Posts Tagged ‘on the shelf’
UNDER THE INFLUENCE: How Colors Make Us Buy
Host Terry O’Reilly, an award-winning copywriter who has worked with leading advertising agencies and the co-founder of a creative audio production company, explores the shift marketing has taken “from a century of overt one-way messaging to a new world order of two-way dialogue”. Think marketing plus science plus history plus storytelling and you’ll have an idea of what Under the Influence is like.
The show’s most recent topics have included movie marketing, ads that have worked “too well,” and something called “hyper-marketing,” which I hadn’t heard of until the episode aired. This past week, Terry looked into color theory. Follow the usual format, the episode uses anecdotes from companies to explain why they use the colors they use, how they came to use those colors, and the successes and failures that followed.
As usual, the entire show eye-opening but what really caught my attention was this: “White has a feeling of lightness, and is the reason why most planes are painted this colour. It soothes the concern we all secretly harbour that a machine that size can’t possibly become airborne.” Blew my mind … and got me thinking about a book I’ve been meaning to read for years.
Color: A Natural History of the Palette by Victoria Finlay
“Discover the tantalizing true stories behind your favorite colors. For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects.”
Terry discusses Pantone colors and the role they play in a company’s brand recognition–not entirely surprising. Tiffany’s was one of the examples. Pantone is not a new subject to the program, Terry had mentioned them a few episodes ago, right around the time they picked their color of the year (Tangerine), which, apparently influences the year’s fashion. Obviously, Pantone has more authority than many of us know and it might just do us well to pay attention.
Pantone: The Twentieth Century in Color by By Leatrice Eiseman and Keith Recker
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, decor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues.
TO THE BEST OF OUR KNOWLEDGE: Henry David Thoreau
For the 150th anniversary of Henry David Thoreau’s death, To the Best of Our Knowledge looks at the man, the myth, and the lasting influence of the Thoreau persona.
“Henry David Thoreau died 150 years ago, and he’s still a great American icon. But have you ever wondered exactly why? Thoreau wasn’t exactly the model environmentalist he’s often made out to be. And his account of living at Walden Pond is partly fictionalized; he spent nine years writing and revising it. We examine Thoreau’s legacy and why he still inspires us.”
The Journal of Henry David Thoreau 1837-1861
I must admit, I’ve never read Walden in full. If anything, I’ve read 20 pages and that’s not even certain. I’m sure I’ll try it again one day but right now his journals sound more appealing.
“Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right—one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination.”
One guest on the Thoreau episode was author Terry Tempest Williams. A nature writer and environmental acitvist, Williams talks about reading Thoreau’s work.
When Women were Birds: Fifty-four Variations on Voice
In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother’s journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”
“Terry Tempest Williams has been called “a citizen writer,” a writer who speaks and speaks out eloquently on behalf of an ethical stance toward life. A naturalist and fierce advocate for freedom of speech, she has consistently shown us how environmental issues are social issues that ultimately become matters of justice.” [via author’s website]
BULLSEYE WITH JESSE THORN: An Interview with Tom Bissell
Tom Bissell is a journalist, video game critic and author whose latest book, Magic Hours: Essays on Creators and Creation, is a series of pieces attempting to capture all angles of the creative process. This one has been in my sights since it came out last month.
Magic Hours: Essays on Creators and Creation
In Magic Hours, award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper’s, these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.
What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell’s exploration of these questions make for gripping, unforgettable reading.
THE GUARDIAN BOOKS PODCAST: Literature which disrupts reality
This episode of the Guardian Books Podcast features author Jeet Thayil and Etgar Keret. A growing household name among young, literary Americans (not at the exclusion of others), Keret is known for his surrealistic short stories. However, Thayil, lesser-known outside of his home in India and better known there as a poet, has just written his debut novel. Narcopolis takes from reality but doesn’t stay there.
“Jeet Thayil’s luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. . . . Narcopolis tracks the descent of Mumbai’s drug users from the sybaritic excesses of opium in the 1970s, to the harsh reality of contemporary addiction to heroin and crack.”
