.ly count went skyhigh. The short sentence I used, “A case can be made that people who read a preposterous number of books are not playing with a full deck,” must have struck a nerve with those who follow my feed. I know it did with me. Since reading this fantastically funny piece I’ve finished Joe’s book. As a review is forthcoming I will not go too much into it. What I can say is that it was hilarious the whole way through.
Another great essay was Ian Sansom’s piece in The Guardian about paper. He, too, has a new book out (in the UK), called Paper: An Elegy. In his article he calls for the creation of a “National Paper Museum.” Sansom, as one would imagine, produces an ode to paper but instead of getting caught up in his own feelings on the matter, he digs into history to show readers how important paper was in the past and how it still endures today. At one point he goes so far as to call paper “our second skin.”
Meanwhile, over at The Millions, staff writer Sonya Chung talks about her own conflicted feelings about digital life.
Having just finished Season 4 of Sons of Anarchy, now streaming on Netflix, I started a new show, Person of Interest, now in its second season. For fans of espionage films and police procedurals, Person of Interest is worth checking out. The show follows an ex-CIA officer, played by Jim Caviezel, and his billionaire buddy, played by Michael Emerson of “Lost,” as they try to save the lives of people who are names by a secret surveillance system. Although a tad bit cheesy, any minor flaws the show might have are erased by the endearing characters and intriguing storyline.
While I do have a few book reviews lined up–including one about dark fantasy short story collections I think you should read–I’ve come across so many awesome non-book things in the past week or so that I needed to put those on the backburner in order to share some other great stuff with you.
Anyone interested in publishing should get ready for this lineup. There were three great podcasts these past few weeks that go behind the scenes of the industry.
The online literary community Litopia interviewed Faber and Faber chief executive Stephen Page for their Naked Book podcast, a show devoted to “ripping the covers off print books and finding out what lies beneath.” It was a candid, informed conversation about print and digital publishing. Well worth saving after you’ve listened the first time.
On Other People, Brad Listi spoke with Steven Gillis, co-founder of the indie press Dzanc Books–who also has a new book out. Listening to Steven’s daily routine was awe-inspiring–and envy-inducing. The following week, he spoke with Paris Review editor Lorin Stein, who was once a book editor at Farrar, Straus and Giroux. The two talk about work/life balance, literary publishing, and digital publishing. [Disclaimer: I’m the publicist working on The Paris Review book and set up the interview but it was so awesome I couldn’t help but share.]
You may have heard about Longreads, a site that finds the best of long-form stories on the Internet. Well, they now have a podcast called the Longform Podcast. Their interviews with The Atlantic’s Ta-Nehisi Coates and author and journalist Gideon Lewis-Kraus are good places to start.
The Nerdist was on a roll with their interviews with actors Joseph Gordon-Levitt and Tom Hanks (interviewed separately, in case that’s not clear). I’m a huge fan of Gordon-Levitt’s not only because I think he’s talented at what he does but also because he always sounds so appreciative and gracious. This interview was no exception. Hanks as well, a huge talent and a guy who seems like he’s happy to be doing what he does, was hilarious. If you only listen for his impressions of foreign fans, it’ll be worth it. And, while we’re talking about The Nerdist, co-host Jonah Ray was on WTF with Marc Maron. It was great.
I picked up the new Kid Koala album, 12 Bit Blues, the other week in preparation of seeing him in November. I’m a longtime fan of the koala. His jazz and blues-meets-turntablism blows my mind and always look forward to what he’s up to. You should check out the official video for 8 Bit Blues on YouTube. It was excellent to hear him on NPR’s Weekend Edition.
While I wait for season 4 of Sons of Anarchy to free up on Netflix, and for Mad Men season 5 to release, I’ve been watching Grimm, the NBC show based on the Brothers Grimm fairy tales. It’s pretty good–creepy but not hard to watch at night, good characters, and an interesting storyline. The main character, Nick, a cop, turns out to be of the Grimm lineage and able to see the creatures that lie beneath seemingly average people. With his abilities, a unknowing partner on the force, and a reformed “Blutbad,” he solves crimes from week to week.
Also something worth watching, which is streaming on Netflix, is the Woody Allen documentary that came out in 2011. In the film, Allen remembers back to his childhood to tell how he came to filmmaking. He brings the camera crew on the tour of his old neighborhood and they interview the many people who played a part in his personal and professional life. Even if you haven’t seen all his films, this was a nice, intimate look at a great artist.
What I’ve been raving about however, is this quirky, little British television show that I came across serendipitously on Netflix, The Book Group, also streaming. An American girl, new to Scotland and looking for friends, forms a book group with a bunch of locals she’s never met. I fell in love with this show almost immediately and blew through the entire two seasons in a little over a week. If you like books, you should watch it immediately. You can thank me later.
Every Monday I look forward to Susan Moriss’s column, ‘Writers Don’t Cry’ on the website Omnivoracious. Every week Morris offers invaluable thoughts and tips on fiction writing. While I don’t write fiction myself, her column is so much fun to read I keep returning. This past week’s topic, keeping a “reading journal,” was so amazing, I printed it out, underlined choice sentences, and plan to take her advice.
As a blogger, predominantly of book reviews and essays based on the books I’ve read, finding a balance between reading and writing can be hard. “Should I read this morning or should I write?” is often a question I ask myself. Poignantly, Morris opens her column with “reading is not procrastinating,” an answer geared more toward fiction writers who don’t necessarily need to read books to work on their own stories. However, Morris–along with many other authors who often offer advice–begs to differ.
