Posts Tagged ‘music’
Here are just a few awesome things I came across in the past few days.
KCRW’s music director, Jason Bentley, has brought back Metropolis, his radio talk show featuring electronic music pioneers. Before going on hiatus in 2008, he spoke with such legends as Daft Punk, Paul Oakenfold, James Lavelle, The Crystal Method, and Thievery Corporation.
In a recent interview with Cool Hunting, Bentley talks about what made him start his show in the late 90s.
I was just attracted to underground dance music and culture, European dance culture, house music and trip hop. All of this stuff that was percolating was really exciting to me. At that point it was just really fresh and had not been categorized. Growing up through the club scene and rave scene was really exciting. It was always sort of renegade. I still have close friends from those days. It was such a transformative time to grow up in this really creative space of the club. The cool thing about the club scene and the underground is everybody is looking for something—who they are, their identity, their purpose, their creative side. Everyone is trying to figure out who we are and why are we here. For me finding the community in this very creative world of club scene and dance music was incredibly important.
On a show that aired in late March, Bentley talks with legendary drum and bass producer and DJ Photek. If you were at all into the jungle scene in the 90s, you’ll want to listen to it. Photek talks about the early days of the genre, when everything was groundbreaking, when sounds, styles, and technology were just developing.
Alec Baldwin, a few episode ago on his show Here’s The Thing, spoke with Radiohead frontman Thom Yorke about his new album Amok with the group he put together for the project, Atoms of Peace. The two talk about how Radiohead started, how it was touring with Michael Stipe, and his kids.
the nicest bit about the creative thing – the nicest bit about recording and writing is this sort of weird limbo in between scratching away, scratching away, nothing really happening, nothing really happening, and then something wants to be built and starts to get built. You just have to let it happen.
There’s been a lot of celebration surrounding the announcement of Granta’s once-a-decade “Best of Young British Novelists” list. As always, it includes 20 British writers under the age of 40. Although it includes well-known authors such as Zadie Smith, Helen Oyeyemi, and Adam Foulds, there are a few writers on there who are just starting out: one author being Taiye Selasi whose first book, Ghana Must Go, is being published this month in the US by Penguin Press.
There have been a number of articles discussing the selection process. The BBC takes a look at what the list means to publishers, in The Telegraph judge Gaby Wood discusses the selection process, and Granta editor, John Freeman, speaks with the National Book Critics Circle for an interview on their blog.
This month kicked off a worldwide tour surrounding the list’s publication. Check out Granta’s website to see if anything is happening near you. Also on the site are articles by and interviews with the winners.
Also exciting for book people, particularly those who enjoy translated fiction, is the Best Translated Book Award run by Three Percent, the website of The University of Rochester’s literary publishing house, Open Letter Books. The longlist was announced in March and since that time there’s been a review of each book with the sole purpose of explaining why that book deserves to win. On the Three Percent podcast, which I highly recommend you subscribe to in iTunes, Chad Post of Open Letter and Tom Roberge of New Directions discuss the books.
E VS. INK
As the publishing world continues to march head on into the digital age, much of the talk surrounding print books vs. eReaders can get reductive. I have my own opinions, which are of the middle-of-the-road sort so I will spare you. However, if you’re interested in theses competing (and complementary) mediums, this article in Scientific American about the brain science of reading might offer a nice break from the typical discussions taking place.
Understanding how reading on paper is different from reading on screens requires some explanation of how the brain interprets written language. We often think of reading as a cerebral activity concerned with the abstract—with thoughts and ideas, tone and themes, metaphors and motifs. As far as our brains are concerned, however, text is a tangible part of the physical world we inhabit. In fact, the brain essentially regards letters as physical objects because it does not really have another way of understanding them.
Over on the New York Times Opinionator blog, Drafts, author Ben Dolnick writes about the dangers of reading too many interviews with writers about craft.
Speaking of author interviews, Other People podcast spoke with essayist and critic Michelle Orange. For those interested in the two genres, they will be well-served by listening. And anyone who’s been tapped into the intersection of teen blogging and fashion will be aware by now of Tavi Gevinson, most recently the founder of the teen-focused website Rookie. She spoke with AdWeek about her rise to notoriety and how she balances work, school, and a personal life every teen should be allowed to have. Perhaps not surprisingly, she’s well-adjusted for someone as busy as herself. In fact she says, “for the most part, I’ve kind of figured out a way to do everything I want without exhausting myself.”
This roundup’s strongest piece of journalism goes to Stephen Rodrick, contributing writer at the New York Times Magazine and contributing editor at Men’s Journal, for his piece Times, “Here is What Happens When You Cast Lindsay Lohan in Your Movie.”
Rodrick was given full access to the filming of Lindsay Lohan’s forthcoming low budget, Kickstarter-funded film, “The Canyons,” directed by Paul Schrader and written by Bret Easton Ellis. It reads as a fair piece, which, with Lohan as a subject, is a feat all on its own. What makes it so incredible, however, is that the writing is fantastic. It truly is a lesson in feature writing, to be printed, studied, and saved.
A bit of background:
Schrader wrote “Raging Bull” and “Taxi Driver” and has directed 17 films. Still, some fear Lohan will end him. There have been house arrests, car crashes and ingested white powders. His own daughter begs him not to use her. A casting-director friend stops their conversation whenever he mentions her name. And then there’s the film’s explicit subject matter. Full nudity and lots of sex. Definitely NC-17. His wife, the actress Mary Beth Hurt, didn’t even finish the script, dismissing it as pornography after 50 pages.
Noir-like description of Lohan:
“She was quite pale, her skin not on speaking terms with daylight.”
This article had been so popular with #longreads fans that they begged for an interview with Rodrick on their Longform Podcast. Rodrick discusses how the assignment came about, the access he had, and how writing stories for The New York Times works.
Another great interview in Longform’s growing archive is with Charles Duhugg, New York Times reporter and author of The Power of Habit. Here he talks about journalism, best practices for writing (and life), and (again) how The New York Times works.
On his approach to interviewing for a job, which can be applied to many other things:
You want to be surprising. People love surprises. That is how we stay interested.
On using edited material for “bonus features”:
The stuff that gets cut out gets cut out for a reason. The discipline of space is always a good discipline. If it deserves to be read, it shouldn’t be on the cutting room floor… If it ends up on the cutting room floor, there’s usually a reason why.