Read Etgar Keret’s short story Unzipping, excerpted from his latest, Suddenly, A Knock on the Door.
As someone who was turned onto blues at an early age, this Radiolab short about Robert Johnson was fascinating.
For years and years, Jad’s [Abumrad] been fascinated by the myth of what happened to Robert Johnson at the crossroads in Clarksdale, Mississippi. The story goes like this: back in the 1920s, Robert Johnson wanted to play the blues. But he really sucked. He sucked so much, that everyone who heard him told him to get lost. So he did. He disappeared for a little while, and when he came back, he was different. His music was startling–and musicians who’d laughed at him before now wanted to know how he did it. And according to the now-famous legend, Johnson had a simple answer: he went out to the crossroads just before midnight, and when the devil offered to tune his guitar in exchange for his soul, he took the deal.
Crossroads: The Life and Afterlife of Blues Legend Robert Johnson by Tom Graves
The result of careful research, this stylish biography of infamous blues musician Robert Johnson reveals the real story behind the mythical talent that made him a musical legend. According to some, Robert Johnson learned guitar by trading his soul away to the Devil at a crossroads in rural Mississippi. When he died at age 27 of a mysterious poisoning, many superstitious fans came to believe that the Devil had returned to take his due. This diligent study of Johnson’s life debunks these myths, while emphasizing the effect that Johnson, said to be the greatest blues musician who ever lived, has had on modern musicians and fans of the blues.
Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America’s deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history.
Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside — not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today’s loyal blues fans.
NERDIST WITH CHRIS HARDWICK: John Lithgow
Without any hyperbole, John Lithgow is a brilliant actor. Drama, comedy, television, theater, he nails it. The Nerdist podcast has really hit its stride. The past dozen or so episodes have been truly incredible and this interview with John Lithgow has surpassed all that have come before it. As Lithgow says at the end of the interview, Chris Hardwick is a fantastic host. Both shine in this one.
Drama: An Actor’s Education by John Lithgow
In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star.
Above all, Lithgow’s memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John’s boyhood. From bedtime stories to Arthur’s illustrious productions, performance and storytelling were constant and cherished parts of family life. Drama tells of the Lithgows’ countless moves between Arthur’s gigs—John attended eight secondary schools before flourishing onstage at Harvard—and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater.
Born Standing Up: A Comic’s Life by Steve Martin
John and Chris both raved about Steve Martin’s memoir. Anyone interested in the craft of comedy should read this one.
In the midseventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of “why I did stand-up and why I walked away.”
Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been awriter. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written.
What have you listened to lately that added to your reading pile? Be sure to include the book, too.
Last year culture critic and essayist Daniel Mendelsohn, a frequent contributor to The New York Review of Books and The New Yorker, participated in a talk on practice. As a trained classicist you wouldn’t expect him to critique Mad Men or praise Battlestar Galactica. But he does, and he does so from a wholly unique point of view.
Whether he’s reviewing a Greek play or a popular television show, Mendelsohn says that what makes writing an essay interesting is when he’s conflicted. While some writers keep themselves out of their criticism, Mendelsohn unabashedly injects himself into the response. “It’s not always about the thing, it’s also about you”. The friction that drives him begins with a battle inside his head; mixed feelings prove fruitful.
Most people will agree with Mendelsohn when he says it’s a great time to be a television critic, that “We are currently living in a new golden age of television, a medium that has been liberated by cable broadcasting to explore both fantasy and reality with greater frankness and originality than ever before.”
To him, The Wire, OZ, Six Feet Under, and The Sopranos are evidence. He continues, “as witness shows as different as the now-iconic crime dramas The Sopranos and The Wire, with their darkly glinting, almost Aeschylean moral textures; the philosophically provocative, unexpectedly moving sci-fi hit Battlestar Galactica, a kind of futuristic retelling of the Aeneid; and the perennially underappreciated small-town drama Friday Night Lights, which offers, among other things, the finest representation of middle-class marriage in popular culture of which I’m aware.”