Reading, Morris says, “is an important part of maintaining and honing your skills, staying inspired, and keeping in touch with why you write.” She continues with a practical application which, honestly, sounds like a whole lot of fun:
To take the best advantage of your reading for your writing, I recommend keeping a reading journal. In it, you can keep track of what you like, play with particular paragraphs to figure out how they work, and experiment with the styles and ideas you read about to improve your own writing.
I won’t spoil the article for you, you really need to read it for yourself … and then, Mondays, set your calendar.
I’ve been reading so many great books lately that after finishing each one I’m tempted to call it The Best Thing Ever. I’ve also seen some incredible movies, gotten hooked on TV shows, and listened to music that I think everyone needs to hear. Not to mention the podcasts … and the essays. Well, you get the idea.
This week, I’ve decided to round up some of The Best Things Ever. Feel free to share yours in the comments.
I just finished the essay collection Karaoke Culture by Dubravka Ugresic. After reading that the book had won an award, and being a fan of Open Letter, I went out and bought it that day. At first I was nervous that a majority of it would be devoted to karaoke–the title esay is about a third of the book–but Ugresic makes it known early on that karaoke is just a metaphor for explaining larger cultural and political events. A longer, more thoughtful review of Karaoke Culture is to come but in the meantime, imagine if Chuck Klosterman wrote a column for The Nation and you’ll have a pretty good idea of Urgresic’s style.
As we’ve all heard by now, some of us ad nauseum, the literary community is concerned, one way or another, with niceness in their book reviews. We’ve heard it, read it, and discussed it all–however, here are two points I’d like to make. First, there were a few great articles that came out of the debate that dove deeper into the role of criticism and the critic. One article that found its way to my printer for a closer read was Daniel Mendelsohn’s essay A Critic’s Manifesto that ran on the New Yorker’s Page-Turner.
In the essay, Mendelsohn begins by telling us that he dreamt not only of becoming a writer but more specifically, a critic. He found criticism “exciting” and thought the critics he’d studied “admirable.” While still a young kid, he went further than reading their work … he studied it.
By dramatizing their own thinking on the page, by revealing the basis of their judgments and letting you glimpse the mechanisms by which they exercised their (individual, personal, quirky) taste, all these critics were, necessarily, implying that you could arrive at your own, quite different judgments—that a given work could operate on your own sensibility in a different way. What I was really learning from those critics each week was how to think. How to think (we use the term so often that we barely realize what we’re saying) critically—which is to say, how to think like a critic, how to judge things for myself. To think is to make judgments based on knowledge: period.
He continues, “For all criticism is based on that equation: KNOWLEDGE + TASTE = MEANINGFUL JUDGMENT. The key word here is meaningful. People who have strong reactions to a work—and most of us do—but don’t possess the wider erudition that can give an opinion heft, are not critics.”
The other point I’d like to make is, as Jacob Silverman, the author of the Slate article which caused this mighty uproar, mentions on the Three Percent Podcast, we have a tendency to move on from these discussions quickly, thinking that we’ve exhausted the conversation, when in reality, discussions like these should be on-going. As someone who can’t read or hear enough about the process of criticism, maybe this is a selfish request.
John Freeman, editor of Granta magazine was on Radio National’s Book Plus program to discuss his essay collection, How to Read a Novelist. In the interview he graciously shared a few personal stories about interviewing authors. For anyone interested in journalism, these few minutes will save you agony later. After an incident with a writer early in his career, a mistake anyone of us could make, John came to this conclusion: “While we have access to writers and their books, and as journalists we have to them in person, there is a limit to it”.
If there’s one word that comes to mind when I think of Teju Cole, it’s “mesmerizing.” His writing envelops you; one second you’re in your kitchen reading, the next you’re walking down a London street. Recently, he told of a dinner he was invited to for the writer V.S. Naipaul, “Natives on the Boat,” for New Yorker‘s Page-Turner. This week he spoke with The Guardian about it. After the quick Q&A he reads the piece in full, which is, as it turns out, also mesmerizing.
For some reason I love listening to trip hop in the fall–maybe it’s the darker nights that put me in a brooding mood. This fall, just like last, I’m again amazed that I can go back to the music I listened to in the late 90s, early 2000s, and not be embarrassed. Three artists that always make an appearance are the Sneaker Pimps, DJ Shadow, and Tricky.
Modeselektor has been in heavy rotation for a few months now and neither of their albums, Monkeytown from 2011, nor the mix they put out on their label in July of this year, Modeselektions Vol. 2, are getting old. A review of the band and their music is to come but what makes Modeselektor difficult to write about succinctly, or even talk about with friends, is that they are hard to define. If you like tweaky electronic music–some electro with your dubstep–these guys are a must. Check out Berlin and Evil Twin and let me know what you think.
FILM and TV
I finally saw the movie Drive, a “neo-noir crime drama,” as Wikipedia categorizes it. The film features Ryan Gosling as a Hollywood stuntman by day and getaway car driver for hire. Key performances also from Bryan Cranston and Albert Brooks. Drive is one of the rare films that begs to be watched over and over. It’s dark, brutal, and beautifully done.