Parul Sehgal, Editor at the New York Times Book Review, former Books Editor at NPR, explores three essay collections in an essay of her own.
Invented in France by Michel de Montaigne, the 16th century’s great oversharer; perfected in England by Samuel Johnson and William Hazlitt; the essay found America very agreeable: “The United States itself — and even its name, according to some sources — is partly the outcome of the essayistic brilliance of the radical English artisan Thomas Paine,” Christopher Hitchens, one of its finest modern practitioners, wrote.
The Millions ran an argument in favor of reading fewer books in 2013:
This past year I read 56 books. That’s slightly off the pace of 60 books a year that I’ve set over the previous 12 years, but then I did read a lot of very long history books this year — yes, I’m looking at you, Robert Caro – and my wife and I did make a very time-consuming move to Canada late in the year. Or at least that’s what I’m telling myself. Maybe the real answer is that I’m just getting tired of trying to read so damn many books.
Podcast host extraordinaire Colin Marshall sat down with Los Angeles Review of Books founder and editor-in-chief, Tom Lutz. They talk about the LA literary scene, book reviewing, and what it’s been like running the Review. You can catch Colin Marshall regularly as host of Notebook on Cities and Culture, “a twice-weekly long-form conversation with cultural creators, internationalists, and observers of the urban scene around Los Angeles, San Francisco, Portland, Osaka, Kyoto, and beyond.”
Lena Dunham and Judd Apatow had this totally adorable–and insightful–conversation via Skype (transcribed for print) about how they collaborate. It sounds like a very healthy relationship.
Apatow: You know, the show is run differently from other shows because we’re trying to really filter everything through you. My goal is to have you do as much work as possible without getting killed. So part of what I’m trying to do is pace you so you don’t collapse. For me, a lot of the work is just having a very fresh brain and set of eyes to read things and look for where there are holes or trouble and then trying to help fix that.
Dunham: I feel like you’re constantly monitoring my brainpower and body power, even when I’m not able to tell what I’m feeling.
And Lena Dunham was on Here’s the Thing with Alec Baldwin. Incredible conversation.
The Bob Marley documentary “Marley,” now streaming on Netflix, is beyond amazing. I hope to have a proper writeup in the near future but, in the meantime, watch it. Seriously.
Here are a few things I came across this week that were exceptional.
Perfect Day Publishing on Late Night Conversation
I’ve mentioned The Late Night Library’s podcast, Late Night Conversation, before but their interviews continue to be amazing, so, here we are again. This Portland-based organization is devoted to spreading the awareness of independent publishing. The show, hosted by co-founder Paul Martone, features debut authors and publishing professionals from small presses. Martone has the conversational style that makes podcasts so great. He’s thoughtful, informed, and curious.
The latest episode features Perfect Day Publishing founder Michael Heald and author Lisa Wells, whose book Yeah. No. Totally was published by the press this year. I first came to hear of Perfect Day Publishing through a previously self-published book they’d reprinted after it gained some attention. Love Is Not Constantly Wondering If You Are Making the Biggest Mistake of Your Life is one of the best books I read in 2012.
In other podcast news, Alec Baldwin talked to Billy Joel in July and I just got around to listening to it. It was pretty great.You’ll probably enjoy it more if you’re from Long Island. A personal favorite, Teju Cole was on CBC’s Writers & Company, one of the best author interview shows out there today.
This weekend I came across an article by Blake Butler on HTMLGIANT called ‘22 Things I Learned from Submitting Writing.” At first glance I expected it to be snarky. While the site is typically earnest, there’s a level of sarcasm lurking underneath. This piece from Blake, however, was truly generous. Here are a few of my favorite points:
4. Often editors who reject you are doing you a favor. Either the piece isn’t great and needs work (thus saving you face of looking back later like whyyyyy did I publish this) or taking a strong piece and making it stronger because of force of will.
5. Some pieces are you learning. Some never get it right. Don’t publish your homework.”
13. Don’t lose sight of someone you love in the midst of this.
19. Be a person, not an email address with a social profile and an onslaught.
Also of note is writer Brad Leithauser’s essay about the different ways we read fiction–mainly two ways, like a critic and like a child. He recalls the time he and his then 15-year-old daughter had a conversation about Rachel from Daphne du Maurier’s “My Cousin Rachel.”
I’m eyeballs deep in noir at the moment and came across this great essay by Raymond Chandler called “The Simple Art of Murder.” I’m sure many crime fiction fans have already stumbled on this, a few possibly owning a highlighted copy in their drawer somewhere, but for the rest of us…
Every detective story writer makes mistakes, and none will ever know as much as he should. Conan Doyle made mistakes which completely invalidated some of his stories, but he was a pioneer, and Sherlock Holmes after all is mostly an attitude and a few dozen lines of unforgettable dialogue.
The Los Angeles Review of Books has quickly become the place to go for in-depth, thoughtful coverage of the arts. Their front page has a triptych that changes at least twice a week. Recently, I came across their LARBart Tumblr where the work is displayed and explained.
While the name suggests heavy coverage of books, LARB has able people writing about other topics as well. Recently, they ran an interview with Ellen Lupton, one of the curators of “Graphic Design: Now In Production,” now on view at the Hammer Museum in Los Angeles. Ellen runs the MFA design program at the Maryland Institute College of Art and is the author of Thinking with Type.
Today, every designer is a production artist — setting type, retouching photos, and making endless updates for clients. The convergence of design and production gives us more direct control over the outcome of a project, while also loading us with an ever-growing list of skills and tasks to master. … Many designers today are using their knowledge of production techniques to become publishers, authors, editors, and instigators.
The term “graphic” has long been a point of contention in our field. … I like the word “graphic” because it connects us to the world of text, as well as to the “graphic arts” — the processes of printing and production. Typography is always about writing, and writing is a graphic phenomenon.
I usually roll my eyes at algorithms, those computer generated recommendations, but the other night while I was clicking through Netflix I noticed a British program from the 80s that was highlighted for me, The Comic Strip Presents, a sketch comedy show featuring Rik Mayall and Adrian Edmondson of The Young Ones and Jennifer Saunders, who later went on to create and star in Absolutely Fabulous. If you’re a fan of any of the above, you should stop reading now and add it to your queue. For those more familiar with Portlandia, this is their long lost British forebear.
