Posts Tagged ‘podcasts’
Here’s a roundup of what’s been occupying my time these past few weeks.
St. Vincent’s new album, eponymously named St. Vincent, is out this week. If you haven’t heard her music yet, think Bjork and Tori Amos and you’re pretty close. Studio 360 spoke with her and The Guardian is streaming the new album.
New York magazine spoke with television producer Lorne Michaels about Saturday Night Live, the comedians he’s launched, and the various shows that have come out of his legendary late night program.
NY Mag: Have you ever felt restricted by the standards of broadcast TV?
LM: No. I believe that there’s no creativity without boundaries. If you write a sonnet, it’s got to be fourteen lines. If you write one that’s nine lines, it’s not a sonnet. So we have to be clever. We’re in a medium that goes into people’s homes, and, very often now, people watch our show with their kids.
Marc Maron is now dating Moon Zappa, and appears to be very happy. He tells the story of how they got together in the monologue of this episode. It’s a great reason to go back and listen to his interview with Moon from October 2013.
Speaking of podcasts, I can’t believe it took me until the 123rd episode to start listening to Throwing Shade, an irreverent comedy show hosted by Erin Gibson and Bryan Safi. Together they take on the pop culture topics of the day with blatant disregard for political correctness. They are hilariously brilliant — and brilliantly hilarious. If you want to break out of the winter doldrums, put this on your iPod.
If you’ve finished watching House of Cards and are waiting for the second season of Orange is the New Black to start this summer, you should consider watching Shameless, a British TV show about a family (and their surrounding neighbors) who live in a public housing community. There are no connecting themes to either of the Netflix shows, except that all seasons are streaming and it’s awesome. The first season features James McAvoy if you need some incentive.
I just plowed through Will Self’s 2006 collection of essays, Junk Mail. Spanning much of the 90s, these nonfiction works are taken from places such as the Evening Standard, the Observer, the Independent, Esquire, GQ and the like. The opening piece, “New Crack City,” describes a crack den Self once knew and the second, “On Junky,” is an introduction to William S. Burroughs’ popular work of semi-autobiographical fiction. But it’s not all drugs in this one. Self also writes about his stay at a hotel made of ice, there’s a profile of Bret Easton Ellis, a thought piece on Morrissey, and interviews with artist Damien Hirst and author J.G. Ballard.
The other week, The New York Review of Books ran the short story To Kill a Child by Swedish writer Stig Dagerman. It’s eery and compelling and might just bring back those winter blues so have Throwing Shade handy after reading.
By the Way with Jeff Garlin
Possibly the best find of the year has been By the Way, Jeff Garlin’s new podcast. Recorded live at Largo in Los Angeles, Garlin sits down with his talented friends to discuss all sorts of things. Garlin’s laugh alone makes this one infectious but the conversations will keep you coming back. If you’ve not been listening to it, your 2013 has been a wash.
Longform journalism has been making some noise lately and, along with Longreads, the site Longform has done much to propel it into the public consciousness. What might not be as known is that they have a weekly podcast where they interview journalists about their work. The conversations range from particular stories the writer has worked on to how they make ends meet between jobs. I look forward to it every week.
Just over the 200 episode mark and still going strong, Other People, hosted by Brad Listi, is one of the best author interview podcasts out there. Not content with a simple conversation about the writer’s latest book, Brad delves into childhood memories, the writing process, and anything unique to his guest’s experience that they’re willing to discuss.
Literary website Book Riot started a podcast this year and it quickly became one of my favorites. Every weekend I look forward to the bookish banter of co-founder Jeff O’Neal and Senior Editor Rebecca Schinsky. Together they parse out the week’s publishing and literary news, discuss the latest book gadgets, and go over the week’s new releases. Always fresh. A must-listen.
Late Night Library
If you’re reading this site, there’s a good chance you can never hear enough about publishing. Late Night Library is an organization based in Portland dedicated to promoting book culture, especially the indie sort. On their podcast Late Night Conversation, along with writers they interview industry people about their various positions and how it works within the chain of events, manuscript to bookstore.