It’s in this realm that Mendelsohn is the thinking pop culture junkie’s dream, applying his classical training to the seemingly brainless media we tune out to at the end of a long day. Reading his criticism reassures us that there’s an education in that hour before bed.
Mendelsohn says his classical training gives him certain tools: “classicists look at everything . . . they connect the dots. . . . After all,” he continues, “Greek tragedy was popular culture in its time.”
In a recent interview with The Browser, Mendelsohn argues that classics are the ultimate source: “Our kinds of plots, concerns, genres – all of them begin with the Greeks and the Romans. So anyone who has an interest in the history of literature in general would do well to study the classics.” I’d add that anyone aspiring to write smart criticism would be wise to study them as well.
Regarding what they hold for us now, Mendelsohn says, “Good literature always illuminates human nature and human action.” Then, echoing his father, he continues, “as long as people are the same, the classics are always relevant.”
There have been a few reissues and adaptations of the classics lately. Mendelsohn offers an insightful and informed take: “the Greeks were already playing with them, and that’s one of the reasons why I’m all for adaptation – it’s part of the classical heritage.”
After you read How Beautiful It Is and How Easily It Can Be Broken, Daniel Mendelsohn’s collection of essays on modern novels, film, and what the classics can tell us about war, here are some classics he suggests:
The Iliad by Homer
“As I get older, I increasingly think The Iliad is one of the first works to wrestle with the existential problem: If you’re going to die, what do you want the space between now and when you’re going to die look like? Does it matter? Does anyone care? On what value system do you base your actions? That’s what The Iliad is really about – a guy confronted by the possibility that the entire structure of his values is not being honoured. So why fight? And that is a question about war that never goes away, either as an individual or a nation.” Of Homer he says, “if you look carefully at Homer, everything that happens is also a function of the personality of the characters.”
Ulysses by James Joyce
“Ulysses is the 800 pound gorilla in the room. It’s the one that naturally we all think of, and it’s the ultimate recasting of the classic – in a very self-conscious way.” UPDATE: As Daniel kindly mentions below, his thoughts on James Joyce’s Ulysses is can be read at Slate.
The Infinites by John Banville
“It’s an adaptation of a play called Amphitryon . . . Banville takes the plot of this ancient play – about how Zeus seduces in disguise the wife of Amphitryon, a woman called Alcmene, and begets Heracles from her, his divine child – and updates this to the present. The hero is a famous mathematician called Adam Godley (a significant name, obviously) who has come up with an equation to connect all the parallel worlds that could exist in the Einsteinian universe.”
Three plays by Euripides
“I’m a great advocate for three plays by Euripides that to my mind are never sufficiently adapted. They are what we call Euripides’s romances – the Ion, the Iphigenia in Tauris and the Helen. These plays remind you almost of the Shakespearean romances. People are left on a desert island or a strange shore, their mates are far away trying to find them and are also eventually shipwrecked, there are misrecognitions and mistaken identities, and eventually it all comes together in a happy ending.”
Pre-order Daniel’s forthcoming essay collection, Waiting for the Barbarians: Essays on the Classics and Pop Culture (Aug. 2012)
Daniel Mendelsohn’s archive at The New Yorker
Daniel Mendelsohn on Mad Men at The New York Review of Books
On Stephen Mitchell’s new translation of Homer’s Iliad (New Yorker podcast)
Here are a few things that caught my eyes and ears these past few days.
Rub Out the Words: the Letters of William S Burroughs 1959-1974 ed by Bill Morgan
I’ve always found William Burroughs intriguing — after all, he did kill his common-law wife while playing a game of William Tell, or so the story goes. I read his novel Junky multiple times but could never get into Naked Lunch, the book he is best known for. Now, Ecco has published the second volume of his letters: correspondence that spans the years after the publication of Naked Lunch to the year he left London to return to New York.