While I do have a few book reviews lined up–including one about dark fantasy short story collections I think you should read–I’ve come across so many awesome non-book things in the past week or so that I needed to put those on the backburner in order to share some other great stuff with you.
Anyone interested in publishing should get ready for this lineup. There were three great podcasts these past few weeks that go behind the scenes of the industry.
The online literary community Litopia interviewed Faber and Faber chief executive Stephen Page for their Naked Book podcast, a show devoted to “ripping the covers off print books and finding out what lies beneath.” It was a candid, informed conversation about print and digital publishing. Well worth saving after you’ve listened the first time.
On Other People, Brad Listi spoke with Steven Gillis, co-founder of the indie press Dzanc Books–who also has a new book out. Listening to Steven’s daily routine was awe-inspiring–and envy-inducing. The following week, he spoke with Paris Review editor Lorin Stein, who was once a book editor at Farrar, Straus and Giroux. The two talk about work/life balance, literary publishing, and digital publishing. [Disclaimer: I’m the publicist working on The Paris Review book and set up the interview but it was so awesome I couldn’t help but share.]
You may have heard about Longreads, a site that finds the best of long-form stories on the Internet. Well, they now have a podcast called the Longform Podcast. Their interviews with The Atlantic’s Ta-Nehisi Coates and author and journalist Gideon Lewis-Kraus are good places to start.
The Nerdist was on a roll with their interviews with actors Joseph Gordon-Levitt and Tom Hanks (interviewed separately, in case that’s not clear). I’m a huge fan of Gordon-Levitt’s not only because I think he’s talented at what he does but also because he always sounds so appreciative and gracious. This interview was no exception. Hanks as well, a huge talent and a guy who seems like he’s happy to be doing what he does, was hilarious. If you only listen for his impressions of foreign fans, it’ll be worth it. And, while we’re talking about The Nerdist, co-host Jonah Ray was on WTF with Marc Maron. It was great.
I picked up the new Kid Koala album, 12 Bit Blues, the other week in preparation of seeing him in November. I’m a longtime fan of the koala. His jazz and blues-meets-turntablism blows my mind and always look forward to what he’s up to. You should check out the official video for 8 Bit Blues on YouTube. It was excellent to hear him on NPR’s Weekend Edition.
While I wait for season 4 of Sons of Anarchy to free up on Netflix, and for Mad Men season 5 to release, I’ve been watching Grimm, the NBC show based on the Brothers Grimm fairy tales. It’s pretty good–creepy but not hard to watch at night, good characters, and an interesting storyline. The main character, Nick, a cop, turns out to be of the Grimm lineage and able to see the creatures that lie beneath seemingly average people. With his abilities, a unknowing partner on the force, and a reformed “Blutbad,” he solves crimes from week to week.
Also something worth watching, which is streaming on Netflix, is the Woody Allen documentary that came out in 2011. In the film, Allen remembers back to his childhood to tell how he came to filmmaking. He brings the camera crew on the tour of his old neighborhood and they interview the many people who played a part in his personal and professional life. Even if you haven’t seen all his films, this was a nice, intimate look at a great artist.
What I’ve been raving about however, is this quirky, little British television show that I came across serendipitously on Netflix, The Book Group, also streaming. An American girl, new to Scotland and looking for friends, forms a book group with a bunch of locals she’s never met. I fell in love with this show almost immediately and blew through the entire two seasons in a little over a week. If you like books, you should watch it immediately. You can thank me later.
Every Monday I look forward to Susan Moriss’s column, ‘Writers Don’t Cry’ on the website Omnivoracious. Every week Morris offers invaluable thoughts and tips on fiction writing. While I don’t write fiction myself, her column is so much fun to read I keep returning. This past week’s topic, keeping a “reading journal,” was so amazing, I printed it out, underlined choice sentences, and plan to take her advice.
As a blogger, predominantly of book reviews and essays based on the books I’ve read, finding a balance between reading and writing can be hard. “Should I read this morning or should I write?” is often a question I ask myself. Poignantly, Morris opens her column with “reading is not procrastinating,” an answer geared more toward fiction writers who don’t necessarily need to read books to work on their own stories. However, Morris–along with many other authors who often offer advice–begs to differ.
Reading, Morris says, “is an important part of maintaining and honing your skills, staying inspired, and keeping in touch with why you write.” She continues with a practical application which, honestly, sounds like a whole lot of fun:
To take the best advantage of your reading for your writing, I recommend keeping a reading journal. In it, you can keep track of what you like, play with particular paragraphs to figure out how they work, and experiment with the styles and ideas you read about to improve your own writing.
I won’t spoil the article for you, you really need to read it for yourself … and then, Mondays, set your calendar.
I’d like to apologize now for increasing your To Be Read (TBR) pile but October’s paperback releases are astounding. I know I’ll have my eye out for these as they hit the stores. Some are already on display tables and shelves near you. Go out and find them. They are just asking to be devoured. Oh, and guys, don’t forget to drink water, eat, and talk to people. Happy October and happy reading!
Lucky Jim by Kingsley Amis intro by Keith Gessen (reissue)
Regarded by many as the finest, and funniest, comic novel of the twentieth century, Lucky Jim remains as trenchant, withering, and eloquently misanthropic as when it first scandalized readers in 1954. This is the story of Jim Dixon, a hapless lecturer in medieval history at a provincial university who knows better than most that “there was no end to the ways in which nice things are nicer than nasty ones.” Kingsley Amis’s scabrous debut leads the reader through a gallery of emphatically English bores, cranks, frauds, and neurotics with whom Dixon must contend in one way or another in order to hold on to his cushy academic perch and win the girl of his fancy.
More than just a merciless satire of cloistered college life and stuffy postwar manners, Lucky Jim is an attack on the forces of boredom, whatever form they may take, and a work of art that at once distills and extends an entire tradition of English comic writing, from Fielding and Dickens through Wodehouse and Waugh.
The Canvas by Benjamin Stein
Loosely based on the true story of Binjamin Wilkomirski, whose fabricated 1995 Holocaust memoir transfixed the reading public, The Canvas has a singular construction—its two inter-related narratives begin at either end of the book and meet in the middle.