Pop Culture Happy Hour
Hosted by NPR editors, producers, and critics, Pop Culture Happy Hour is a casual conversation about the week’s pop culture news. The chemistry of the co-hosts, their familiarity with each other, is most-endearing. Perfect way to kick off the weekend.
I became aware of Debbie Millman after Maria Popova highlighted her book, Brand Thinking, a collection of interviews with design and advertising creatives. A look into these minds was fascinating, in large part due to Millman’s knowledge of the industry and her subjects. On Design Matters, a podcast hosted by Design Observer, Millman brings her impeccable research and optimism to the conversation.
I don’t think it’s a stretch to say that Slate has perfected the podcast. Duration, format, everything. They’ve nailed it. While there are four main shows — the Political Gabfest, the Culture Gabfest, the Double X, and for all you sports fans, Hang Up and Listen, hosted by Stefan Fatsis, Josh Levin, and Mike Pesca — they continue to explore themed series. There’s Lexicon Valley, which discusses language, the monthly Audio Book Club, and, most recently, Mom and Dad are Fighting, a frank and honest look at parenting.
The popular site Boing Boing has a number of podcasts on their roster. One of my favorites is Gweek, a show where editor Mark Frauenfelder and friends bring authors, artists, and other creative types on to discuss their work. Some recent shows include interviews with Clive Thompson for his book on the Internet, book designer Chip Kidd, and Wired magazine founding editor Kevin Kelly.
Six Pixels of Separation
If you’re the least bit interested in where business and creativity meet, Mitch Joel’s interviews are a goldmine.
Today, it seems like everyone has a favorite comedian; it’s almost hard not to. With great work being done for the big screen all the way down to mobile devices, smart, funny entertainment is more accessible now than during any other time in history. Here are just a few podcasts that give you a behind the scenes look at a life in comedy.
New Yorker: Emily Nussbaum, Jelani Cobb, and Sasha Weiss discuss “Key & Peele”
New Yorker television critic Emily Nussbaum and frequent contributor Jelani Cobb discuss the way the Comedy Central show “Key & Peele” addresses race.
Extra credit: read Emily’s review of the show.
By the Way, In Conversation with Jeff Garlin: Conan O’Brien
It’s hard to go wrong with an episode of Jeff Garlin’s “By The Way,” his not-so-new-anymore podcast on Earwolf. As it turns out, Jeff and Conan O’Brien were roommates during their Chicago days, which makes this episode particularly entertaining.
Extra credit: watch the special Conan put together during the year he was exiled from late night TV, “Conan O’Brien Can’t Stop.”
Recommended If You Like: Marc Maron
This past spring comedian and podcast host Marc Maron launched his latest book, Attempting Normal, with a bunch of interviews. It was interesting to hear him on the other side of the mic. In this show he talks in-depth about his career in comedy.
Extra credit: watch Marc Maron’s latest stand-up special, “Thinky Pain.”
WTF with Marc Maron: Baratunde Thurston
Marc Maron, back on his side of the table, speaks with Baratunde Thurston, comedian and author of How to Be Black. The two guys talk about their childhoods, their views on social media, and, of course, race.
Girl on Guy: Chris Rock
Host Aisha Tyler talks to Chris about his childhood, how he learned comedy, and sketch vs. stand-up.
Nerdist: Jim Rash and Nat Faxon
Jim Rash, known to “Community” fans as Dean Pelton, joins fellow actor/comedian Nat Faxon to talk about improv and teaching comedy at the LA-based comedy group The Groundlings.
Nerdist: Aziz Ansari
Having just released a new stand-up special, Aziz Ansari talks to Chris Hardwick about how he tested out the show’s material, where he is in his career right now, and the importance of change.
Extra credit: watch Aziz’s latest stand-up special, “Buried Alive,” now streaming on Netflix.
Comedy Bang Bang: Amy Poehler
What can only be described as mental jujitsu, Amy Poehler unleashes her improvisational skills for an hour and a half.