Not yet ready to leave the world of gritty crime dramas, I found the 2007 film Before the Devil Knows You’re Dead with Philip Seymour Hoffman and Ethan Hawke. Another brutal movie, this one with a Greek tragedy-like plot. I’ve also started watching Boss, the political drama with Kelsey Grammer where he plays the corrupt mayor of Chicago. Grammer does an incredible job playing pure evil. There’s a Roman opulence to this one.
ADVENTURES IN LITERARY NIGHTLIFE
Last night I kicked off Brooklyn Book Festival Week (my unofficial title) at BookCourt with a panel discussion called “Who Gives a Sh*t about Literary Magazines?” Obviously, I do. It was a conversation between Lorin Stein, editor of The Paris Review, John Freeman, editor of Granta, and Rob Spillman, editor of Tin House, moderated by Randy Rosenthal, editor of The Coffin Factory. Both The Paris Review and Granta are in the process of launching apps, in part hoping to ease the current challenges of international distribution. All three have, to varying degree, created some sort of free, online content on their websites–all of which uphold the quality of the print magazine. The topic might seem like a well-trod one but the way these four guys are thinking about the technology available to them, the conversation went into new territory.
I came across so many great podcasts lately, I just had to do another roundup.
The Nerdist Writer’s Panel wrapped up their series of live panels, taped at the ATX Television Festival.
The Books to TV Series featured David Hudgins (Friday Night Lights), Bob Levy (Alloy Entertainment: The Lying Game, The Vampire Diaries, Gossip Girl), Julie Plec (co-creator, The Vampire Diaries), and Michael Rauch (creator, Love Monkey) talking about the process of turning a book into a television show. It was moderated by Meg Masters of TVLine.
In Stages of TV Writing,Noah Hawley (creator, the Unusuals), Kyle Killen (creator, Awake and Lone Star), David Hudgins (Friday Night Lights; Parenthood), Hardy Janson, and Evan Miller (Hook Ups) talk about their careers.
Late Night Library, a show that focuses on the independent side of publishing, sat down with Robyn Tenenbaum and Courtenay Hameister. The two co-founders of Live Wire!, a live public radio program in Portland, talk about producing an arts & culture variety show.
They also spoke with independent press publisher, Rhonda Hughes of Hawthorne Books, and Liz Crain, their editorial and publicity director. The three talk the business of running a small press.
The Readers, a show between two friends about books, talked about what happens after you finish a great book. They also wonder if there’s such thing as a British Novel. This week they have a casual chat about imprints.
The other week in the New Yorker, Oliver Sacks had a story about his experiments with drugs in the 60s, all of which he treated as scientific research. On the New Yorker Out Loud he talks about it.
Everyone’s favorite comedian, Louis C.K., has a great talk about movies and television with Elvis Mitchell on KCRW’s The Treatment. Over the course of the interview, C.K. calls his daughters his heroes. Then he says money spent on entertainment is sacred. Amazing.
Three Percent, hosted by two guys working largely with translated literature, talk about book reviews, sparked by some recent events in the publishing and writing community.
Ed Champion sits down with crime writer Laura Lippman, for the release of her latest book And When She Was Good. It was a great talk about the craft of writing.
For the 100th episode of the Other People podcast, host Brad Listi did not disappoint. He spoke with George Saunders, an excellent choice.
BBC Radio 4’s Open Book did a special on Scottish crime writing–or “Tartan Noir” as the specific genre is known. Host Dreda Say Mitchell spoke with an author and a publisher. It definitely made me want to run out and read some.
CBC’s Writers & Company rebroadcast an interview with British humorist Alan Bennett. If you like British humor–Stephen Fry, John Cleese, etc., and you don’t already know who Alan Bennett is, you’ll be psyched after hearing this.
Oh and … Joan Rivers was on The Nerdist. It was incredible.
For all my fellow podcast junkies, or those who don’t know where to start, I highly recommend these shows that recently graced my ears. In no particular order, other than my memory:
Other People podcast with Brad Listi: Karl Taro Greenfeld
Karl Taro Greenfeld is the author of, most recently, Triburbia, a debut novel that follows his career in journalism and his previous memoir about his autistic brother. In this interview with Brad Listi, Greenfeld talks about his career in magazines, the trouble with memory and how it translates on the page, and levels of fabrication in works of nonfiction. After you’ve listened, you can read his Q&A with the Daily Beast.
Girl on Guy with Aisha Tyler: RuPaul’s drag race, drag u, supermodel of the world
Aisha Tyler’s near-2-hour interview podcast is quickly becoming a favorite of mine. Not only is she funny in this adorably nerdy way, she knows how to have a conversation. In a recent episode Tyler sat down with the legendary RuPaul, best known as the drag queen made famous by the 1993 song “Supermodel (You Better Work)”.
In the interview Ru talks about his beginnings in California, moving to Atlanta, coming to New York City and making a name for himself in the club scene, first dressing in “punk drag” (think David Bowie), then “black hooker drag,” and finally moving on to the upscale diva he is today.
Nerdist Writer’s Panel: TV Fantasy Goes Mainstream
Live from the ATX Television Festival, Nerdist Writer’s Panel host, Ben Blacker, moderates a panel discussion with Jeff Davis (creator, Teen Wolf and Criminal Minds); Jane Espenson (Once Upon a Time; Husbands; BSG; Buffy); Richard Hatem (creator, Miracles; Grimm); Jose Molina (Firefly; Terra Nova; Vampire Diaries); Ben Edlund (creator, The Tick; Firefly; Supernatural).