Amnon Zichroni, a psychoanalyst in Zurich, encourages Minsky to write a book about his traumatic childhood experience in a Nazi death camp, a memoir which the journalist Jan Wechsler claims is a fiction. Ten years later, a suitcase arrives on Wechsler’s doorstep. Allegedly, he lost the suitcase an a trip to Israel, but Wechsler has no memory of the suitcase, nor the trip, and he travels to Israel to investigate the mystery. But it turns out he has been to Israel before, and his host on the trip, Amnon Zichroni, has been missing ever since.
Not My Bag by Sina Grace
From the artist of The Li’l Depressed Boy and Amber Benson’s Among The Ghosts, comes a retail hell story like you’ve never encountered before! A young artist takes a job at a department store in order to make ends meet… little does he know that he may meet his end! In this gothic story for fans of Persepolis, Blankets, and The Devil Wears Prada, can the artist withstand competitive pressure, treachery, and high fashion while still keeping his soul?
2017 by Olga Slavnikova
In the year 2017 in Russia– exactly 100 years after the revolution– poets and writers are obsolete, class distinctions are stingingly clear, and mischievous spirits intervene in the lives of humans from their home high in the mythical Riphean Mountains. Professor Anfilogov, a wealthy and emotionless man, sets out on an expedition to unearth priceless rubies that no one else has been able to locate. His expedition reveals ugly truths about man’s disregard for nature and the disasters created by insatiable greed.
The Ecstasy of Influence by Jonathan Lethem
In The Ecstasy of Influence, the incomparable Jonathan Lethem has compiled a career-spanning collection of occasional pieces—essays, memoir, liner notes, fiction, and criticism—which also doubles as a novelist’s manifesto, self-portrait, and confession. The result is an insightful, charming, and entertaining grab bag that covers everything from great novels to old films to graffiti to cyberculture.
Goodbye to Berlin by Christopher Isherwood (reissue)
First published in 1934, Goodbye to Berlin has been popularized on stage and screen by Julie Harris in I Am a Camera and Liza Minelli in Cabaret. Isherwood magnificently captures 1931 Berlin: charming, with its avenues and caf s; marvelously grotesque, with its nightlife and dreamers; dangerous, with its vice and intrigue; powerful and seedy, with its mobs and millionaires — this was the period when Hitler was beginning his move to power. Goodbye to Berlin is inhabited by a wealth of characters: the unforgettable and “divinely decadent”Sally Bowles; plump Frau lein Schroeder, who considers reducing her Bu steto relieve her heart palpitations; Peter and Otto, a gay couple struggling to come to terms with their relationship; and the distinguished and doomed Jewish family, the Landauers.
That’s Not a Feeling by Dan Josefson
Benjamin arrives with his parents for a tour of Roaring Orchards, a therapeutic boarding school tucked away in upstate New York. Suddenly, his parents are gone and Benjamin learns that he is there to stay. Sixteen years old, a two-time failed suicide, Benjamin must navigate his way through a new world of morning meds, popped privileges, candor meetings and cartoon brunches–all run by adults who themselves have yet to really come of age.
The only person who comprehends the school’s many rules and rituals is Aubrey, the founder and headmaster. Fragile, brilliant, and prone to rage, he is as likely to use his authority to reward students as to punish them. But when Aubrey falls ill, life at the school begins to unravel. Benjamin has no one to rely on but the other students, especially Tidbit, an intriguing but untrustworthy girl with a “self-afflicting personality.” More and more, Benjamin thinks about running away from Roaring Orchards–but he feels an equal need to know just what it is he would be leaving behind.
Beside the Sea by Veronique Olmi
A single mother takes her two sons on a trip to the seaside. They stay in a hotel, drink hot chocolate, and go to the funfair. She wants to protect them from an uncaring and uncomprehending world. She knows that it will be the last trip for her boys.
Beside the Sea is a haunting and thought-provoking story about how a mother’s love for her children can be more dangerous than the dark world she is seeking to keep at bay. It’s a hypnotizing look at an unhinged mind and the cold society that produced it. With language as captivating as the story that unfolds, Véronique Olmi creates an intimate portrait of madness and despair that won’t soon be forgotten.
The Thursday Night Men by Tonino Benacquista
Every Thursday night at 7 o’clock a group of three men meet in Paris. Each man’s life, his story, his situation, is as different from the others’ as can be. What unites them is heartache. Trouble, that is, with women. The meetings are held in a spirit of openness and tolerance.
In an almost religious silence each man confesses while the others listen.
In The Thursday Night Men, Benacquista gives his readers a variety of unexpected and amusing perspectives on romance, the relationship between the sexes, and friendship between men.
Your House Is on Fire, Your Children All Gone by Stefan Kiesbye
Shirley Jackson meets The Twilight Zone in this riveting novel of supernatural horror.
A village on the Devil‘s Moor: a place untouched by time and shrouded in superstition. There is the grand manor house whose occupants despise the villagers, the small pub whose regulars talk of revenants, the old mill no one dares to mention. This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village‘s darkest secrets in this eerily dispassionate, astonishingly assured novel, infused with the spirit of the Brothers Grimm and evocative of Stephen King‘s classic short story “Children of the Corn” and the films The White Ribbon by Michael Haneke andVillage of the Damned by Wolf Rilla.
I Want My MTV: The Uncensored Story of the Music Video Revolution by Rob Tannenbaum and Craig Marks
I Want My MTV tells the story of the first decade of MTV, the golden era when MTV’s programming was all videos, all the time, and kids watched religiously to see their favorite bands, learn about new music, and have something to talk about at parties. From its start in 1981 with a small cache of videos by mostly unknown British new wave acts to the launch of the reality-television craze with The Real World in 1992, MTV grew into a tastemaker, a career maker, and a mammoth business.
Featuring interviews with nearly four hundred artists, directors, VJs, and television and music executives, I Want My MTV is a testament to the channel that changed popular culture forever.
What paperbacks are you looking forward to this month? Comments are open.
I’ve been reading so many great books lately that after finishing each one I’m tempted to call it The Best Thing Ever. I’ve also seen some incredible movies, gotten hooked on TV shows, and listened to music that I think everyone needs to hear. Not to mention the podcasts … and the essays. Well, you get the idea.
This week, I’ve decided to round up some of The Best Things Ever. Feel free to share yours in the comments.