Long-form journalism—creative nonfiction which is longer than a traditional article but shorter than a novel—is all the rage these days. Whether you believe the genre has made a comeback or you feel it had never gone away, it’s hard to ignore the growing excitement for recently developed sites such as Byliner, Atavist, Longreads, and Longform.
Earlier this year, Buzzfeed announced its long-form section, breaking from its forte, the listicle; and just this past summer, The New York Times announced it was developing a new, long-form digital magazine.
Those who seek these medium length stories will be happy to know that Longform has a weekly podcast.
Hosted by Longform co-founders Aaron Lammer and Max Linsky, and Founder and Editor of Atavist, Evan Ratliff, the show asks nonfiction writers and editors about their assignments, creative processes, and careers. These free-flowing conversations offer invaluable insight into the world of journalism and the writers who bring you the stories.
Whether you’re a writer or a media junkie, this podcast, with sixty-five episodes in its archive, will be a highlight of your week. Here are just a few places to start, in descending date order.
Gay Talese began his writing career with The New York Times as their sports reporter in the late 50s. In the mid 60s he left to write full-time for Esquire. Talese is known for his profiles, most notably the one on Sinatra, “Sinatra Has a Cold,” which ran in Esquire in 1966.
Extra credit: Gay Talese, The Art of Nonfiction, No. 2; The Paris Review
Edith Zimmerman, Founding Editor of The Hairpin, talks about starting up the affiliate site to The Awl, running it, and handing it over to someone else. Known for unconventional approaches to writing profiles, she talks about her piece on Chris Evans, written for GQ, and what contributed to its originality.
Natasha Vargas-Cooper talks about crime reporting, her approach to perspective, trying to write a book in 30 days, and her interest in the human narrative. Her writing has appeared in GQ, Spin, New York, and on BuzzFeed.
Anyone familiar with Ann Friedman’s advice column on the Columbia Journalism Review’s website, #realtalk, won’t be surprised to hear that her episode is full of excellent tips for freelancers, like creating a weekly email newsletter and drinking with editors.
Extra credit: Ann writes a weekly column at The Cut on New York magazine’s website and recently wrote a piece about LinkedIn for The Baffler.
Emily Nussbaum, television critic for The New Yorker, talks about criticism today, how she chooses what to write about, and how Twitter helps her brainstorm.
Extra credit: Read Emily’s archive at The New Yorker. Follow her coverage on Twitter.
Breaking Bad, the show about a chemistry teacher turned meth kingpin, premiered in 2008 and had its series finale the other week. In the final episode there were flashbacks to the very beginning. For those who have been following in real time, it was probably a shock to see the evolution of Walter White, played by Bryan Cranston, laid bare. For those who haven’t seen the show yet, I’m jealous. It’s one of those shows you wish you could watch it for the first time over and over again. For those who have, here’s a roundup of great interviews with the cast, crew, and critics.
Stuff You Should Know: How Meth Works
In this episode, hosts Josh and Chuck discuss the culture and science of methamphetamine, from lingo to manufacturing of to biological side effects.
New Yorker Out Loud: Emily Nussbaum and Tad Friend Discuss “Breaking Bad”
The New Yorker’s TV critic Emily Nussbaum and staff writer Tad Friend discuss Walter White as an antihero and the overall nature of the show.
Nerdist Writer’s Panel: “Breaking Bad” Season Five in Review
“Breaking Bad” showrunner/creator Vince Gilligan and writers Peter Gould, Sam Catlin, George Mastras, Gennifer Hutchison, Thomas Schnauz, Moira Walley-Beckett and Gordon Smith talk about writing the show, how the fifth season unfolded, and their feelings about the finale.
Nerdist: Aaron Paul
Aaron Paul talks about how he got into acting, what it’s like playing Jesse on the show, and how it is to work alongside Bryan Cranston.
WTF with Marc Maron: Bryan Cranston
Bryan Cranston once wanted to be a policeman; he tells Marc Maron what made him change his mind and go into acting. He also talks about crafting Walter White’s persona.