A show geared towards those looking to get into the television industry on the creative side, although highly enjoyable for all who love the inner workings of the entertainment industry, this all-star lineup discusses how they’ve pitched shows, mistakes they’ve made, and the climate for fantasy in television today.
Bookrageous: Stream of Consciousness Edition
For all of you unfamiliar with Bookrageous, this is one of the best book podcasts out there. I’ve said it before and I’ll keep saying it simply because I think everyone should listen to it. Twice a month friends Jenn, a bookseller in Brooklyn, Rebecca, a book blogger in Virginia, and Josh, a blogger and bookseller in Maine, get together by Skype and talk about books. They start with what they’re reading—because all three have access to advance copies from the publisher, every so often a title to yet available sneaks in, which is good for other bloggers or readers who like to know about books early—and next they move on a topic for discussion.
Topics in the recent past have included essay collections, funny books, and the books they’d bring with them to a desert island.
For their most recent episode they came up with topics on the fly and it was just as enjoyable as their planned shows. Listen to what they have to say about parody books, books they haven’t read yet but wish they had, and “high fantasy” recommendations to the group from science fiction and fantasy expert Jenn.
Book Based Banter: Book Groups, Top Summer Reads, and Are You Literary Enough?
Another excellent book podcast. In this episode Gavin and Simon discuss book groups. They mention one in particular that instead of picking a specific book they choose a topic and everyone in the group reads a book within that theme. For example, Paris or a circus. I thought that was a great idea. They also ask themselves, and their listeners, what it means to be “literary”. What is a literary book? If you like to think about books, definitely listen to this one.
NPR’s Pop Culture Happy Hour: On Fall TV And Whether Criticism Is Too Nice
The Pop Culture Happy Hour is always fantastic but this week they discuss the recent article that ran in Slate about Twitter ruining literary criticism. This roundtable of three pop culture critics have some interesting things to say on the topic, but first Linda Holmes talks about upcoming television shows and after they all rave about “what’s making [them] happy this week”. Great show, you should subscribe now so you don’t miss an episode.
SF Signal: Steampunk Roundtable
If you like science fiction, and steampunk in particular, you won’t want to miss this round table discussion with authors, reviewers, and editors Cherie Priest, Jay Lake, Gail Carriger, Paul Di Fillipo, Phillipa Ballantine and Tee Morris. Listen to them hash out a definition, talk about the history of the movement, and discuss books within the genre.
Bookworm: Sheila Heti
Interview Editor for The Believer magazine, novelist, and Canadian Sheila Heti sat down in Los Angeles with Michael Silverblatt to discuss her latest novel, How Should a Person Be?. What transpires is a great conversation about writing fiction from real life.
Sound Opinions: Jack White
Even if you’ve never heard one chord of Jack White’s music from his now defunct band The White Stripes, you will still want to listen to this incredible interview with the talented and bright musician. Throughout this oral history of White’s life getting into and being in the business are clips of his songs. Heading up one of the best shows about music on the air, Sound Opinions’ hosts Jim and Greg are perfect for getting White to open up about the things that matter—music, music, and music. Check out this gossip-free interview with an incredible musician.
UNDER THE INFLUENCE: How Colors Make Us Buy
Host Terry O’Reilly, an award-winning copywriter who has worked with leading advertising agencies and the co-founder of a creative audio production company, explores the shift marketing has taken “from a century of overt one-way messaging to a new world order of two-way dialogue”. Think marketing plus science plus history plus storytelling and you’ll have an idea of what Under the Influence is like.
The show’s most recent topics have included movie marketing, ads that have worked “too well,” and something called “hyper-marketing,” which I hadn’t heard of until the episode aired. This past week, Terry looked into color theory. Follow the usual format, the episode uses anecdotes from companies to explain why they use the colors they use, how they came to use those colors, and the successes and failures that followed.
As usual, the entire show eye-opening but what really caught my attention was this: “White has a feeling of lightness, and is the reason why most planes are painted this colour. It soothes the concern we all secretly harbour that a machine that size can’t possibly become airborne.” Blew my mind … and got me thinking about a book I’ve been meaning to read for years.
Color: A Natural History of the Palette by Victoria Finlay
“Discover the tantalizing true stories behind your favorite colors. For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects.”
Terry discusses Pantone colors and the role they play in a company’s brand recognition–not entirely surprising. Tiffany’s was one of the examples. Pantone is not a new subject to the program, Terry had mentioned them a few episodes ago, right around the time they picked their color of the year (Tangerine), which, apparently influences the year’s fashion. Obviously, Pantone has more authority than many of us know and it might just do us well to pay attention.
Pantone: The Twentieth Century in Color by By Leatrice Eiseman and Keith Recker
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, decor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues.
TO THE BEST OF OUR KNOWLEDGE: Henry David Thoreau
For the 150th anniversary of Henry David Thoreau’s death, To the Best of Our Knowledge looks at the man, the myth, and the lasting influence of the Thoreau persona.
“Henry David Thoreau died 150 years ago, and he’s still a great American icon. But have you ever wondered exactly why? Thoreau wasn’t exactly the model environmentalist he’s often made out to be. And his account of living at Walden Pond is partly fictionalized; he spent nine years writing and revising it. We examine Thoreau’s legacy and why he still inspires us.”