I just finished the essay collection Karaoke Culture by Dubravka Ugresic. After reading that the book had won an award, and being a fan of Open Letter, I went out and bought it that day. At first I was nervous that a majority of it would be devoted to karaoke–the title esay is about a third of the book–but Ugresic makes it known early on that karaoke is just a metaphor for explaining larger cultural and political events. A longer, more thoughtful review of Karaoke Culture is to come but in the meantime, imagine if Chuck Klosterman wrote a column for The Nation and you’ll have a pretty good idea of Urgresic’s style.
As we’ve all heard by now, some of us ad nauseum, the literary community is concerned, one way or another, with niceness in their book reviews. We’ve heard it, read it, and discussed it all–however, here are two points I’d like to make. First, there were a few great articles that came out of the debate that dove deeper into the role of criticism and the critic. One article that found its way to my printer for a closer read was Daniel Mendelsohn’s essay A Critic’s Manifesto that ran on the New Yorker’s Page-Turner.
In the essay, Mendelsohn begins by telling us that he dreamt not only of becoming a writer but more specifically, a critic. He found criticism “exciting” and thought the critics he’d studied “admirable.” While still a young kid, he went further than reading their work … he studied it.
By dramatizing their own thinking on the page, by revealing the basis of their judgments and letting you glimpse the mechanisms by which they exercised their (individual, personal, quirky) taste, all these critics were, necessarily, implying that you could arrive at your own, quite different judgments—that a given work could operate on your own sensibility in a different way. What I was really learning from those critics each week was how to think. How to think (we use the term so often that we barely realize what we’re saying) critically—which is to say, how to think like a critic, how to judge things for myself. To think is to make judgments based on knowledge: period.
He continues, “For all criticism is based on that equation: KNOWLEDGE + TASTE = MEANINGFUL JUDGMENT. The key word here is meaningful. People who have strong reactions to a work—and most of us do—but don’t possess the wider erudition that can give an opinion heft, are not critics.”
The other point I’d like to make is, as Jacob Silverman, the author of the Slate article which caused this mighty uproar, mentions on the Three Percent Podcast, we have a tendency to move on from these discussions quickly, thinking that we’ve exhausted the conversation, when in reality, discussions like these should be on-going. As someone who can’t read or hear enough about the process of criticism, maybe this is a selfish request.
John Freeman, editor of Granta magazine was on Radio National’s Book Plus program to discuss his essay collection, How to Read a Novelist. In the interview he graciously shared a few personal stories about interviewing authors. For anyone interested in journalism, these few minutes will save you agony later. After an incident with a writer early in his career, a mistake anyone of us could make, John came to this conclusion: “While we have access to writers and their books, and as journalists we have to them in person, there is a limit to it”.
If there’s one word that comes to mind when I think of Teju Cole, it’s “mesmerizing.” His writing envelops you; one second you’re in your kitchen reading, the next you’re walking down a London street. Recently, he told of a dinner he was invited to for the writer V.S. Naipaul, “Natives on the Boat,” for New Yorker‘s Page-Turner. This week he spoke with The Guardian about it. After the quick Q&A he reads the piece in full, which is, as it turns out, also mesmerizing.
For some reason I love listening to trip hop in the fall–maybe it’s the darker nights that put me in a brooding mood. This fall, just like last, I’m again amazed that I can go back to the music I listened to in the late 90s, early 2000s, and not be embarrassed. Three artists that always make an appearance are the Sneaker Pimps, DJ Shadow, and Tricky.
Modeselektor has been in heavy rotation for a few months now and neither of their albums, Monkeytown from 2011, nor the mix they put out on their label in July of this year, Modeselektions Vol. 2, are getting old. A review of the band and their music is to come but what makes Modeselektor difficult to write about succinctly, or even talk about with friends, is that they are hard to define. If you like tweaky electronic music–some electro with your dubstep–these guys are a must. Check out Berlin and Evil Twin and let me know what you think.
FILM and TV
I finally saw the movie Drive, a “neo-noir crime drama,” as Wikipedia categorizes it. The film features Ryan Gosling as a Hollywood stuntman by day and getaway car driver for hire. Key performances also from Bryan Cranston and Albert Brooks. Drive is one of the rare films that begs to be watched over and over. It’s dark, brutal, and beautifully done.
Not yet ready to leave the world of gritty crime dramas, I found the 2007 film Before the Devil Knows You’re Dead with Philip Seymour Hoffman and Ethan Hawke. Another brutal movie, this one with a Greek tragedy-like plot. I’ve also started watching Boss, the political drama with Kelsey Grammer where he plays the corrupt mayor of Chicago. Grammer does an incredible job playing pure evil. There’s a Roman opulence to this one.
ADVENTURES IN LITERARY NIGHTLIFE
Last night I kicked off Brooklyn Book Festival Week (my unofficial title) at BookCourt with a panel discussion called “Who Gives a Sh*t about Literary Magazines?” Obviously, I do. It was a conversation between Lorin Stein, editor of The Paris Review, John Freeman, editor of Granta, and Rob Spillman, editor of Tin House, moderated by Randy Rosenthal, editor of The Coffin Factory. Both The Paris Review and Granta are in the process of launching apps, in part hoping to ease the current challenges of international distribution. All three have, to varying degree, created some sort of free, online content on their websites–all of which uphold the quality of the print magazine. The topic might seem like a well-trod one but the way these four guys are thinking about the technology available to them, the conversation went into new territory.
I came across so many great podcasts lately, I just had to do another roundup.
The Nerdist Writer’s Panel wrapped up their series of live panels, taped at the ATX Television Festival.
The Books to TV Series featured David Hudgins (Friday Night Lights), Bob Levy (Alloy Entertainment: The Lying Game, The Vampire Diaries, Gossip Girl), Julie Plec (co-creator, The Vampire Diaries), and Michael Rauch (creator, Love Monkey) talking about the process of turning a book into a television show. It was moderated by Meg Masters of TVLine.
In Stages of TV Writing,Noah Hawley (creator, the Unusuals), Kyle Killen (creator, Awake and Lone Star), David Hudgins (Friday Night Lights; Parenthood), Hardy Janson, and Evan Miller (Hook Ups) talk about their careers.
Late Night Library, a show that focuses on the independent side of publishing, sat down with Robyn Tenenbaum and Courtenay Hameister. The two co-founders of Live Wire!, a live public radio program in Portland, talk about producing an arts & culture variety show.