By the Way, In Conversation with Jeff Garlin: Vince Gilligan
Vince talks about his career in TV, how “Breaking Bad” episodes come together, and how television differs from film today.
Fresh Air Bob Odenkirk
Bob Odenkirk, who plays the sleazy lawyer Saul Goodman, talks to Terry Gross about the basis for his character, what it’s like to play a humorous part in a dark drama, and his career as a comedy writer.
Fresh Air: Breaking Bad Writers
Breaking Bad writers Peter Gould and Thomas Schnauz talk about the final season.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
Hip hop began in the 1970s as an underground movement; today it’s everywhere. From house parties in the suburbs to national television advertising campaigns it’s recognizable, celebrated, and imitated. Snoop Dogg made headlines when he changed his name to Snoop Lion and Jay Z and Beyonce were given the same treatment as the British Monarchy when they had their first child.
Since its start on the street of New York, hip hop has grown into a multi-billion dollar industry. The cash flow now includes not only music but art shows featuring graffiti as well as successful clothing lines.
1. Stuff You Should Know: How Hip-Hop Works (52:13)
In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices. You can read more about it on their site.
2. Los Angeles Review of Books: 2pac and Biggie (1 hr.)
Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.
3. NPR Fresh Air: Questlove (45:14)
The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)
Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.
5. WBUR On Point: Fame and Fortune of Jay-Z (48:00)
Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.
If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper.
A recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.
Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.
Another excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.
Something that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.
Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.
Bonus: Orange is the New Black
I’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.
You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.
It’s been a big month in podcast world. Here are a few that have been especially amazing.
Judd Apatow sat down at Largo for Jeff Garlin’s incredible live show By the Way, in Conversation with Jeff Garlin. On WNYC, David Simon spoke with Alec Baldwin on his show Here’s the Thing. Aisha Tyler had a cold the other week and aired what was previously a premium episode, an interview with Henry Rollins.
Marc Maron’s doing the media rounds for his new book, Attempting Normal, and his show on IFC, Maron, and was just on the Nerdist to talk about both–among other things. In a more recent episode of The Nerdist, Billy Crystal was on the show to talk about his new movie Monsters University and also got around to discussing a few stories from his time in comedy. NPR’s comic critic Glen Weldon, who just wrote an unauthorized biography of Superman, was on the Nerdist Comics Panel to talk about the history of the superhero.
House DJ and producer Felix da Housecat dropped by KCRW to discuss the origins of house music and how he became a DJ on Metropolis. The most recent episode of the show features an interview with the two brothers who make up Disclosure, an excellent British electronic act with a new album, which I can’t recommend enough.
Meanwhile, on the Los Angeles Review of Books’ podcast, host Colin Marshall talks with co-authors Jeff Weiss and Evan McGarvey about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle, a must-listen for hip hop fans. Also not to be missed, WBEZ’s Sound Opinions explored Johnny Cash’s legendary live album, Live from Folsom Prison.
Late Night Library, an excellent podcast that interviews publishing industry professionals, spoke with fellow podcaster Ed Champion and, before that, literary agent Laura Liss. Speaking of Ed Champion, he sat down with Claire Messud for her latest novel, The Woman Upstairs.
One of my new favorite podcasts hosted by Joyland Magazine spoke with the incredible writer and critic Roxane Gay. And on a long-time staple, Other People, Brad Listi spoke with Maggie Nelson, author of Bluets, a book I loved.
Lexicon Valley, Slate’s language show, is back after a brief hiatus and the first episode is on the odd phrase, “Yeah, no …”. I’ve been warning everyone, after you listen to it, you’re going to hear everyone saying it. And finally, great news, Book Riot’s Rebecca Schinsky and Jeff O’Neal are now co-hosting a bookish podcast that is more than worth a listen. For talk on new releases and book news, subscribe to this one today.
What are you listening to?
Here are just a few awesome things I came across in the past few days.
KCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.
In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.
I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.
On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.
Alec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.
the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.
There’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.
There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.
This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.
Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.
E VS. INK
As the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.
Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.
Speaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”
The mark of a great comedy podcast is having to give this caveat: if you aren’t comfortable laughing to yourself in public, best to listen to this one at home alone. Every one of the now seven episodes of By the Way, In Conversation with Jeff Garlin has made me laugh out loud, often with an uncontrollable sputter. Not only that, I grin nearly the whole way through, which, I might add, makes me appear friendly during rush hour, a threat to my tough New Yorker exterior.
Actor, comedian, producer Jeff Garlin, known best to me for his role as Larry David’s manager and friend in Curb Your Enthusiasm, hosts a conversation with fellow talented entertainment industry creatives in front of a live audience at Largo in Los Angeles.
The run time is about an hour and a half, with J.J. Abrams clocking in at an hour and fifty, but however long the show, it never gets tedious. Garlin is one of the rare hosts who can keep you engaged and entertained long past the standard 45 minutes.
Whether Garlin has had the good fortune of sitting down with people who enjoy his company, or if he’s just that good at putting people at ease, every conversation has been comfortable and paved the way for mutual openness. In the first episode, Garlin draws out Larry David’s quirks, of which there are many—one being his dislike of listening to music for its own sake. In episode two, he and Lena Dunham discuss the hell that is awards shows—unless, as was the case with Dunham, you have your quick-witted mom in tow. Parenting, and family life in general, is a common topic: both J.J. Abrams and Will Ferrell like to make their kids breakfast and see them off to school. Farrell volunteers at his son’s soccer games and J.J. makes up stories at bedtime.
Even if Garlin didn’t have great timing and a knack for getting stories out of his guests, his laugh, boisterous and infectious, would be enough to get your smile going. The only downside of By the Way is its lack of an archive, having just begun in January of this year. However, if you get in on it now, you’ll be one of the lucky ones with bragging rights, able to say you were listening to it back when, because, with a bit of luck and more excellent guests, this show will be around for a very long time.
By the Way, In Conversation with Jeff Garlin
This roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”
Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.
A bit of background:
Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.
Noir-like description of Lohan:
“She was quite pale, her skin not on speaking terms with daylight.”
This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.
Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.
On his approach to interviewing for a job, which can be applied to many other things:
You want to be surprising. People love surprises. That is how we stay interested.
On using edited material for “bonus features”:
The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.
Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.
Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.
The Millions ran an argument in favor of reading fewer books in 2013:
This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.
Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”
Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.
Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.
Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.
And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.
The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.
I don’t believe this is a new phenomenon but I’ve noticed an overwhelming amount of quality journalism on the Internet lately. Here are a few pieces that made me think about creative nonfiction, links to more straightforward writing articles, and, of course, television shows and podcasts for when you’re done reading.
The Food That Ate Manhattan: The Implacable Rise of Frozen Yogurt Leaves Us Cold by Kim Velsey for The New York Observer
Anyone who knows me knows about my terrible frozen yogurt habit. I’ve memorized the locations of all the self-serve places below 14th street. I know the Tasti-d-Lites that surround the stores and coffee shops I frequent. I couldn’t go a day without it, or at least not easily. So, when I came across this fantastic article on the rise of frozen yogurt, specifically in New York City, and read its mocking, horrified tone, I was enthralled and wanted to share with everyone I knew.
It was not until one day in Union Square that I realized, in a moment of disquieting clarity, that frozen yogurt shops were everywhere. A Joyride frozen yogurt truck idled by the park, Diet Lite Ice Cream was visible just down 17th Street, and a Yelp search revealed that a Pinkberry, a Tasti D-Lite, a Red Mango, a 16 Handles, a Yoqua Bar and a Yogurberry were all within a five to 10 minute walk. None of which were deemed satisfactory by the friend at my side, who urged us on toward Flavaboom on Sixth Avenue, where one could get the nonfat flavors twisted together and heaped with cheesecake bites and cookie dough.
Nearly skipping with anticipation, she raved about frozen yogurt the whole way there. It was alarming. How could she be so into frozen yogurt? I wondered. How could anyone?