Of the collection, The Telegraph writes:
“This second volume of correspondence may not quite dispel this image of Burroughs as American fiction’s resident alien, the lexical bomb-thrower in the body of a government man – but it does offer intriguing glimpses into the personality behind the mask. …
For fans of [his] way-out approach [the cut-up technique], the letters will provide a valuable glimpse into the genesis of his most impenetrable work, the trilogy that comprised The Soft Machine, The Ticket That Exploded and Nova Express. …
One surprising theme in these letters is Burroughs’s cosmic indifference to the swelling counterculture. Our correspondent remains unmoved as the Sixties progress, beatniks become hippies, and even the parties he attends in Hampstead start to be filled with people ‘turning on’.”
What’s the big idea?
Dostoevsky tackled free will, Tolstoy the meaning of life – but is it still possible to write philosophical novels?
by Jennie Erdal
This past weekend’s Financial Times had an incredible essay on philosophy, literature, and the blending of the two into the philosophical novel.
Jennie Erdal, the author of the essay, begins with philosophy and philosophers: “while [they] were good at asking questions and setting out arguments, their engagement with truth was often woefully abstract, and a world away from the stuff of novels”. She continues, “The analytical style [of philosophy] rigidly separated reason from imagination, precision from imprecision.”
Of novels, she writes, “The more I read at university, the more I felt that fiction was where truth was to be discovered” and that some things “can never be adequately expressed in conventional philosophical prose.” Erdal then makes a case for the hybrid form, “moral philosophy needs the novel for the fullest possible expression of its aims . . . Plato was wrong to think that literature had nothing to offer philosophy . . . It is one thing to study John Stuart Mill’s defence of utilitarianism in ethics; quite another to read the passage in Dostoevsky’s Crime and Punishment (1866), where Raskolnikov tests utilitarianism to its limits by taking an axe and cleaving an old lady’s head in two.”
It’s a brilliant read all the way through. For anyone interested in literary theory and the grander workings of fiction, this is not to be missed.
Orbital / Wonky
It can be scary picking up a new album by a band who has been around for 25 years — especially if that band, up until recently, has been on hiatus — but that’s exactly what’s going on with electronic duo Orbital who just released Wonky, their first album since 2004.
About their music, one half of the group, Paul Hartnoll, told Wired magazine, “Ultimately, it has to move us emotionally…. We can get a great big thunderous beat … but melody is the real icing on the cake for me. If I get a really good melody, I get really excited about thinking about what’s going to come. That’s when I burst into tears, thinking, ‘That’s it!’ The hook’s got you, and you know you’re going to finish that piece.”
Explaining why they’re back together and making music, he says “When you’ve got a background and a history, and a rich idea of what you wanted to do, it was a real shame to give up … It was the live aspect that I missed.”
The article features the video for ‘New France’. Here’s the video for ‘Wonky’. Not sure how I feel about the cats.
A Fantastic Fear of Everything
Simon Pegg’s new comedy, A Fantastic Fear of Everything, looks amazing. Unfortunately, at the time of this post, no US release date has been confirmed. Science fiction and fantasy site io9 quotes the synopsis:
“Jack is a children’s author turned crime novelist whose detailed research into the lives of Victorian serial killers has turned him into a paranoid wreck, persecuted by the irrational fear of being murdered. When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his big break rapidly turns into his big breakdown, as Jack is forced to confront his worst demons; among them his love life, his laundry and the origin of all fear.”
They also have the trailer.
The first week in April, on the WTF podcast, Marc Maron spoke with musician and comedian Carrie Brownstein. Carrie was in the Olympia, Washington-based indie band Sleater-Kinney and is currently in Wild Flag; however, these days, she’s best known as co-creator of Portlandia, the sketch show on IFC. On the podcast, Marc and Carrie nerd out about music — and other things. One of my favorite WTFs so far.
On the Nerdist, voiceover actors Rob Paulsen and Maurice LaMarche taught me that voiceover actors are awesome. Rob and Maurice, which I only learned from this podcast, are the creators, and voices, of Pinky and the Brain. Their vocal skills do not end there. These two guys had Chris Hardwick awestruck. A must-listen.
What caught your eyes and ears these past few days? Comments are open.
