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New in Paperback for January

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Ring in the New Year with these new paperbacks.

Drinking with Men by Rosie Schaap
Rosie Schaap has always loved bars: the wood and brass and jukeboxes, the knowing bartenders, and especially the sometimes surprising but always comforting company of regulars. Starting with her misspent youth in the bar car of a regional railroad, where at fifteen she told commuters’ fortunes in exchange for beer, and continuing today as she slings cocktails at a neighborhood joint in Brooklyn, Schaap has learned her way around both sides of a bar and come to realize how powerful the fellowship among regular patrons can be.

In Drinking with Men, Schaap shares her unending quest for the perfect local haunt, which takes her from a dive outside Los Angeles to a Dublin pub full of poets, and from small-town New England taverns to a character-filled bar in Manhattan’s TriBeCa. Drinking alongside artists and expats, ironworkers and soccer fanatics, she finds these places offer a safe haven, a respite, and a place to feel most like herself. In rich, colorful prose, Schaap brings to life these seedy, warm, and wonderful rooms. Drinking with Men is a love letter to the bars, pubs, and taverns that have been Schaap’s refuge, and a celebration of the uniquely civilizing source of community that is bar culture at its best.

The Wisdom of the Myths: How Greek Mythology Can Change Your Life by Luc Ferry
A fascinating new journey through Greek mythology that explains the myths’ timeless lessons and meaning.

Heroes, gods, and mortals. The Greek myths are the founding narratives of Western civilization: to understand them is to know the origins of philosophy, literature, art, science, law, and more. Indeed, as Luc Ferry shows in this masterful book, they remain a great store of wisdom, as relevant to our lives today as ever before. No mere legends or cliches (“Herculean task,” “Pandora’s box,” “Achilles heel,” etc.), these classic stories offer profound and manifold lessons, providing the first sustained attempt to answer fundamental human questions concerning “the good life,” the burden of mortality, and how to find one’s place in the world. Vividly retelling the great tales of mythology and illuminating fresh new ways of understanding them, The Wisdom of the Myths will enlighten readers of all ages.

A Highly Unlikely Scenario, or a Neetsa Pizza Employee’s Guide to Saving the World by Rachel Cantor
In the not-too-distant future, competing giant fast food factions rule the world. Leonard works for Neetsa Pizza, the Pythagorean pizza chain, in a lonely but highly surveilled home office, answering calls on his complaints hotline. It’s a boring job, but he likes it—there’s a set answer for every scenario, and he never has to leave the house. Except then he starts getting calls from Marco, who claims to be a thirteenth-century explorer just returned from Cathay. And what do you say to a caller like that? Plus, Neetsa Pizza doesn’t like it when you go off script.

Meanwhile, Leonard’s sister keeps disappearing on secret missions with her “book club,” leaving him to take care of his nephew, which means Leonard has to go outside. And outside is where the trouble starts.

A dazzling debut novel wherein medieval Kabbalists, rare book librarians, and Latter-Day Baconians skirmish for control over secret mystical knowledge, and one Neetsa Pizza employee discovers that you can’t save the world with pizza coupons.

Missing Out: In Praise of the Unlived Life by Adam Phillips
All of us lead two parallel lives: the one we are actively living, and the one we feel we should have had or might yet have. As hard as we try to exist in the moment, the unlived life is an inescapable presence, a shadow at our heels. And this itself can become the story of our lives: an elegy to unmet needs and sacrificed desires. We become haunted by the myth of our own potential, of what we have in ourselves to be or to do. And this can make of our lives a perpetual game of falling short.

But what happens if we remove the idea of failure from the equation? With his flair for graceful paradox, the acclaimed psychoanalyst Adam Phillips suggests that if we accept frustration as a way of outlining what we really want, satisfaction suddenly becomes possible. To crave a life without frustration is to crave a life without the potential to identify and accomplish our desires.

In Missing Out, an elegant, compassionate, and absorbing book, Phillips draws deeply on his own clinical experience as well as on the works of Shakespeare and Freud, of D. W. Winnicott and William James, to suggest that frustration, not getting it, and getting away with it are all chapters in our unlived lives—and may be essential to the one fully lived.

A Tale for the Time Being by Ruth Ozeki
In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.

Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Mastermind: How to Think Like Sherlock Holmes by Maria Konnikova
No fictional character is more renowned for his powers of thought and observation than Sherlock Holmes. But is his extraordinary intellect merely a gift of fiction, or can we learn to cultivate these abilities ourselves, to improve our lives at work and at home?