Saying Goodbye to Now by Thomas Beller for the New Yorker’s Culture Desk
Thomas Beller is an excellent observer. In this essay he looks at the difference between memories and photographs. At one point he asks, “Are [these memories] any more vivid to me because there are no photographs? Conversely, would photographing have taken me away and made it all less sharp in my mind?” But first he begins:
My daughter was now airborne. A flying monkey coming right at me, headfirst: straw-yellow hair, a blue skirt, blue spaghetti-strap shirt, apple cheeks, and lips garishly smudged with pink lip gloss within which is the whiteness of her bared teeth—
Stop! Right here, let’s freeze the frame. Here is an image that I will never see again, except in my memory. A girl in mid-flight, waves of green behind her, her face all bright with the colors —blue, pink, yellow, white—of joy and delight, and behind her, as though it was the place from which she had fled, an old, dignified mansion.
Right then, as she was airborne, my hand twitched and slapped my pocket, in the dim hope that I could locate my camera, pull it out, and shoot while the moment still held. But there was no camera, and anyway there was no time. I will never forget this image, though I may already be embellishing it. And you will never see it. You may picture it, but the picture itself was not taken. I had to fight off a sadness about this, because the moment, after all, was happening, and it was beautiful, and anything that detracted from my perception of that was a shame.
Deconstructed—Chris Ware’s Innovation by Steve Almond for The New Republic
Steve Almond is one of my favorite contemporary writers. I particularly like his nonfiction and usually find that his essays double as a writing lesson. In this review of Chris Ware’s epic graphic art experiment, Building Stories, Almond teaches us how to write about things of which we have no authority:
Let’s start with my qualifications as a critic of graphic novels: Putting aside an adolescent excursion into a stoner comic strip called the Fabulous Furry Freak Brothers, I have none. Worse yet, I tend to associate graphic novels with the regressive and haughty wing of hipsterism, the one that favors mope rock and off-brand beers. I guess what I’m getting at here is that I’m a nitwit.
There is no greater evidence of my nitwittedness (currently) than my initial reaction to the new release by the graphic novelist Chris Ware, who I have come to understand is something of a big deal in his field.
While this is totally hilarious, it is also getting at a problem that deserves attention–how do you write about something you haven’t got the slightest clue about? How do you look at a text, a work of art, a film, or listen to a piece of music and judge it, deconstruct it, and put to paper your thoughts and observations without context? Steve Almond breaks the taboo, touts his ignorance, and, inadvertently, champions the amateur.
Four hours with John McAfee by Adam Thomson for The Financial Times
This profile of John McAfee, a tech tycoon who went on the lam after his neighbor was murdered, is a story that got really weird, really fast. The first reporting I’d read was in the Financial Times when one of their correspondents met up with him in Belize to write a profile:
There was nothing serene or tranquil about McAfee. As soon as he closed the front door, he ditched the limp and the crippled arm. Then, hands trembling, he reached for one of several cigarette packets lying on the table.”
His distress, and that of Samantha, his feisty 20-year-old Belizean girlfriend – during the interview, she accused me of being scared: “I’m young and smaller than you and I’ve got more balls” – was more than understandable given the saga that their lives had become over the previous few weeks.
Apparently, VICE magazine was there as well and gave away McAfee’s location through an iPhone photo embedded with GPS coordinates. Something McAfee is now suing them for. However, as The New York Times Decoder blog reports:
Within 36 hours, he began an aggressive campaign to court and spin coverage of his story. … Mr. McAfee seemed to understand the dynamics of journalism well enough to know which assertions reporters would pass along without double-checking or qualifying — like his claim that he had eluded the police by burying himself in sand and positioning a box over his head — even as his self-created narrative veered ever further into the surreal.
WRITING and PUBLISHING
How to Write a Book Review from Daily Writing Tips
Why Netflix Makes You a Better Writer on LitReactor
Five Dos and Don’ts for Picking an Editor by Susan J. Morris for Omnivoracious
Should You Spend Money On Publicity & Marketing? by Randy Susan Meyers for Beyond the Margins
TELEVISION and PODCASTS
For those of you who don’t have cable, Lena Dunham’s show Girls is now available on DVD. While you’re at it, co-producer Judd Apatow’s show Freaks and Geeks (1999) is streaming on Netflix. And for his latest film, ‘This is 40,’ Apatow has been doing some interviews: The Nerdist with Chris Hardwick and Bullseye with Jesse Thorn.