They also spoke with independent press publisher, Rhonda Hughes of Hawthorne Books, and Liz Crain, their editorial and publicity director. The three talk the business of running a small press.
The Readers, a show between two friends about books, talked about what happens after you finish a great book. They also wonder if there’s such thing as a British Novel. This week they have a casual chat about imprints.
The other week in the New Yorker, Oliver Sacks had a story about his experiments with drugs in the 60s, all of which he treated as scientific research. On the New Yorker Out Loud he talks about it.
Everyone’s favorite comedian, Louis C.K., has a great talk about movies and television with Elvis Mitchell on KCRW’s The Treatment. Over the course of the interview, C.K. calls his daughters his heroes. Then he says money spent on entertainment is sacred. Amazing.
Three Percent, hosted by two guys working largely with translated literature, talk about book reviews, sparked by some recent events in the publishing and writing community.
Ed Champion sits down with crime writer Laura Lippman, for the release of her latest book And When She Was Good. It was a great talk about the craft of writing.
For the 100th episode of the Other People podcast, host Brad Listi did not disappoint. He spoke with George Saunders, an excellent choice.
BBC Radio 4’s Open Book did a special on Scottish crime writing–or “Tartan Noir” as the specific genre is known. Host Dreda Say Mitchell spoke with an author and a publisher. It definitely made me want to run out and read some.
CBC’s Writers & Company rebroadcast an interview with British humorist Alan Bennett. If you like British humor–Stephen Fry, John Cleese, etc., and you don’t already know who Alan Bennett is, you’ll be psyched after hearing this.
Oh and … Joan Rivers was on The Nerdist. It was incredible.
For all my fellow podcast junkies, or those who don’t know where to start, I highly recommend these shows that recently graced my ears. In no particular order, other than my memory:
Other People podcast with Brad Listi: Karl Taro Greenfeld
Karl Taro Greenfeld is the author of, most recently, Triburbia, a debut novel that follows his career in journalism and his previous memoir about his autistic brother. In this interview with Brad Listi, Greenfeld talks about his career in magazines, the trouble with memory and how it translates on the page, and levels of fabrication in works of nonfiction. After you’ve listened, you can read his Q&A with the Daily Beast.
Girl on Guy with Aisha Tyler: RuPaul’s drag race, drag u, supermodel of the world
Aisha Tyler’s near-2-hour interview podcast is quickly becoming a favorite of mine. Not only is she funny in this adorably nerdy way, she knows how to have a conversation. In a recent episode Tyler sat down with the legendary RuPaul, best known as the drag queen made famous by the 1993 song “Supermodel (You Better Work)”.
In the interview Ru talks about his beginnings in California, moving to Atlanta, coming to New York City and making a name for himself in the club scene, first dressing in “punk drag” (think David Bowie), then “black hooker drag,” and finally moving on to the upscale diva he is today.
Nerdist Writer’s Panel: TV Fantasy Goes Mainstream
Live from the ATX Television Festival, Nerdist Writer’s Panel host, Ben Blacker, moderates a panel discussion with Jeff Davis (creator, Teen Wolf and Criminal Minds); Jane Espenson (Once Upon a Time; Husbands; BSG; Buffy); Richard Hatem (creator, Miracles; Grimm); Jose Molina (Firefly; Terra Nova; Vampire Diaries); Ben Edlund (creator, The Tick; Firefly; Supernatural).
A show geared towards those looking to get into the television industry on the creative side, although highly enjoyable for all who love the inner workings of the entertainment industry, this all-star lineup discusses how they’ve pitched shows, mistakes they’ve made, and the climate for fantasy in television today.
Bookrageous: Stream of Consciousness Edition
For all of you unfamiliar with Bookrageous, this is one of the best book podcasts out there. I’ve said it before and I’ll keep saying it simply because I think everyone should listen to it. Twice a month friends Jenn, a bookseller in Brooklyn, Rebecca, a book blogger in Virginia, and Josh, a blogger and bookseller in Maine, get together by Skype and talk about books. They start with what they’re reading—because all three have access to advance copies from the publisher, every so often a title to yet available sneaks in, which is good for other bloggers or readers who like to know about books early—and next they move on a topic for discussion.
Topics in the recent past have included essay collections, funny books, and the books they’d bring with them to a desert island.
For their most recent episode they came up with topics on the fly and it was just as enjoyable as their planned shows. Listen to what they have to say about parody books, books they haven’t read yet but wish they had, and “high fantasy” recommendations to the group from science fiction and fantasy expert Jenn.
Book Based Banter: Book Groups, Top Summer Reads, and Are You Literary Enough?
Another excellent book podcast. In this episode Gavin and Simon discuss book groups. They mention one in particular that instead of picking a specific book they choose a topic and everyone in the group reads a book within that theme. For example, Paris or a circus. I thought that was a great idea. They also ask themselves, and their listeners, what it means to be “literary”. What is a literary book? If you like to think about books, definitely listen to this one.
NPR’s Pop Culture Happy Hour: On Fall TV And Whether Criticism Is Too Nice
The Pop Culture Happy Hour is always fantastic but this week they discuss the recent article that ran in Slate about Twitter ruining literary criticism. This roundtable of three pop culture critics have some interesting things to say on the topic, but first Linda Holmes talks about upcoming television shows and after they all rave about “what’s making [them] happy this week”. Great show, you should subscribe now so you don’t miss an episode.
SF Signal: Steampunk Roundtable
If you like science fiction, and steampunk in particular, you won’t want to miss this round table discussion with authors, reviewers, and editors Cherie Priest, Jay Lake, Gail Carriger, Paul Di Fillipo, Phillipa Ballantine and Tee Morris. Listen to them hash out a definition, talk about the history of the movement, and discuss books within the genre.
Bookworm: Sheila Heti
Interview Editor for The Believer magazine, novelist, and Canadian Sheila Heti sat down in Los Angeles with Michael Silverblatt to discuss her latest novel, How Should a Person Be?. What transpires is a great conversation about writing fiction from real life.
Sound Opinions: Jack White
Even if you’ve never heard one chord of Jack White’s music from his now defunct band The White Stripes, you will still want to listen to this incredible interview with the talented and bright musician. Throughout this oral history of White’s life getting into and being in the business are clips of his songs. Heading up one of the best shows about music on the air, Sound Opinions’ hosts Jim and Greg are perfect for getting White to open up about the things that matter—music, music, and music. Check out this gossip-free interview with an incredible musician.