We can, says psychologist and journalist Maria Konnikova, and in Mastermind she shows us how. Beginning with the “brain attic”—Holmes’s metaphor for how we store information and organize knowledge—Konnikova unpacks the mental strategies that lead to clearer thinking and deeper insights. Drawing on twenty-first-century neuroscience and psychology, Mastermind explores Holmes’s unique methods of ever-present mindfulness, astute observation, and logical deduction. In doing so, it shows how each of us, with some self-awareness and a little practice, can employ these same methods to sharpen our perceptions, solve difficult problems, and enhance our creative powers. For Holmes aficionados and casual readers alike, Konnikova reveals how the world’s most keen-eyed detective can serve as an unparalleled guide to upgrading the mind.

Written by Gabrielle

January 2, 2014 at 6:54 am

New in Paperback for December

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Here are just a few paperback releases coming out this month that have caught my eye.

Black Is the Color by Julia Gfrorer
Black is the ColorBlack is the Color begins with a 17th-century sailor abandoned at sea by his shipmates, and as it progresses he endures, and eventually succumbs to, both his lingering death sentence and the advances of a cruel and amorous mermaid. The narrative also explores the experiences of the loved ones he leaves behind, on his ship and at home on land, as well as of the mermaids who jadedly witness his destruction. At the heart of the story lie the dubious value of maintaining dignity to the detriment of intimacy, and the erotic potential of the worst-case scenario. Julie Gfrorer’s delicate drawing style perfectly complements the period era of Black is the Color, bringing the lyricism and romanticism of Gfrorer’s prose to the fore. Black is the Color is a book as seductive as the sirens it depicts.

To Sell Is Human: The Surprising Truth About Moving Others by Daniel Pink
To Sell is HumanTo Sell Is Human offers a fresh look at the art and science of selling. As he did in Drive and A Whole New Mind, Daniel H. Pink draws on a rich trove of social science for his counterintuitive insights. He reveals the new ABCs of moving others (it’s no longer “Always Be Closing”), explains why extraverts don’t make the best salespeople, and shows how giving people an “off-ramp” for their actions can matter more than actually changing their minds.

Along the way, Pink describes the six successors to the elevator pitch, the three rules for understanding another’s perspective, the five frames that can make your message clearer and more persuasive, and much more. The result is a perceptive and practical book–one that will change how you see the world and transform what you do at work, at school, and at home.

Hip Hop Family Tree by Ed Piskor
Hip Hop Family TreeThe lore of the early days of hip hop has become the stuff of myth, so what better way to document this fascinating, epic true story than in another great American mythological medium — the comic book? From exciting young talent and self-proclaimed hip hop nerd Ed Piskor, acclaimed for his hacker graphic novel Wizzywig, comes this explosively entertaining, encyclopedic history of the formative years of the music genre that changed global culture. Originally serialized on the hugely popular website Boing Boing, The Hip Hop Family Tree is now collected in a single volume cleverly presented and packaged in a style mimicking the Marvel comics of the same era. Piskor’s exuberant yet controlled cartooning takes you from the parks and rec rooms of the South Bronx to the night clubs, recording studios, and radio stations where the scene started to boom, capturing the flavor of late-1970s New York City in panels bursting with obsessively authentic detail. With a painstaking, vigorous and engaging Ken Burns meets- Stan Lee approach, the battles and rivalries, the technical innovations, the triumphs and failures are all thoroughly researched and lovingly depicted. plus the charismatic players behind the scenes like Russell Simmons, Sylvia Robinson and then-punker Rick Rubin. Piskor also traces graffiti master Fab 5 Freddy’s rise in the art world, and Debbie Harry, Keith Haring, The Clash, and other luminaries make cameos as the music and culture begin to penetrate downtown Manhattan and the mainstream at large. Like the acclaimed hip hop documentaries Style Wars and Scratch, The Hip Hop Family Tree is an exciting and essential cultural chronicle and a must for hip hop fans, pop-culture addicts, and anyone who wants to know how it went down back in the day.

The Question Concerning Technology, and Other Essays by Martin Heidegger
Question Concerning TechnologyThe advent of machine technology has given rise to some of the deepest problems of modern thought. Featuring the celebrated essay “The Question Concerning Technology,” this prescient volume contains Martin Heidegger’s groundbreaking investigation into the pervasive “enframing” character of our understanding of ourselves and the world. As relevant now as ever before, this collection is an essential landmark in the philosophy of science from “one of the most profound thinkers of the twentieth century” (New York Times).