Now that everyone’s caught up on Mad Men Season 5, you can listen to The Nerdist Writer’s Panel’s “Mad Men season five in review” episode with Creator and showrunner Matthew Weiner, showrunners Andre and Maria Jacquemetton, and writer Erin Levy.
Alec Baldwin spoke with Lapham’s Quarterly founder, Lewis Lapham, for his show, Here’s the Thing. Lapham has an excellent gravelly voice that makes his stories and wisdom even better, if that were possible. You can also read an interview Lewis recently conducted with Smithsonian Magazine that I meant to share last week.
To the Best of Our Knowledge spoke with autistic savant Daniel Tammet and it was mesmerizing. Daniel is one of the few people with autism who can express his thought process and explain what he experiences. To hear him tell the interviewer how he thinks was astounding.
Here are just a few things I’ve consumed these past few weeks that deserve some sharing.
For all you publishing junkies, Rob Spillman, editor of Tin House magazine and editorial advisor of Tin House Books, talks to Late Night Library about the book industry. For those of you who like fairy tales, WBUR’s mid-morning program, On Point, spoke with author Maria Tatar about the Brothers Grimm and Philip Pullman spoke with NPR’s Weekend Edition about his book, Fairy Tales from the Brothers Grimm, which retells the classic stories.
For something completely different, Oliver Sacks spoke with NPR’s Fresh Air about his history with hallucinogenics. And, once again The Nerdist came through with their incredible interview with veteran broadcast journalist Larry King. If you’re interested in interviewing, King shares some tips on how to get people to open up. This is a must-listen.
A few weeks ago when I tweeted Joe Queenan’s Wall Street Journal essay, which turned out to be an excerpt from his new book, One for the Books, my bit.ly count went skyhigh. The short sentence I used, “A case can be made that people who read a preposterous number of books are not playing with a full deck,” must have struck a nerve with those who follow my feed. I know it did with me. Since reading this fantastically funny piece I’ve finished Joe’s book. As a review is forthcoming I will not go too much into it. What I can say is that it was hilarious the whole way through.
Another great essay was Ian Sansom’s piece in The Guardian about paper. He, too, has a new book out (in the UK), called Paper: An Elegy. In his article he calls for the creation of a “National Paper Museum.” Sansom, as one would imagine, produces an ode to paper but instead of getting caught up in his own feelings on the matter, he digs into history to show readers how important paper was in the past and how it still endures today. At one point he goes so far as to call paper “our second skin.”
Meanwhile, over at The Millions, staff writer Sonya Chung talks about her own conflicted feelings about digital life.
Having just finished Season 4 of Sons of Anarchy, now streaming on Netflix, I started a new show, Person of Interest, now in its second season. For fans of espionage films and police procedurals, Person of Interest is worth checking out. The show follows an ex-CIA officer, played by Jim Caviezel, and his billionaire buddy, played by Michael Emerson of “Lost,” as they try to save the lives of people who are names by a secret surveillance system. Although a tad bit cheesy, any minor flaws the show might have are erased by the endearing characters and intriguing storyline.
While I do have a few book reviews lined up–including one about dark fantasy short story collections I think you should read–I’ve come across so many awesome non-book things in the past week or so that I needed to put those on the backburner in order to share some other great stuff with you.
Anyone interested in publishing should get ready for this lineup. There were three great podcasts these past few weeks that go behind the scenes of the industry.
The online literary community Litopia interviewed Faber and Faber chief executive Stephen Page for their Naked Book podcast, a show devoted to “ripping the covers off print books and finding out what lies beneath.” It was a candid, informed conversation about print and digital publishing. Well worth saving after you’ve listened the first time.