The Journal of Henry David Thoreau 1837-1861
I must admit, I’ve never read Walden in full. If anything, I’ve read 20 pages and that’s not even certain. I’m sure I’ll try it again one day but right now his journals sound more appealing.
“Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right—one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination.”
One guest on the Thoreau episode was author Terry Tempest Williams. A nature writer and environmental acitvist, Williams talks about reading Thoreau’s work.
When Women were Birds: Fifty-four Variations on Voice
In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother’s journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”
“Terry Tempest Williams has been called “a citizen writer,” a writer who speaks and speaks out eloquently on behalf of an ethical stance toward life. A naturalist and fierce advocate for freedom of speech, she has consistently shown us how environmental issues are social issues that ultimately become matters of justice.” [via author’s website]
BULLSEYE WITH JESSE THORN: An Interview with Tom Bissell
Tom Bissell is a journalist, video game critic and author whose latest book, Magic Hours: Essays on Creators and Creation, is a series of pieces attempting to capture all angles of the creative process. This one has been in my sights since it came out last month.
Magic Hours: Essays on Creators and Creation
In Magic Hours, award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper’s, these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.
What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell’s exploration of these questions make for gripping, unforgettable reading.
THE GUARDIAN BOOKS PODCAST: Literature which disrupts reality
This episode of the Guardian Books Podcast features author Jeet Thayil and Etgar Keret. A growing household name among young, literary Americans (not at the exclusion of others), Keret is known for his surrealistic short stories. However, Thayil, lesser-known outside of his home in India and better known there as a poet, has just written his debut novel. Narcopolis takes from reality but doesn’t stay there.
“Jeet Thayil’s luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. . . . Narcopolis tracks the descent of Mumbai’s drug users from the sybaritic excesses of opium in the 1970s, to the harsh reality of contemporary addiction to heroin and crack.”
Read Etgar Keret’s short story Unzipping, excerpted from his latest, Suddenly, A Knock on the Door.
As someone who was turned onto blues at an early age, this Radiolab short about Robert Johnson was fascinating.
For years and years, Jad’s [Abumrad] been fascinated by the myth of what happened to Robert Johnson at the crossroads in Clarksdale, Mississippi. The story goes like this: back in the 1920s, Robert Johnson wanted to play the blues. But he really sucked. He sucked so much, that everyone who heard him told him to get lost. So he did. He disappeared for a little while, and when he came back, he was different. His music was startling–and musicians who’d laughed at him before now wanted to know how he did it. And according to the now-famous legend, Johnson had a simple answer: he went out to the crossroads just before midnight, and when the devil offered to tune his guitar in exchange for his soul, he took the deal.
Crossroads: The Life and Afterlife of Blues Legend Robert Johnson by Tom Graves
The result of careful research, this stylish biography of infamous blues musician Robert Johnson reveals the real story behind the mythical talent that made him a musical legend. According to some, Robert Johnson learned guitar by trading his soul away to the Devil at a crossroads in rural Mississippi. When he died at age 27 of a mysterious poisoning, many superstitious fans came to believe that the Devil had returned to take his due. This diligent study of Johnson’s life debunks these myths, while emphasizing the effect that Johnson, said to be the greatest blues musician who ever lived, has had on modern musicians and fans of the blues.
Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America’s deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history.
Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside — not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today’s loyal blues fans.
NERDIST WITH CHRIS HARDWICK: John Lithgow
Without any hyperbole, John Lithgow is a brilliant actor. Drama, comedy, television, theater, he nails it. The Nerdist podcast has really hit its stride. The past dozen or so episodes have been truly incredible and this interview with John Lithgow has surpassed all that have come before it. As Lithgow says at the end of the interview, Chris Hardwick is a fantastic host. Both shine in this one.
Drama: An Actor’s Education by John Lithgow
In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star.
Above all, Lithgow’s memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John’s boyhood. From bedtime stories to Arthur’s illustrious productions, performance and storytelling were constant and cherished parts of family life. Drama tells of the Lithgows’ countless moves between Arthur’s gigs—John attended eight secondary schools before flourishing onstage at Harvard—and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater.
Born Standing Up: A Comic’s Life by Steve Martin
John and Chris both raved about Steve Martin’s memoir. Anyone interested in the craft of comedy should read this one.
In the midseventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of “why I did stand-up and why I walked away.”
Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been awriter. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written.
What have you listened to lately that added to your reading pile? Be sure to include the book, too.
Here are a few things that caught my eyes and ears these past few days.
Rub Out the Words: the Letters of William S Burroughs 1959-1974 ed by Bill Morgan
I’ve always found William Burroughs intriguing — after all, he did kill his common-law wife while playing a game of William Tell, or so the story goes. I read his novel Junky multiple times but could never get into Naked Lunch, the book he is best known for. Now, Ecco has published the second volume of his letters: correspondence that spans the years after the publication of Naked Lunch to the year he left London to return to New York.
Of the collection, The Telegraph writes:
“This second volume of correspondence may not quite dispel this image of Burroughs as American fiction’s resident alien, the lexical bomb-thrower in the body of a government man – but it does offer intriguing glimpses into the personality behind the mask. …
For fans of [his] way-out approach [the cut-up technique], the letters will provide a valuable glimpse into the genesis of his most impenetrable work, the trilogy that comprised The Soft Machine, The Ticket That Exploded and Nova Express. …
One surprising theme in these letters is Burroughs’s cosmic indifference to the swelling counterculture. Our correspondent remains unmoved as the Sixties progress, beatniks become hippies, and even the parties he attends in Hampstead start to be filled with people ‘turning on’.”