The Guy Under the Sheets: The Unauthorized Autobiography by Chris Elliott
Chris ElliottIs Chris Elliott a highly successful and beloved comedian—or a slightly dim-witted notalent from a celebrity family who managed to convince a generation of disillusioned youth that he was funny? From a ghastly childhood on the posh Upper East Side to his first job entertaining mobsters with his Judy Garland impersonation, The Guy Under the Sheets is packed with countless episodes from the life of a mediocre artist who somehow faked his way to the top—of semi-moderate fame and fortune. Woven throughout thectional fun in Elliott’s memoir are wonderful real-life anecdotes that will delight many new readers and loyal fans alike.

Pretty in Ink: North American Women Cartoonists 1896-2013 by Trina Robbins
Pretty in InkWith the 1896 publication of Rose O’Neill’s comic strip The Old Subscriber Calls, in Truth Magazine, American women entered the field of comics, and they never left it. But, you might not know that reading most of the comics histories out there. Trina Robbins has spent the last thirty years recording the accomplishments of a century of women cartoonists, and Pretty in Ink is her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries (such as a Native American woman cartoonist from the 1940s who was also a Corporal in the women’s army, and the revelation that a cartoonist included in all of Robbins’s previous histories was a man ) In the pages of Pretty in Ink you’ll find new photos and correspondence from cartoonists Ethel Hays and Edwina Dumm, and the true story of Golden Age comic book star Lily Renee, as intriguing as the comics she drew. Although the comics profession was dominated by men, there were far more women working in the profession throughout the 20th century than other histories indicate, and they have flourished in the 21st. Robbins not only documents the increasing relevance of women throughout the 20th century, with mainstream creators such as Ramona Fradon and Dale Messick and alternative cartoonists such as Lynda Barry, Carol Tyler, and Phoebe Gloeckner, but the latest generation of women cartoonists–Megan Kelso, Cathy Malkasian, Linda Medley, and Lilli Carre, among many others. Robbins is the preeminent historian of women comic artists; forget her previous histories: Pretty in Ink is her most comprehensive volume to date.

Written by Gabrielle

December 4, 2013 at 7:00 am

New in Paperback for May

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May is here and there are lots of new paperbacks on the shelves. Here are just a few that have my attention.

The Last Interview: and Other Conversations Jorge Luis Borges
The Last Interview_BorgesDays before his death, Borges gave an intimate interview to his friend, the Argentine journalist Gloria Lopez Lecube. That interview is translated for the first time here, giving English-language readers a new insight into his life, loves, and thoughts about his work and country at the end of his life.

Accompanying that interview are a selection of the fascinating interviews he gave throughout his career. Highlights include his celebrated conversations with Richard Burgin during Borges’s time as a lecturer at Harvard University, in which he gives rich new insights into his own works and the literature of others, as well as discussing his now oft-overlooked political views. The pieces combine to give a new and revealing window on one of the most celebrated cultural figures of the past century.

A Questionable Shape by Bennett Sims
A Question of ShapeMazoch discovers an unreturned movie envelope, smashed windows, and a pool of blood in his father’s house: the man has gone missing. So he creates a list of his father’s haunts and asks Vermaelen to help track him down.

However, hurricane season looms over Baton Rouge, threatening to wipe out any undead not already contained and eliminate all hope of ever finding Mazoch’s father.

Bennett Sims turns typical zombie fare on its head to deliver a wise and philosophical rumination on the nature of memory and loss.

Love Is Power, or Something Like That: Stories by A. Igoni Barrett
Love is PowerWhen it comes to love, things are not always what they seem. In contemporary Lagos, a young boy may pose as a woman online, and a maid may be suspected of sleeping with her employer and yet still become a young wife’s confidante. Men and women can be objects of fantasy, the subject of beery soliloquies. They can be trophies or status symbols. Or they can be overwhelming in their need.

In these wide-ranging stories, A. Igoni Barrett roams the streets with people from all stations of life. A man with acute halitosis navigates the chaos of the Lagos bus system. A minor policeman, full of the authority and corruption of his uniform, beats his wife. A family’s fortunes fall from love and wealth to infidelity and poverty as poor choices unfurl over three generations. With humor and tenderness, Barrett introduces us to an utterly modern Nigeria, where desire is a means to an end, and love is a power as real as money.

Dark Back of Time by Javiar Marias
Dark Back of TimeCalled by its author a “false novel,” Dark Back of Time begins with the tale of the odd effects of publishing All Souls, his witty and sardonic 1989 Oxford novel. All Souls is a book Marías swears to be fiction, but which its “characters”–the real-life dons and professors and bookshop owners who have “recognized themselves”–fiercely maintain to be a roman à clef. With the sleepy world of Oxford set into fretful motion by a world that never “existed,” Dark Back of Time begins an odyssey into the nature of identity and of time. Marías weaves together autobiography, a legendary kingdom, strange ghostly literary figures, halls of mirrors, a one-eyed pilot, a curse in Havana, and a bullet lost in Mexico.