On Other People, Brad Listi spoke with Steven Gillis, co-founder of the indie press Dzanc Books–who also has a new book out. Listening to Steven’s daily routine was awe-inspiring–and envy-inducing. The following week, he spoke with Paris Review editor Lorin Stein, who was once a book editor at Farrar, Straus and Giroux. The two talk about work/life balance, literary publishing, and digital publishing. [Disclaimer: I’m the publicist working on The Paris Review book and set up the interview but it was so awesome I couldn’t help but share.]
You may have heard about Longreads, a site that finds the best of long-form stories on the Internet. Well, they now have a podcast called the Longform Podcast. Their interviews with The Atlantic’s Ta-Nehisi Coates and author and journalist Gideon Lewis-Kraus are good places to start.
The Nerdist was on a roll with their interviews with actors Joseph Gordon-Levitt and Tom Hanks (interviewed separately, in case that’s not clear). I’m a huge fan of Gordon-Levitt’s not only because I think he’s talented at what he does but also because he always sounds so appreciative and gracious. This interview was no exception. Hanks as well, a huge talent and a guy who seems like he’s happy to be doing what he does, was hilarious. If you only listen for his impressions of foreign fans, it’ll be worth it. And, while we’re talking about The Nerdist, co-host Jonah Ray was on WTF with Marc Maron. It was great.
I picked up the new Kid Koala album, 12 Bit Blues, the other week in preparation of seeing him in November. I’m a longtime fan of the koala. His jazz and blues-meets-turntablism blows my mind and always look forward to what he’s up to. You should check out the official video for 8 Bit Blues on YouTube. It was excellent to hear him on NPR’s Weekend Edition.
While I wait for season 4 of Sons of Anarchy to free up on Netflix, and for Mad Men season 5 to release, I’ve been watching Grimm, the NBC show based on the Brothers Grimm fairy tales. It’s pretty good–creepy but not hard to watch at night, good characters, and an interesting storyline. The main character, Nick, a cop, turns out to be of the Grimm lineage and able to see the creatures that lie beneath seemingly average people. With his abilities, a unknowing partner on the force, and a reformed “Blutbad,” he solves crimes from week to week.
Also something worth watching, which is streaming on Netflix, is the Woody Allen documentary that came out in 2011. In the film, Allen remembers back to his childhood to tell how he came to filmmaking. He brings the camera crew on the tour of his old neighborhood and they interview the many people who played a part in his personal and professional life. Even if you haven’t seen all his films, this was a nice, intimate look at a great artist.
What I’ve been raving about however, is this quirky, little British television show that I came across serendipitously on Netflix, The Book Group, also streaming. An American girl, new to Scotland and looking for friends, forms a book group with a bunch of locals she’s never met. I fell in love with this show almost immediately and blew through the entire two seasons in a little over a week. If you like books, you should watch it immediately. You can thank me later.
Every Monday I look forward to Susan Moriss’s column, ‘Writers Don’t Cry’ on the website Omnivoracious. Every week Morris offers invaluable thoughts and tips on fiction writing. While I don’t write fiction myself, her column is so much fun to read I keep returning. This past week’s topic, keeping a “reading journal,” was so amazing, I printed it out, underlined choice sentences, and plan to take her advice.
As a blogger, predominantly of book reviews and essays based on the books I’ve read, finding a balance between reading and writing can be hard. “Should I read this morning or should I write?” is often a question I ask myself. Poignantly, Morris opens her column with “reading is not procrastinating,” an answer geared more toward fiction writers who don’t necessarily need to read books to work on their own stories. However, Morris–along with many other authors who often offer advice–begs to differ.
Reading, Morris says, “is an important part of maintaining and honing your skills, staying inspired, and keeping in touch with why you write.” She continues with a practical application which, honestly, sounds like a whole lot of fun:
To take the best advantage of your reading for your writing, I recommend keeping a reading journal. In it, you can keep track of what you like, play with particular paragraphs to figure out how they work, and experiment with the styles and ideas you read about to improve your own writing.
I won’t spoil the article for you, you really need to read it for yourself … and then, Mondays, set your calendar.