Recently, amidst a slew of publicity for Eminent Outlaws: The Gay Writers Who Changed America, a book by Christopher Bram, The Rumpus ran an essay about bisexuality called ‘Notes from a Unicorn’ by Seth Fischer. While the two events were purely coincidental, they formed a mini-moment in my mind. We live in a society that now celebrates the contributions of gay and lesbian writers but what about the people who live between the two?
Fischer, who once had political aspirations but has since moved on to teach and pursue a literary career, attempts to express the gray-scale in which his sexual identity sits. Although the motives for his silence in his previous profession raises questions about ongoing discrimination and cultural perceptions, what interested me was his inner conflict.
The title of the essay comes from a woman’s comment to him on an online dating site: “Finding a truly bi man is like finding a unicorn.” Her meaning? They don’t exist. This is a common belief when it comes to bisexuality, the person is either highly sexual and therefore undiscerning (or slutty, if you prefer) or they are going through “a phase” and will one day make a choice. Though many people on the inside of the issue talk about “fluidity,” few people on the outside rarely believe them.
The first time Seth became aware of his own shifting preference he was in his early teens. A classmate’s gay uncle had just died of AIDS and in the school courtyard, as so often happens, the conversation was flip. “He was totally a fag,” Seth remembers the nephew saying. He went home that afternoon, ignored his hidden pile of girlie magazines, and came to the conclusion, “Fags like boys, so I’m a fag.”
The unsettling nature of this ambiguity haunted him for years, and only recently does it seem as if he’s come to terms with it. A year after the playground incident, while in the locker room, a teammate of his whom he had a crush on called him out for staring. At that moment he decided he would “grow the part of [himself] that liked women and kill the part that liked men.”
But it didn’t hold. Years later, after leaving politics, after acknowledging his continuing crushes on men, he thought, “Why don’t I just call myself gay?” As many can imagine, that wasn’t the answer either.
Seth’s years of torment made me wonder, what if there was celebration of bisexuals in the arts just as there is for their gay cousins? Maybe unicorns wouldn’t seem so mythical after all.
Here are just a few books by known bisexual writers. The comments are open. If you know of any other writers or of any books that engage the subject, please list them below.
The Adderall Diaries by Stephen Elliott
It only seems appropriate to kick this off with a book by The Rumpus founder.
In this groundbreaking memoir, Stephen Elliott pursues parallel investigations: a gripping account of a notorious San Francisco murder trial, and an electric exploration of the self. Destined to be a classic, The Adderall Diaries was described by The Washington Post as “a serious literary work designed to make you see the world as you’ve never quite seen it before.” [via IndieBound]
She Came to Stay by Simone de Beauvoir
Set in Paris on the eve of World War II and sizzling with love, anger, and revenge, She Came to Stay explores the changes wrought in the soul of a woman and a city soon to fall. Although Francoise considers her relationship with Pierre an open one, she falls prey to jealousy when the gamine Xaviere catches his attention. The moody young woman from the countryside pries her way between Francoise and Pierre, playing up to each one and deviously pulling them apart, until the only way out of the triangle is destruction. [via IndieBound]
The Selected Stories of Patricia Highsmith
In a cruel twist of irony, Texas-born Patricia Highsmith (1921-1995) is being recognized only after her death for her inestimable genius in her native land. With the savage humor of Waugh and the macabre sensibility of Poe, she brought a distinctly contemporary acuteness to her prolific body of noir fiction. Including over 60 short stories written throughout her career, collected together for the first time, The Selected Stories reveals the stunning versatility and terrifying power of Highsmith’s work.These stories highlight the remarkable range of Highsmith’s powers her unique ability to quickly, almost imperceptibly, draw out the mystery and strangeness of her subject, which appears achingly ordinary to our naked eye. [via IndieBound]
A Suitable Boy by Vikram Seth
Vikram Seth’s novel is, at its core, a love story: Lata and her mother, Mrs. Rupa Mehra, are both trying to find — through love or through exacting maternal appraisal — a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence. [via IndieBound]
Are You Somebody?: The Accidental Memoir of a Dublin Woman by Nuala O’Faolain