The Alteration by Kingsley Amis, introduction by William Gibson
The AlterationIn Kingsley Amis’s virtuoso foray into virtual history it is 1976 but the modern world is a medieval relic, frozen in intellectual and spiritual time ever since Martin Luther was promoted to pope back in the sixteenth century. Stephen the Third, the king of England, has just died, and Mass (Mozart’s second requiem) is about to be sung to lay him to rest. In the choir is our hero, Hubert Anvil, an extremely ordinary ten-year-old boy with a faultless voice. In the audience is a select group of experts whose job is to determine whether that faultless voice should be preserved by performing a certain operation. Art, after all, is worth any sacrifice.

Today Is the Last Day of the Rest of Your Life by Ulli Lust; translated by Kim Thompson
Today is the Last Day of the Rest of Your LifeBack in 1984, a rebellious,17-year-old, punked-out Ulli Lust set out for a wild hitchhiking trip across Italy, from Naples through Verona and Rome and ending up in Sicily. Twenty-five years later, this talented Austrian cartoonist has looked back at that tumultuous summer and delivered a long, dense, sensitive, and minutely observed autobiographical masterpiece.

A Day in the Life by Senji Kuroi
A Day in the LifeA Day in the Life features twelve portraits of the vivid and curious realities experienced by a man in his sixties. These stories focus on the tiny paradoxes and ridiculousness we each witness and of which we often take no note. Ranging from a visit to an exhibition of blurry photographs, each taken with an exposure time of exactly one second, to the story of a man stalked through the streets by a stranger for no greater a crime than making eye contact, A Day in the Life demonstrates why Senji Kuroi is considered one of the leading figures of contemporary Japanese literature

Hypothermia

Hypothermia by Álvaro Enrigue
Shocking, erudite, and affecting, these twenty-odd short stories, “micro-novels,” and vignettes span a vast territory, from Mexico City to Washington, D.C. to the late nineteenth-century Adriatic to the blood-soaked foothills of California’s Gold Rush country, introducing an array of bewildering characters: a professor of Latin American literature who survives a tornado and, possibly, an orgy; an electrician confronting the hardest wiring job of his career; a hapless garbage man who dreams of life as a pirate; and a prodigiously talented Polish baritone waging musical war against his church. Hypothermia explores the perilous limits of love, language, and personality, the brutal gravity of cultural misunderstandings, and the coldly smirking will to self-destruction hiding within our irredeemably carnal lives.

Written by Gabrielle

May 7, 2013 at 6:55 am

Bluets by Maggie Nelson

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“Loneliness is solitude with a problem”—Maggie Nelson

BluetsAlthough written in numbered propositions, seemingly disconnected, Bluets is not the type of book you can open to any page and begin reading. I know this because it’s what I’d done a number of times in a number of bookstores only to leave empty handed despite trusted friends insisting on its brilliance.

Finally, I sat down to read Maggie Nelson’s book properly and discovered its flow, its rhythm, and was caught up in the attempt to understand the placement of these ruminations on—as one might infer from the title—the color blue.

“Suppose I were to begin by saying that I had fallen in love with a color. Suppose I were to speak this as though it were a confession; suppose I shredded my napkin as we spoke,” she begins. “And so, I fell in love with a color—in this case, the color blue—as if falling under a spell, a spell I fought to stay under and get out from under, in turns.”

Intense focus, or perhaps obsession, is what drives Bluets. At one point Nelson considers traveling the world in search of blue objects: “ancient indigo and woad production sites, the Chartres Cathedral, the Isle of Skye, the lapis mines of Afghanistan, the Scrovegni Chapel, Morocco, Crete.”

But Nelson does not need to travel to faraway places; she sees blue wherever she goes, and notices its absence when she doesn’t. Interspersed in Bluets are delightful facts about color: the presence of blue in nature (male satin bowerbirds build adorn their bowers with blue objects to lure females); religion (blue became a “holy” color after it was mistaken that ultramarine contained gold and was therefore valuable; and world cultures (the Tuareg, a “tribe of blue people” in the deserts of North Africa who take on the color of their deeply saturated dyed robes).

An ex-lover is remembered by the blue button-down shirt he wore on their final day together; the feet of a friend, now paraplegic, are mentioned because they’ve become “the blue of skim milk” from disuse. Quotes from Mallarmé, Goethe, and da Vinci woven into the fabric of Nelson’s thoughts fill the pages with a weight not conveyed by the book’s slim appearance.

Bluets will deceive aspiring writers. They will see short paragraphs made up of spare sentences and believe they can do it too. But the careful reader will feel the deliberation, they will know the state of the author’s cutting room floor.