Lots of good stuff coming out in paperback this August. Head to your local bookstore and look for them on the shelves.
Vernon God Little by DBC Pierre
Hailed by the critics and lauded for its riotously funny and scathing portrayal of America in an age of trial by media, materialism, and violence, Vernon God Little was an international sensation when it was first published in 2003 and awarded the prestigious Man Booker Prize.
The memorable portrait of America is seen through the eyes of a wry, young, protagonist. Fifteen-year-old Vernon narrates the story with a cynical twang and a four-letter barb for each of his townsfolk, a medley of characters. With a plot involving a school shooting and death-row reality TV shows, Pierre’s effortless prose and dialogue combine to form a novel of postmodern gamesmanship.
Misfit by Adam Braver
Melding facts with imagination, Misfit is centered around the last weekend of Marilyn Monroe’s life, which, wanting to get away from the stress of a lawsuit filed against her by Twentieth Century Fox, she spent at Frank Sinatra’s resort, the Cal Neva Lodge, in Lake Tahoe. Using this weekend as a springboard, the novel explores moments throughout Monroe’s career when, faced with various opportunities, she altered her persona—from her days as a child, to her marriages with Joe DiMaggio and Arthur Miller, to her studies with Lee Strasberg at the Actors Studio, and, finally, to her role in the film Miller wrote for her, The Misfits.
This Will End in Tears: The Miserabilist Guide to Music by Adam Brent Houghtaling
This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.
Persecution by Alessandro Piperno
In a sprawling villa on the outskirts of Rome, the members of the Pontecorvo family have gathered for dinner. Leo Pontecorvo, an internationally revered pediatric oncologist, is forty-eight. His wife, Rachel, is a physician and the loving mother to Filippo and Samuel, two amiable pre-teens. The evening news is on in the living room but nobody pays it any attention until Dr. Pontecorvo’s name surfaces from the background noise and a news item airs that will change the lives of the Pontecorvos forever.
Leo Pontecorvo has been publicly accused of a vile crime. A spotlight is turned on him that reveals the mistakes, regrets, and contradictions of a lifetime. Every detail of his private and professional life is about to come under scrutiny, to be debated by both friends and foes, by ravenous reporters and punctilious prosecutors. But Leo could bear all this if it weren’t for the suspicious gazes of his wife and children. Surely they, of all people, believe in his innocence!
Alessandro Piperno is widely acknowledged as one of today’s most talented European novelists. His voice is singular and shocking at times, yet always possessed of tenderness and enormous generosity of heart. His vision is broad and encompassing, his psychological insights penetrating and undeniable. In this deeply felt family drama, Alessandro Piperno paints a broad canvas and fills it with psychologically complex characters whom readers will instantly recognize and never forget.
Snowball’s Chance by John Reed
This unauthorized companion to George Orwell’s Animal Farm is a controversial parable about September 11th by one of fiction’s most inventive and provocative writers
Written in 14 days shortly after the September 11th attacks, Snowball’s Chance is an outrageous and unauthorized companion to George Orwell’s Animal Farm, in which exiled pig Snowball returns to the farm, takes charge, and implements a new world order of untrammeled capitalism. Orwell’s “All animals are equal, but some animals are more equal than others” has morphed into the new rallying cry: “All animals are born equal—what they become is their own affair.”
A brilliant political satire and literary parody, John Reed’s Snowball’s Chance caused an uproar on publication in 2002, denounced by Christopher Hitchens, and barely dodging a lawsuit from the Orwell estate. Now, a decade later, with America in wars on many fronts, readers can judge anew the visionary truth of Reed’s satirical masterpiece.
John Reed was born in New York City in 1969. Among his many books are the novels A Still Small Voice and The Whole, a play, All the World’s a Grave, and the non-fiction Tales of Woe. He currently teaches at The New School, and is a senior editor at The Brooklyn Rail.
Daniel Fights the Hurricane by Shane JonesEver since he was a boy, Daniel Suppleton has been deathly afraid of hurricanes, which he fears will arrive suddenly and reduce everyone he knows and loves to trembling skeletons. Retreating to live in a tipi in the woods, Daniel battles demons real and imagined. As his ex-wife, Karen, frantically searches for him, the long-awaited hurricane finally hits, and Daniel must find a way to save them both. Haunting, mesmerizing, and beautifully written, Daniel Fights a Hurricane is an affecting, original novel of love and loss, marriage and friendship, by a rising young talent.
Shane Jones is the author of the novel Light Boxes, which was named an NPR Best Book of 2010. His poetry and short fiction have appeared in numerous literary journals, including LIT, New York Tyrant, Fairy Tale Review, and the Milan Review. He lives in upstate New York.
UNDER THE INFLUENCE: How Colors Make Us Buy
Host Terry O’Reilly, an award-winning copywriter who has worked with leading advertising agencies and the co-founder of a creative audio production company, explores the shift marketing has taken “from a century of overt one-way messaging to a new world order of two-way dialogue”. Think marketing plus science plus history plus storytelling and you’ll have an idea of what Under the Influence is like.
The show’s most recent topics have included movie marketing, ads that have worked “too well,” and something called “hyper-marketing,” which I hadn’t heard of until the episode aired. This past week, Terry looked into color theory. Follow the usual format, the episode uses anecdotes from companies to explain why they use the colors they use, how they came to use those colors, and the successes and failures that followed.
As usual, the entire show eye-opening but what really caught my attention was this: “White has a feeling of lightness, and is the reason why most planes are painted this colour. It soothes the concern we all secretly harbour that a machine that size can’t possibly become airborne.” Blew my mind … and got me thinking about a book I’ve been meaning to read for years.
Color: A Natural History of the Palette by Victoria Finlay
“Discover the tantalizing true stories behind your favorite colors. For example: Cleopatra used saffron—a source of the color yellow—for seduction. Extracted from an Afghan mine, the blue “ultramarine” paint used by Michelangelo was so expensive he couldn’t afford to buy it himself. Since ancient times, carmine red—still found in lipsticks and Cherry Coke today—has come from the blood of insects.”