Nuala O’Faolain attracted a huge amount of critical praise and a wide audience with the literary debut of Are You Somebody? Her midlife exploration of life’s love, pain, loneliness, and self- discovery won her fans worldwide who write and tell her how her story has changed their lives. There are thousands who have yet to discover this extraordinary memoir of an Irish woman who has stepped away from the traditional roles to define herself and find contentment. [via IndieBound]
Women Photographs by Annie Leibowitz, with an essay by Susan Sontag
The photographs by Annie Leibovitz in Women, taken especially for the book, encompass a broad spectrum of subjects: a rap artist, an astronaut, two Supreme Court justices, farmers, coal miners, movie stars, showgirls, rodeo riders, socialites, reporters, dancers, a maid, a general, a surgeon, the First Lady of the United States, the secretary of state, a senator, rock stars, prostitutes, teachers, singers, athletes, poets, writers, painters, musicians, theater directors, political activists, performance artists, and businesswomen. “Each of these pictures must stand on its own,” Susan Sontag writes in the essay that accompanies the portraits. “But the ensemble says, So this what women are now — as different, as varied, as heroic, as forlorn, as conventional, as unconventional as this.” [via IndieBound]
Last night at McNally Jackson three magazine editors came out to give the crowd a behind-the-scenes look at the editorial process. Deputy Editors Ellah Allfrey and James Marcus, of Granta and Harper’s Magazine, respectively, were joined by Deborah Treisman, The New Yorker Fiction Editor, for a round table discussion moderated by John Freeman.
John, the Editor of Granta, started the night with a question about the latest Vida results, an organization that tracks female representation in magazines — stories and reviews written by women and books written by women, reviewed. Deborah revealed the generational divide she sees in the submissions to her magazine. Stories from writers age 40 and up come from more men than women while with those from writers under 40 the ratio is close to an even split. James admitted that the results from Harper’s are “rotten” (articles written: 13 female:65 male; book reviews: 10 female:23 male; author’s reviewed: 19 female:53 male). Their fiction split is close to even but because they publish foreign reportage, most of the nonfiction articles come from men. Ellah was happy to report that Granta did very well, with more female contributors than male. Ellah attributes this to their magazine’s tradition of publishing each issue based on a theme.
The group went on to discuss the steady stream of material flowing into the slush pile and how they wade through it — a mixture of interns and editorial staff. John brought up the lack of short story writers in Britain, which Deborah boiled down to the lack of encouragement from the publishing market. If there are less than a handful of places to sell your short story, why write one? Ellah, visiting from England, mentioned that with the rise of innovation of how the stories are consumed, as audio on BBC Radio for example, the situation overseas is improving.
Talk of different ways of experiencing the written word inevitably led to discussion of digital. The New Yorker has a fiction podcast where contemporary authors, featured in the magazine, choose a story from the archive to read aloud. The magazine also have a book blog where twice a month Deborah speaks with the author whose fiction is featured in the current issue. Granta features new writing on their site nearly every day. And while Harper’s is slower getting into the digital game, a conscious choice by the top decision maker, there is talk about a change in policy.
The liveliest part of the evening might easily have been when all four took turns discussing the writers they were enthusiastic about. And, so, this week’s “On the Shelf” segment comes from the experts. Here were their answers.
Deborah named Callan Wink who wrote the short story “Dog Run Moon” for the magazine. You can check out his Q&A with Deborah here. His story is subscription only but from what it sounds like, it’s worth paying for. Looking ahead, she is currently reading Salman Rushdie’s memoir, due out from Random House in 2012.
James chose Clancy Martin who published the book How to Sell with FSG in hardcover and then Picador in paperback. He also mentioned Bonnie Nadzam who came out with the highly acclaimed, award-winning novel Lamb last year.
John’s picks were Louise Erdrich for her short story writing skills and Julie Otsuka, a past contributor to Granta, who wrote Buddha in the Attic. He called the author Ross Raisin a “ferocious stylist” and suggested everyone read him. And finally, he mentioned Richard Ford’s introduction to The Best American Short Stories from 1990 for his comments on short story structure.