In Bluets, Nelson has taken an exercise in single-minded attention and created a meditative masterpiece.

::[Links]::
Buy Bluets at your local bookstore
Maggie Nelson chooses six books on color 
An interview with Maggie Nelson at the Poetry Foundation
An interview with Maggie Nelson at BOMB magazine

Written by Gabrielle

April 16, 2013 at 6:55 am

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New in Paperback for April

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Here are some excellent paperbacks to get your April started off on the right foot.

Frequencies- Volume 2

Frequencies: Volume 2
Featuring original work by Sara Finnerty on ghosts, Roxane Gay on issues of belonging in Black America, Alex Jung on the gay sex trade in Thailand, Aaron Shulman on a frontier town of Guatemala, Kate Zambreno on Barbara Loden, and more.

Point of Impact

Point of Impact by Jay Faerber (writer), Koray Kuranel, (art)
A gripping, provocative murder mystery from acclaimed writer Jay Faerber and stunning artist Koray Kuranel begins with one woman’s murder and branches out to follow the investigation by three people with personal connections to her: her husband, an investigative reporter; her lover, an ex-soldier; and her friend, a homicide detective.  Her death will change all of their lives.
Check out a 6-page excerpt from Point of Impact
Read an interview with Jay Faerber on Comic Book Resources

Bitter Almonds

Bitter Almonds by Laurence Cossé
From the author of A Novel Bookstore comes this delightful story about friendship across racial and economic barriers set in contemporary Paris.

Édith can hardly believe it when she learns that Fadila, her sixty-year-old housemaid, is completely illiterate. How can a person living in Paris in the third millennium possibly survive without knowing how to read or write? How does she catch a bus, or pay a bill, or withdraw money from the bank? Why it’s unacceptable! She thus decides to become Fadila’s French teacher. But teaching something as complex as reading and writing to an adult is rather more challenging than she thought. Their lessons are short, difficult, and tiring. Yet, during these lessons, the oh-so-Parisian Édith and Fadila, an immigrant from Morocco, begin to understand one another as never before, and form this understanding will blossom a surprising and delightful friendship. Édith will enter into contact with a way of life utterly unfamiliar to her, one that is unforgiving at times, but also full of joy and dignity.

Where'd You Go, Bernadette

Where’d You Go, Bernadette by Maria Semple
Bernadette Fox is notorious. To her Microsoft-guru husband, she’s a fearlessly opinionated partner; to fellow private-school mothers in Seattle, she’s a disgrace; to design mavens, she’s a revolutionary architect, and to 15-year-old Bee, she is a best friend and, simply, Mom.

Then Bernadette disappears. It began when Bee aced her report card and claimed her promised reward: a family trip to Antarctica. But Bernadette’s intensifying allergy to Seattle–and people in general–has made her so agoraphobic that a virtual assistant in India now runs her most basic errands. A trip to the end of the earth is problematic.

To find her mother, Bee compiles email messages, official documents, secret correspondence–creating a compulsively readable and touching novel about misplaced genius and a mother and daughter’s role in an absurd world.

Crisis of the European Mind

The Crisis of the European Mind by Paul Hazard
Paul Hazard’s magisterial, widely influential, and beloved intellectual history offers an unforgettable account of the birth of the modern European mind in all its dynamic, inquiring, and uncertain glory. Beginning his story in the latter half of the seventeenth century, while also looking back to the Renaissance and forward to the future, Hazard traces the process by which new developments in the sciences, arts, philosophy, and philology came to undermine the stable foundations of the classical world, with its commitment to tradition, stability, proportion, and settled usage. Hazard shows how travelers’ tales and archaeological investigation widened European awareness and acceptance of cultural difference; how the radical rationalism of Spinoza and Richard Simon’s new historical exegesis of the Bible called into question the revealed truths of religion; how the Huguenot Pierre Bayle’s critical dictionary of ideas paved the way for Voltaire and the Enlightenment, even as the empiricism of Locke encouraged a new attention to sensory experience that led to Rousseau and romanticism. Hazard’s range of knowledge is vast, and whether the subject is operas, excavations, or scientific experiments his brilliant style and powers of description bring to life the thinkers who thought up the modern world.

Death of Lysanda

Death of Lysanda by Yitzhak Orpaz
The Death of Lysanda collects two macabre novellas by one of Israel’s greatest writers. In the title piece, we meet Naphtali Noi, a recently divorced proofreader, critic, and “creative” taxidermist, given to hallucinations and soon perhaps to add murder to his hobbies. Ants tells the story of a married couple, Jacob and Rachel, who discover that an army of the titular insects is threatening to destroy their rooftop apartment—but Rachel seems to be on their side rather than her husband’s.