What’s the big idea?
Dostoevsky tackled free will, Tolstoy the meaning of life – but is it still possible to write philosophical novels?
by Jennie Erdal
This past weekend’s Financial Times had an incredible essay on philosophy, literature, and the blending of the two into the philosophical novel.
Jennie Erdal, the author of the essay, begins with philosophy and philosophers: “while [they] were good at asking questions and setting out arguments, their engagement with truth was often woefully abstract, and a world away from the stuff of novels”. She continues, “The analytical style [of philosophy] rigidly separated reason from imagination, precision from imprecision.”
Of novels, she writes, “The more I read at university, the more I felt that fiction was where truth was to be discovered” and that some things “can never be adequately expressed in conventional philosophical prose.” Erdal then makes a case for the hybrid form, “moral philosophy needs the novel for the fullest possible expression of its aims . . . Plato was wrong to think that literature had nothing to offer philosophy . . . It is one thing to study John Stuart Mill’s defence of utilitarianism in ethics; quite another to read the passage in Dostoevsky’s Crime and Punishment (1866), where Raskolnikov tests utilitarianism to its limits by taking an axe and cleaving an old lady’s head in two.”
It’s a brilliant read all the way through. For anyone interested in literary theory and the grander workings of fiction, this is not to be missed.
Orbital / Wonky
It can be scary picking up a new album by a band who has been around for 25 years — especially if that band, up until recently, has been on hiatus — but that’s exactly what’s going on with electronic duo Orbital who just released Wonky, their first album since 2004.
About their music, one half of the group, Paul Hartnoll, told Wired magazine, “Ultimately, it has to move us emotionally…. We can get a great big thunderous beat … but melody is the real icing on the cake for me. If I get a really good melody, I get really excited about thinking about what’s going to come. That’s when I burst into tears, thinking, ‘That’s it!’ The hook’s got you, and you know you’re going to finish that piece.”
Explaining why they’re back together and making music, he says “When you’ve got a background and a history, and a rich idea of what you wanted to do, it was a real shame to give up … It was the live aspect that I missed.”
The article features the video for ‘New France’. Here’s the video for ‘Wonky’. Not sure how I feel about the cats.
A Fantastic Fear of Everything
Simon Pegg’s new comedy, A Fantastic Fear of Everything, looks amazing. Unfortunately, at the time of this post, no US release date has been confirmed. Science fiction and fantasy site io9 quotes the synopsis:
“Jack is a children’s author turned crime novelist whose detailed research into the lives of Victorian serial killers has turned him into a paranoid wreck, persecuted by the irrational fear of being murdered. When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his big break rapidly turns into his big breakdown, as Jack is forced to confront his worst demons; among them his love life, his laundry and the origin of all fear.”
They also have the trailer.
The first week in April, on the WTF podcast, Marc Maron spoke with musician and comedian Carrie Brownstein. Carrie was in the Olympia, Washington-based indie band Sleater-Kinney and is currently in Wild Flag; however, these days, she’s best known as co-creator of Portlandia, the sketch show on IFC. On the podcast, Marc and Carrie nerd out about music — and other things. One of my favorite WTFs so far.
On the Nerdist, voiceover actors Rob Paulsen and Maurice LaMarche taught me that voiceover actors are awesome. Rob and Maurice, which I only learned from this podcast, are the creators, and voices, of Pinky and the Brain. Their vocal skills do not end there. These two guys had Chris Hardwick awestruck. A must-listen.
What caught your eyes and ears these past few days? Comments are open.
As someone who went to school for Music Business and who now works in book publishing, I often see the parallels between musicians and authors. It always surprised me when I first started my job search and the interviewer would ask, “Music Business? Why do you want to get into book publishing?” For me it was an easy leap, whether you’re working with a musician or a writer, it’s artist representation.
So, when I heard from John Anealio, co-host of the Functional Nerds podcast, that he wanted to have me on the show alongside a music marketing strategist, I was excited he made the connection as well.
The other guest on the show, Brian Thompson, is a “Vancouver based music industry entrepreneur, record label owner, artist manager, marketing consultant, digital strategist, brand architect, web designer, blogger, podcaster and industry speaker.” He’s one of the co-founders of Thorny Bleeder Records, “an artist development collective” that helps bands “establish and grow their profile and fan base, both domestically and internationally.”
Since being on the show with him, I’ve signed up for his email newsletter, The DIY Daily, a “daily newsletter delivering marketing advice, music industry news, social media tips & tools, tech, apps & gadgets, inspirational & motivational thoughts and much more.” Everyday, waiting for me in my inbox, are 20 great links about how artists of all kinds can use social media effectively. More than most apply to the publishing industry and are links I can forward along to my authors.
On The DIY Daily website, you’ll find a daily podcast offering a variety of marketing tips in under 20 minutes, an in-depth weekly podcast about the music business, daily quotes, and the aforementioned link roundup if you prefer to not to receive them by email.
On the show, Brian, John, Patrick and I discussed the benefits of email lists, social media, and how artists should treat themselves as a business.
You can listen to the episode here.