Ella highlighted a new Nigerian author Chinelo Okparanta who writes stories about lesbian lovers in Africa and environmental issues that threaten the country. I believe she’ll be published in the magazine soon.
Patrick Ryan, Granta’s associate editor, when he joined in the discussion to share an adorable slush pile story, mentioned Chris Dennis, a recent contributor to the magazine.
I know my reading list just got longer. What short story collections are you reading? What new short story writers have your attention? Comments are open.
As someone who went to school for Music Business and who now works in book publishing, I often see the parallels between musicians and authors. It always surprised me when I first started my job search and the interviewer would ask, “Music Business? Why do you want to get into book publishing?” For me it was an easy leap, whether you’re working with a musician or a writer, it’s artist representation.
So, when I heard from John Anealio, co-host of the Functional Nerds podcast, that he wanted to have me on the show alongside a music marketing strategist, I was excited he made the connection as well.
The other guest on the show, Brian Thompson, is a “Vancouver based music industry entrepreneur, record label owner, artist manager, marketing consultant, digital strategist, brand architect, web designer, blogger, podcaster and industry speaker.” He’s one of the co-founders of Thorny Bleeder Records, “an artist development collective” that helps bands “establish and grow their profile and fan base, both domestically and internationally.”
Since being on the show with him, I’ve signed up for his email newsletter, The DIY Daily, a “daily newsletter delivering marketing advice, music industry news, social media tips & tools, tech, apps & gadgets, inspirational & motivational thoughts and much more.” Everyday, waiting for me in my inbox, are 20 great links about how artists of all kinds can use social media effectively. More than most apply to the publishing industry and are links I can forward along to my authors.
On The DIY Daily website, you’ll find a daily podcast offering a variety of marketing tips in under 20 minutes, an in-depth weekly podcast about the music business, daily quotes, and the aforementioned link roundup if you prefer to not to receive them by email.
On the show, Brian, John, Patrick and I discussed the benefits of email lists, social media, and how artists should treat themselves as a business.
You can listen to the episode here.
If you have any questions, check back on the Functional Nerds site next week. Book Publicist Jaym Gates and I will be collecting questions for a future online round table.
On the Shelf
Booklife: Strategies and Survival Tips for the 21st Century Writer by Jeff VanderMeer
Best known as the author of many science fiction and fantasy novels, as well as the editor of many genre anthologies, in Booklife, Jeff VanderMeer offers “timely advice in an era when the burden of production and publicity frequently falls on authors.” Booklife is an “essential reference [that] reflects on methods for being focused, productive, and savvy in the craft of writing.
Discussing a wide range of essential topics for self-promoting authors, this important guide explores questions such as How can authors use social media and the internet? How does the new online paradigm affect authors, readers, and the book industry? How can authors find the time to both create and promote their work? and What should never be done? Through good-humored encouragement, practical tips of the trade culled from 25 years of experience as a writer, reviewer, editor, publisher, agent, and blogger are shared. Including topics such as personal space versus public space, deadlines, and networking, the benefits of interacting with readers through new technologies is revealed.” [via IndieBound]
Bookrageous is one of my favorite book-themed podcasts. Hosted by bookseller and Brews and Books blogger Josh Christie; event coordinator Jenn Northington; and Rebecca Schinsky, the blogger behind The Book Lady’s Blog, the show is a relaxed conversation between friends.Every other week the three run through what they’ve just read and what they’re reading now. Each time, they put my own list to shame — both in quality and quantity. While they have similar tastes — all gravitate towards highbrow, conceptual titles (without becoming pretentious) — I’ve come to look to Josh for graphic novels, Jenn for genre, and Rebecca for literary fiction.
For a while now I’ve had some form of contact with the three, to a varying degree, and talks of me being a guest on the podcast had been casually batted around; but this week it actually happened. David Gutowski of Largehearted Boy and I sat in to discuss “Book Touring”. Together we run Book Boroughing, a literary site for New York City and surrounding area.