In fragmented prose halfway between the Old Testament and the playful stories of Julio Cortázar, these tales take to pieces the psyches of two men—and a nation—at war with themselves.

Titus Awakes

Titus Awakes: The Lost Book of Gormenghast by Maeve Gilmore
Mervyn Peake’s Gormenghast novels are widely acknowledged to be classic works of high fantasy, on par with Tolkien’s Lord of the Rings trilogy. In this series, Peake created the vividly detailed world — at once gothic and surreal — of Castle Gormenghast. When Peake died in 1968, he left behind the tantalizing pages and clues for the fourth and concluding book in the series.

Maeve Gilmore, Mervyn Peake’s widow, wrote Titus Awakes, based on those pages left behind by Peake. Fans of the Gormenghast novels will relish this continuation of the world Peake created and of the lives of unforgettable characters from the original novels, including the scheming Steerpike, Titus’s sister Fuchsia, and the long-serving Dr. Prunesquallor. Published a century after Peake’s birth, this strikingly imaginative novel provides a moving coda to Peake’s masterwork.

Absolution

Absolution by Patrick Flanery
A bold and exciting literary novel set in South Africa that contemplates the elusive line between truth and self-perception.

Absolution is a big-idea novel about the pitfalls of memory, the ramifications of censorship, and the ways we are silently complicit in the problems around us. It’s also a devastating, intimate, and stunningly woven story. Told in shifting perspectives, it centers on the mysterious character of Clare Wald, a controversial South African writer of great fame, haunted by the memories of a sister she fears she betrayed to her death and a daughter she fears she abandoned. Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms—such as the child witness of her daughter’s last days who has reappeared twenty years later as Clare’s official biographer, prompting an unraveling of history and a search for forgiveness. Part literary thriller, part meditation on the responsibility of the individual under totalitarianism, this is a masterpiece of rich, complicated characters and narration that captures the reader and does not let go.

Written by Gabrielle

April 2, 2013 at 6:56 am

Steal Like an Artist, A Night with Austin Kleon

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Last week at McNally Jackson, an independent bookstore based in the heart of SoHo, Austin Kleon, artist and, most recently, the author of Steal Like an Artist, brought together three fascinating minds on the internet today. Joining him in conversation about creativity and curation were Maria Popova of the website Brainpickings, Maris Kreizman of the mashup Tumblr Slaughterhouse 90210, and cultural critic Maud Newton.

One of Austin’s ideas that I find most interesting is “creative lineage,” those who influence your work, whose fingerprints can be seen in your creations. For Maud Newton, Muriel Spark is woefully underrated; Maris raved about fiction writer Lorrie Moore and recommended Self Help and Anagrams; Maria named Susan Sontag along with Winnie the Pooh and The Little Prince; Austin, a fan of Midwesterners who include pictures with their writings, named Kurt Vonnegut and Lynda Barry.

Here is a profile I wrote and a Q&A I conducted with Austin early in April when his book first came out. It originally ran on The Nervous Breakdown. You can also read my riff on Austin’s analog vs. digital approach to creating, posted in March on this site.

Below are links to all the various places you can find Austin and the panel participants on the internet, along with more recommendations mentioned throughout the discussion.

“It’s not the book you start with, it’s the book that book leads you to” –Austin Kleon, Steal Like an Artist

In 2005 Austin Kleon experienced a bad case of writer’s block. Right out of college, after having studied creative writing, he was struggling to write a short story. To break out of the rut he took a Sharpie to nearby newspapers and started crossing out sentences, leaving only a few words and large swaths of black ink in his wake. Unknowingly, he created something he calls Newspaper Blackout Poems.

But as he said on the phone one Saturday morning before embarking on a major US tour to support his latest book, Steal Like an Artist — the title a riff on a popular saying in the creative world often misattributed to Picasso — “nothing comes from nowhere.” It was soon after creating these blackout poems that Kleon traced the style’s origins back 250 years to a former next-door neighbor of Benjamin Franklin’s. More recently, William Burroughs had done something similar with his cut-up technique.

Far from disappointed by his findings, Austin developed a philosophy, one that he celebrates in the book. “All creative work builds on what came before,” he continued. Whether it’s our subconscious at play or a dedicated effort, we all have influences whose work guides our own. Austin encourages us to embrace and cultivate them rather than see our mashup style as fraudulent.

“Just as you have a familial genealogy, you also have a genealogy of ideas. You don’t get to pick your family, but you can pick your teachers and you can pick your friends and you can pick the music you listen to and you can pick the books you read and you can pick the movies you see.”