If you have any questions, check back on the Functional Nerds site next week. Book Publicist Jaym Gates and I will be collecting questions for a future online round table.
On the Shelf
Booklife: Strategies and Survival Tips for the 21st Century Writer by Jeff VanderMeer
Best known as the author of many science fiction and fantasy novels, as well as the editor of many genre anthologies, in Booklife, Jeff VanderMeer offers “timely advice in an era when the burden of production and publicity frequently falls on authors.” Booklife is an “essential reference [that] reflects on methods for being focused, productive, and savvy in the craft of writing.
Discussing a wide range of essential topics for self-promoting authors, this important guide explores questions such as How can authors use social media and the internet? How does the new online paradigm affect authors, readers, and the book industry? How can authors find the time to both create and promote their work? and What should never be done? Through good-humored encouragement, practical tips of the trade culled from 25 years of experience as a writer, reviewer, editor, publisher, agent, and blogger are shared. Including topics such as personal space versus public space, deadlines, and networking, the benefits of interacting with readers through new technologies is revealed.” [via IndieBound]
Bookrageous is one of my favorite book-themed podcasts. Hosted by bookseller and Brews and Books blogger Josh Christie; event coordinator Jenn Northington; and Rebecca Schinsky, the blogger behind The Book Lady’s Blog, the show is a relaxed conversation between friends.Every other week the three run through what they’ve just read and what they’re reading now. Each time, they put my own list to shame — both in quality and quantity. While they have similar tastes — all gravitate towards highbrow, conceptual titles (without becoming pretentious) — I’ve come to look to Josh for graphic novels, Jenn for genre, and Rebecca for literary fiction.
For a while now I’ve had some form of contact with the three, to a varying degree, and talks of me being a guest on the podcast had been casually batted around; but this week it actually happened. David Gutowski of Largehearted Boy and I sat in to discuss “Book Touring”. Together we run Book Boroughing, a literary site for New York City and surrounding area.
As frequent event-goers and hardcore evangelists for the cause, we were called upon to discuss literary events at home and book-inspired travel. On the show the five of us discuss author readings, bookstores in other cities, book festivals, and literary adventurism.
I won’t say anymore; you can listen to it here.
On this shelf this week:
Here are just a few books mentioned at the top of the podcast:
Raylan by Elmore Leonard
“As a novel, Raylan is a casual endeavor, Leonard having fun with a character who’s gained a measure of popularity. It’s also a pisser. Leonard has come up with some doozies for the plot: the dimwit sons of a backwoods pot grower joining in a scheme to swipe kidneys and then ransom them back for replacement in the victims’ bodies; a female coal company exec who, annoyed with a local’s complaints about the pollution caused by strip mining, picks up a rifle and shoots the old man. The violence here has the swift kick of a good, mean joke. It makes you wince and grin at the same time.” [via Barnes & Noble Review]
You can hear Elmore on NPR’s Fresh Air discuss his crime writing secrets
Contents May Have Shifted by Pam Houston
“Contents May Have Shifted is Pam Houston’s new novel. Except I’m not really sure you can call it a novel, even though that’s what the cover says, and even though I don’t have any helpful suggestions for what you should call it instead. About a globetrotting writer named Pam who has a part-time residence in Creede, Colorado (all things that are true of Houston as well), it is comprised of short vignettes that present Pam’s story in non-linear narrative and a borderline stream-of-consciousness style that makes it read like a memoir. No, like a diary–a very beautifully written diary.” [via Rebecca’s review]
Why We Broke Up by Daniel Handler (words) and Maira Kalman (illustrations)
“Ed Slaterton is part of the “grunty jock crowd,” a high school basketball hero who, in his über-popularity, is like “some movie everyone sees growing up.” Min Green is a wry, thoughtful, film-obsessed junior who manages for one miraculous stretch of time to get Ed to stop using the word “gay” as a catch-all pejorative.
It is this miraculous stretch of time – the one month and seven days after the pair shock their classmates by falling in love – that is chronicled in the delightful “Why We Broke Up,” a novel by Daniel Handler, with illustrations by Maira Kalman. Told in the form of a confessional letter by the heartbroken Min, the book is so good at capturing what it feels like to be a jilted 16-year-old girl that it seems almost wasted on its young-adult audience.” [via San Francisco Chronicle]
You can share your break up story with Maira and Daniel on their Tumblr page
Gabrielle (I plan to review the books I mention in the opening so here’s one I talk about later on)
The Basketball Diaries by Jim Carroll
“The Basketball Diaries is a 1978 memoir written by author and musician Jim Carroll. It is an edited collection of the diaries he kept between the ages of twelve and sixteen. Set in New York City, they detail his daily life, sexual experiences, high school basketball career, Cold War paranoia, the counter-culture movement, and, especially, his addiction to heroin, which began when he was 13. The book is considered a classic piece of adolescent literature.” [via Wikipedia]
Stay Awake: Stories by Dan Chaon
“While Stay Awake does not abandon Chaon’s signature themes of identity and isolation, disappearance and memory, it flirts even more openly with the line between the supernatural and the rationalistic – and indeed two of the stories, “The Bees” and “The Farm. The Gold. The Lily-White Hands,” have overtly supernatural elements. The situations have grown even more extreme: a couple has a two-headed baby, a woman drowns several of her children, a father comes into his young daughters’ bedroom intending to kill them in their sleep. Two men in two completely different stories fall off of ladders, severing a finger – a coincidence that I must admit I found distracting. Characters desperately want to or do escape their homes, their towns, the marriages they’ve made; they think they’re free of the past until memory or something even more sinister catches up with them. One character watches Soylent Green on late-night TV, and an actor in that horror movie is described as “running through the future, screaming.” The phrase could easily be an alternate title for this book.” [via The Millions]
You can read Dan’s Book Notes piece at Largehearted Boy
I was introduced to the Other People podcast by author Blake Butler’s editor. Blake, best known as the founding editor of the popular literary website HTMLGIANT, had just published his first book of nonfiction, Nothing: A Portrait of Insomnia, and was making the media rounds. Other People had just interviewed him before his New York event and at the reading his editor couldn’t praise the episode highly enough.