As frequent event-goers and hardcore evangelists for the cause, we were called upon to discuss literary events at home and book-inspired travel. On the show the five of us discuss author readings, bookstores in other cities, book festivals, and literary adventurism.
I won’t say anymore; you can listen to it here.
On this shelf this week:
Here are just a few books mentioned at the top of the podcast:
Raylan by Elmore Leonard
“As a novel, Raylan is a casual endeavor, Leonard having fun with a character who’s gained a measure of popularity. It’s also a pisser. Leonard has come up with some doozies for the plot: the dimwit sons of a backwoods pot grower joining in a scheme to swipe kidneys and then ransom them back for replacement in the victims’ bodies; a female coal company exec who, annoyed with a local’s complaints about the pollution caused by strip mining, picks up a rifle and shoots the old man. The violence here has the swift kick of a good, mean joke. It makes you wince and grin at the same time.” [via Barnes & Noble Review]
You can hear Elmore on NPR’s Fresh Air discuss his crime writing secrets
Contents May Have Shifted by Pam Houston
“Contents May Have Shifted is Pam Houston’s new novel. Except I’m not really sure you can call it a novel, even though that’s what the cover says, and even though I don’t have any helpful suggestions for what you should call it instead. About a globetrotting writer named Pam who has a part-time residence in Creede, Colorado (all things that are true of Houston as well), it is comprised of short vignettes that present Pam’s story in non-linear narrative and a borderline stream-of-consciousness style that makes it read like a memoir. No, like a diary–a very beautifully written diary.” [via Rebecca’s review]
Why We Broke Up by Daniel Handler (words) and Maira Kalman (illustrations)
“Ed Slaterton is part of the “grunty jock crowd,” a high school basketball hero who, in his über-popularity, is like “some movie everyone sees growing up.” Min Green is a wry, thoughtful, film-obsessed junior who manages for one miraculous stretch of time to get Ed to stop using the word “gay” as a catch-all pejorative.
It is this miraculous stretch of time – the one month and seven days after the pair shock their classmates by falling in love – that is chronicled in the delightful “Why We Broke Up,” a novel by Daniel Handler, with illustrations by Maira Kalman. Told in the form of a confessional letter by the heartbroken Min, the book is so good at capturing what it feels like to be a jilted 16-year-old girl that it seems almost wasted on its young-adult audience.” [via San Francisco Chronicle]
You can share your break up story with Maira and Daniel on their Tumblr page
Gabrielle (I plan to review the books I mention in the opening so here’s one I talk about later on)
The Basketball Diaries by Jim Carroll
“The Basketball Diaries is a 1978 memoir written by author and musician Jim Carroll. It is an edited collection of the diaries he kept between the ages of twelve and sixteen. Set in New York City, they detail his daily life, sexual experiences, high school basketball career, Cold War paranoia, the counter-culture movement, and, especially, his addiction to heroin, which began when he was 13. The book is considered a classic piece of adolescent literature.” [via Wikipedia]
Stay Awake: Stories by Dan Chaon
“While Stay Awake does not abandon Chaon’s signature themes of identity and isolation, disappearance and memory, it flirts even more openly with the line between the supernatural and the rationalistic – and indeed two of the stories, “The Bees” and “The Farm. The Gold. The Lily-White Hands,” have overtly supernatural elements. The situations have grown even more extreme: a couple has a two-headed baby, a woman drowns several of her children, a father comes into his young daughters’ bedroom intending to kill them in their sleep. Two men in two completely different stories fall off of ladders, severing a finger – a coincidence that I must admit I found distracting. Characters desperately want to or do escape their homes, their towns, the marriages they’ve made; they think they’re free of the past until memory or something even more sinister catches up with them. One character watches Soylent Green on late-night TV, and an actor in that horror movie is described as “running through the future, screaming.” The phrase could easily be an alternate title for this book.” [via The Millions]
You can read Dan’s Book Notes piece at Largehearted Boy