Although his “family tree” is always changing, Austin named four influences who have stuck with him over time. Lynda Barry, his favorite cartoonist, showed Austin he could make a career out of pairing words and pictures. He believes her book What It Is should be required reading for high school students. Austin’s work is highly visual, the book features drawings throughout, so it was no surprise to hear him mention two other artists: Charles Schulz of Peanuts fame and Saul Steinberg, an illustrator best known for his work with The New Yorker. Acclaimed fiction writer George Saunders also made the list.

Although the influences he mentions appear cohesive, leading one to assume his work has a singular foundation, Austin says there’s no harm in variation. “Don’t worry about unity from piece to piece — what unifies all of your work is the fact that you made it,” he said.

The beauty of Steal Like an Artist is that it’s accessible, something that was important to Austin. As one can surmise from the subtitle, 10 Things Nobody Told You About Being Creative, a tagline that fits neatly into today’s culture of pared down how-tos, there’s a noticeable lack of technical jargon. Instead, Austin filled its pages with thought-provoking aphorisms and bite-sized insights. Structured around these ten simple rules, Steal Like an Artist offers a list that will most certainly transform the way you think about your work: use your hands; do good work and share it with people; be nice (the world is a small town); and be boring (it’s the only way to get work done) — to name a few.

Unlike many big thought books, Steal Like an Artist doesn’t leave you stranded: putting ideas in your head without a practical plan for going forward. In the last few pages Austin offers tips on how to harness creative energy: take a walk, get yourself a calendar, start a blog, and take a nap. As an avid reader and someone who believe books hold many answers, he includes a reading list of other books that might help you along the artistic path.

Ultimately, Steal Like an Artist is an inspiring conversation, one worth returning to again and again as your creative process evolves over time.

Here are a few bonus questions I’d asked Austin after our phone call. Check out what he has to say about procrastination, serendipity, and Carl Jung.

You talk about finding one’s voice. I’m curious to know how you found yours — or if you think the search ever ends.

Voice always confused the hell out of me in school. I really had no idea what professors were talking about when they said “find your voice.” I still don’t have a handle on it real well, honestly. The closest I’ve been to understanding is through something Billy Collins said: you find your poetic voice by emulating about 6-8 different poets, and once they fit together, so you can’t tell what comes from who, you’ve discovered your voice. I don’t think the search ends, though — at least I hope not. To have one voice forever sounds boring to me.

Do you feel procrastination is an integral part to the creative process?

Oh yeah. Basically, I always have 3-4 projects I’m working on and when I get sick of one I bounce over to the other. At some point I’ll become obsessed with one and run on that energy until it’s dead, then I switch again.

As much as we like being productive, We also need time to sit around and do nothing. To stare at the wall and think, or do something routine and mundane with your body so your mind is freed up.

How do you procrastinate productively?

I like going for walks and doing the dishes — both get me ideas, but one makes me less fat and one gets the kitchen clean.

You say “Creative work is a kind of theater.” I love that. As an artist, how do you see your work — or creative work in general — as theater?

The stage is your workspace — your desk, or your studio, whatever. The costume is your smock, or your favorite sweatpants, or a funny hat you put on to think. The props are your tools — pens, welding torch, etc. — and the script is just plain old time set aside to work. You know, just like actors “get into character,” I think we can trick our minds into get into the zone, too.

You mentioned recently that you’ve been making more of an effort to step away from your computer — your chapter “Step Away from the Screen” is one of my favorites — and that you spend your time in the local university library looking through the stacks. What’s your take on serendipitous findings in the physical world versus the virtual/online world?

Yeah, you just can’t beat having books in a physical space. I call it the “serendipity of the stacks” — you go looking for a book with a certain Dewey Decimal number, and then your eye gets caught on another book’s spine, and pretty soon you’re reading that book instead of the one you went looking for.

The same thing can happen on the Internet, but it just doesn’t feel quite the same. Steven Johnson says, if you can’t find serendipity on the web, you’re not using it right.

I’d asked you about your favorite artist biography or memoir and you mentioned Carl Jung’s Memories, Dreams, Reflections. Did it change your life in some way?

I’m not sure it’s changed my life, but what I love about the book is how Jung is constantly on the edge between science and religion, rationality and mysticism, etc. it’s just a great story about one of our great minds coming into being.

You can find Austin online at austinkleon.com, on Twitter at @austinkleon, on Facebook at Austin Kleon, and on Tumblr.