I wrote down the name of the show so I wouldn’t forget, ran home, and subscribed. Ever since that day, the podcast has been at the top of my listening list. As soon as it downloads, every Wednesday and Sunday morning, it’s the first thing I play when I step out the door.
The twice-weekly, hour-long author interview podcast is hosted by Brad Listi, fiction author and founder of The Nervous Breakdown, a culture website and online literary community. As someone who spends his time reading, writing, and speaking with fellow authors, Brad started Other People because it was the type of show he wanted to hear but couldn’t find.
Other People, free from the time and editorial constraints of radio, takes the conversation beyond the same, mundane questions often asked of authors. After all, what’s more interesting to fellow writers than to hear someone talk about their writing process? Or for readers to get to know how an author approaches life, not just character development? In an interview with Fictionaut, Brad said that the show is meant to focus “on authors as people — who they are, where they’re from, [and] why they do what they do” and aims to be “more personal than the average book-related show.”
The interviews are a conversation rather than a formulaic Q&A, as if the host and guest are sitting on a couch drinking beer or coffee. This intimate back-and-forth doesn’t come about by accident; Brad is able to tease out these personal stories because he shares his own. He prefers interviews “where it’s a true dialogue on equal footing, rather than a one-way interrogation.” It’s this approach makes it possible to listen to an episode without having read an author’s work or having heard of them beforehand.
A careful and curious listener, Brad picks up on minor details, keeping the conversation spontaneous: Blake Butler speaks about his approach to Twitter, Dana Spiotta about the Seattle music scene in the 90s, Dennis Cooper about his practice of writing porn as a warm-up, and Elissa Schappell on why she prefers to stay away from literary events.
Before each interview, you’ll hear Brad’s 10 to 15-minute monologue — generally on a topic wildly unrelated to what follows. No matter how random or meandering it seems, it’s always a smart investigation into the host’s psyche. When Dana Spiotta mentioned his openings — and how she liked them — Brad called it “audio blogging” and said it lets “people know who you are”.
And therein lies the genius of Other People; with each episode, you learn more about Brad and get to know his guests in a unique and refreshing manner. Other People is consistently engrossing — one of the best podcasts I’ve come across and not likely to be trumped anytime soon. If you’re not already listening, you’re truly missing out on something incredible.
The Other People Podcast website
The Other People Podcast on Twitter
The Other People Podcast on Facebook
Interview with Brad Listi at Electric Literature
Interview with Brad Listi at HTMLGIANT
Interview with Brad Listi at Fictionaut
Anyone who follows me on Twitter knows that I’m a huge fan of arts & culture radio programs and podcasts. One of my favorites is produced by the science fiction and fantasy site SF Signal. Once a week they have a round table discussion with authors, bloggers, and other genre experts on a specific topic and then an author interview on a following day.
Patrick Hester, an author and blogger, is the host of the podcast and musician and blogger John Anealio is a sometimes guest. Both of these guys host an offshoot podcast, or what I consider to be an offshoot, called The Functional Nerds, also a weekly favorite of mine.
Once a week these two knowledgeable guys interview either a science fiction or fantasy author and discuss writing, music, movies, occasionally video games, and any other pop culture happening that comes to mind. Lately, they’ve branched out to include guests who might not have written a book but who are capable of discussing something nerdy.
When they asked me to be on the show, having first gotten to know each other through an author and then on Twitter (isn’t that how everything happens these days?), I was beyond psyched. Together with author Karin Lowachee, the four of us were to each come up with something we were nerding out about.
Oddly, or perhaps eerily, Karin and I both picked the FX show Sons of Anarchy. In the following podcast, you’ll hear me attempt to describe it and then Karin save us all from my bumbling. She does an impressive job explaining the deeper themes of the show — bringing in the Shakespearean elements and discussing why the characters are so compelling. Patrick decides he’s nerding out about Christmas, which is difficult for East Coasters (okay, me) to think about because it’s barely below 60 degrees here. Karin, at the last minute, because we’d doubled up on our nerdy picks, gave a plug for the graphic novel Damaged, the story of three brothers who choose different paths for meting out justice. You can read her interview with one of the creators, Michael Schwarz, at SF Signal.
And then finally, John threw us all back to the late-80s with his thoughts on Crowded House (opens with sound), possibly best known for their 1987 hit Something So Strong. Him and I then discuss a brief history of electronic music, referencing Squarepusher, Aphex Twin, Amon Tobin, and the German techno scene happening now — with my suggestion, Pantha Du Prince.
A good time was had by all. I hope you’ll listen. Here’s the link.