::[Links]::
Maria Popova: Website, Facebook, Twitter, Tumblr
Maris Kreizman: Tumblr, Twitter
Maud Newton: Website, Twitter, Tumblr, The Chimerist (A Tumblr about iPad reading, co-run with Laura Miller of Salon)

::[Recommended Links]::
Perchance to Dream: an essay by Jonathan Franzen in Harper’s Magazine
Who is Mark Twain?: an animated conversation with John Lithgow at the New York Public Library
Artist Marc Johns on Pinterest
Maud Newton outlines her day at the Paris Review: Part I, Part II
Maria uses Evernote
Austin likes the show Justified, based on Elmore Leonard’s novels

What to Read: Lapham’s Quarterly

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Lapham’s Quarterly is a journal of big ideas. It takes its lead from Cicero’s observation that “to know our history is to know ourselves” and, with writings from the past, proves “that valuable observations of the human character and predicament don’t become obsolete”.

Each issue explores a single theme using archival material, newly commissioned essays, and “history’s underutilized scrapbooks: letters, diaries, speeches, navigational charts, menus, photographs, bills of lading, writs of execution.” When put together, Lapham’s is as elegant as it is meaty.

Lewis Lapham, former Editor of Harper’s Magazine and author of numerous left-leaning political books, launched the journal in 2008, bringing his political sensibilities with him. Although political criticism is included in each issue, one of the quarterly’s greatest strengths is its ability to explore society without becoming dogmatic.

The most recent issue, Spring 2012’s “Means of Communication,” while it features pieces dating back to nearly 3000 B.C. up until the modern day, there is a striking overlapping of preoccupations in many of the poems and essays.

Looking at historical correspondence we see that the 21st century doesn’t have a monopoly on hand-wringing over the disintegration of language. In a letter from Benjamin Franklin to Noah Webster the former praises the latter’s 1789 Dissertations on the English Language: “It is an excellent work and will be greatly useful in turning the thoughts of our countrymen to correct writing … I cannot but applaud your zeal for preserving the purity of our language, both in its expressions and pronunciation, and in correcting the popular errors several of our states are continually falling into with respect to both.”

A poem composed in 2800 BC predicts a singular language, an idea that feels echoed in H.G. Wells’s premonition of a singular encyclopedia. In his 1936 essay about a “Permanent World Encyclopedia,” a phrase that calls Wikipedia to mind, Wells says,“the idea of an encyclopedia may undergo very considerable extension and elaboration in the near future. … our contemporary encyclopedias are still in the coach-and-horse phase of development”.

One can then find the thread to language columnist, linguist, and lexicographer Ben Zimmer’s essay ‘Word for Word,’ where he explains Roget’s intentions when first creating the thesaurus: to “create order out of linguistic chaos”. After naming a few thesaurus naysayers, he continues, “Roget intended for his readers to immerse themselves in the orderly classification system of the thesaurus so that they might better understand the full possibilities for human expression. As Roget first conceived it, the book did not even have an alphabetical index—he included it later as an afterthought. His goal, then, was not to provide a simple method of replacing synonym A with synonym B but instead to encourage a fuller understanding of the world of ideas and the language representing it.” If you continue on, Zimmer ultimately asks the question, “what does it [Roget’s Thesaurus] have to offer the modern reader?”

The pieces range in length anywhere from a quote …

“The only authors whom I acknowledge as American are the journalists. They indeed are not great writers, but they speak the language of their countrymen, and make themselves heard by them.” — Alexis de Tocqueville

“When action grows unprofitable, gather information; when information grows unprofitable, sleep.” –Ursula K. LeGuin

… to a sidebar-sized excerpt; to a three page essay, perfect for weekend mornings in the coffee shop.

If you only thumb through Lapham’s Quarterly you get the sense that everyone working there sifts through an incredible amount of information each day. Even the short contributor bios contain obscure facts; before reading Plutarch’s “Tone of Voice,” I never knew his “paired biographies of eminent Greeks and Romans . . . [became] a source for several of William Shakespeare’s plays.”

Near the back of the book there’s a section called “Miscellany”. It has the feel of an outtake reel, a place born out of finding a mind-blowing fact and not having a place to put it. I know my life is better knowing this: “Before the entire palette of modern mathematical notation existed, Johannes Kepler relied on musical notation to describe the planets’ rotation around the sun in his Harmonies of the World, published in 1619.” To leave it out would have been criminal.

With contributions from Jorge Luis Borges, Toni Morrison, Oliver Sacks, John Cheever, and computer scientist Jaron Lanier, I’m afraid that if I gush as much as I’d like this post will be longer than the issue itself. Lapham’s Quarterly, whether tackling celebrity, food, or fantasy, delivers a quality experience every time.

::[Links]::
Listen to this issue’s podcast, an interview with Simon Winchester, whose essay “Native Tongues” was in “Means of Communication,” and Dictionary of American Regional English chief editor Joan Hall. Then, I highly suggest you subscribe to Lapham’s Quarterly.

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