Terry discusses Pantone colors and the role they play in a company’s brand recognition–not entirely surprising. Tiffany’s was one of the examples. Pantone is not a new subject to the program, Terry had mentioned them a few episodes ago, right around the time they picked their color of the year (Tangerine), which, apparently influences the year’s fashion. Obviously, Pantone has more authority than many of us know and it might just do us well to pay attention.
Pantone: The Twentieth Century in Color by By Leatrice Eiseman and Keith Recker
Pantone, the worldwide color authority, invites you on a rich visual tour of 100 transformative years. From the Pale Gold (15-0927 TPX) and Almost Mauve (12-2103 TPX) of the 1900 Universal Exposition in Paris to the Rust (18-1248 TPX) and Midnight Navy (19-4110 TPX) of the countdown to the Millennium, the 20th century brimmed with color. Longtime Pantone collaborators and color gurus Leatrice Eiseman and Keith Recker identify more than 200 touchstone works of art, products, decor, and fashion, and carefully match them with 80 different official PANTONE color palettes to reveal the trends, radical shifts, and resurgences of various hues.
TO THE BEST OF OUR KNOWLEDGE: Henry David Thoreau
For the 150th anniversary of Henry David Thoreau’s death, To the Best of Our Knowledge looks at the man, the myth, and the lasting influence of the Thoreau persona.
“Henry David Thoreau died 150 years ago, and he’s still a great American icon. But have you ever wondered exactly why? Thoreau wasn’t exactly the model environmentalist he’s often made out to be. And his account of living at Walden Pond is partly fictionalized; he spent nine years writing and revising it. We examine Thoreau’s legacy and why he still inspires us.”
The Journal of Henry David Thoreau 1837-1861
I must admit, I’ve never read Walden in full. If anything, I’ve read 20 pages and that’s not even certain. I’m sure I’ll try it again one day but right now his journals sound more appealing.
“Henry David Thoreau’s Journal was his life’s work: the daily practice of writing that accompanied his daily walks, the workshop where he developed his books and essays, and a project in its own right—one of the most intensive explorations ever made of the everyday environment, the revolving seasons, and the changing self. It is a treasure trove of some of the finest prose in English and, for those acquainted with it, its prismatic pages exercise a hypnotic fascination.”
One guest on the Thoreau episode was author Terry Tempest Williams. A nature writer and environmental acitvist, Williams talks about reading Thoreau’s work.
When Women were Birds: Fifty-four Variations on Voice
In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother’s journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”
“Terry Tempest Williams has been called “a citizen writer,” a writer who speaks and speaks out eloquently on behalf of an ethical stance toward life. A naturalist and fierce advocate for freedom of speech, she has consistently shown us how environmental issues are social issues that ultimately become matters of justice.” [via author’s website]
BULLSEYE WITH JESSE THORN: An Interview with Tom Bissell
Tom Bissell is a journalist, video game critic and author whose latest book, Magic Hours: Essays on Creators and Creation, is a series of pieces attempting to capture all angles of the creative process. This one has been in my sights since it came out last month.
Magic Hours: Essays on Creators and Creation
In Magic Hours, award-winning essayist Tom Bissell explores the highs and lows of the creative process. He takes us from the set of The Big Bang Theory to the first novel of Ernest Hemingway to the final work of David Foster Wallace; from the films of Werner Herzog to the film of Tommy Wiseau to the editorial meeting in which Paula Fox’s work was relaunched into the world. Originally published in magazines such as The Believer, The New Yorker, and Harper’s, these essays represent ten years of Bissell’s best writing on every aspect of creation—be it Iraq War documentaries or video-game character voices—and will provoke as much thought as they do laughter.
What are sitcoms for exactly? Can art be both bad and genius? Why do some books survive and others vanish? Bissell’s exploration of these questions make for gripping, unforgettable reading.
THE GUARDIAN BOOKS PODCAST: Literature which disrupts reality
This episode of the Guardian Books Podcast features author Jeet Thayil and Etgar Keret. A growing household name among young, literary Americans (not at the exclusion of others), Keret is known for his surrealistic short stories. However, Thayil, lesser-known outside of his home in India and better known there as a poet, has just written his debut novel. Narcopolis takes from reality but doesn’t stay there.
“Jeet Thayil’s luminous debut novel completely subverts and challenges the literary traditions for which the Indian novel is celebrated. . . . Narcopolis tracks the descent of Mumbai’s drug users from the sybaritic excesses of opium in the 1970s, to the harsh reality of contemporary addiction to heroin and crack.”
Read Etgar Keret’s short story Unzipping, excerpted from his latest, Suddenly, A Knock on the Door.
As someone who was turned onto blues at an early age, this Radiolab short about Robert Johnson was fascinating.
For years and years, Jad’s [Abumrad] been fascinated by the myth of what happened to Robert Johnson at the crossroads in Clarksdale, Mississippi. The story goes like this: back in the 1920s, Robert Johnson wanted to play the blues. But he really sucked. He sucked so much, that everyone who heard him told him to get lost. So he did. He disappeared for a little while, and when he came back, he was different. His music was startling–and musicians who’d laughed at him before now wanted to know how he did it. And according to the now-famous legend, Johnson had a simple answer: he went out to the crossroads just before midnight, and when the devil offered to tune his guitar in exchange for his soul, he took the deal.
Crossroads: The Life and Afterlife of Blues Legend Robert Johnson by Tom Graves
The result of careful research, this stylish biography of infamous blues musician Robert Johnson reveals the real story behind the mythical talent that made him a musical legend. According to some, Robert Johnson learned guitar by trading his soul away to the Devil at a crossroads in rural Mississippi. When he died at age 27 of a mysterious poisoning, many superstitious fans came to believe that the Devil had returned to take his due. This diligent study of Johnson’s life debunks these myths, while emphasizing the effect that Johnson, said to be the greatest blues musician who ever lived, has had on modern musicians and fans of the blues.
Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald
The life of blues legend Robert Johnson becomes the centerpiece for this innovative look at what many consider to be America’s deepest and most influential music genre. Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history.
Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside — not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today’s loyal blues fans.
NERDIST WITH CHRIS HARDWICK: John Lithgow
Without any hyperbole, John Lithgow is a brilliant actor. Drama, comedy, television, theater, he nails it. The Nerdist podcast has really hit its stride. The past dozen or so episodes have been truly incredible and this interview with John Lithgow has surpassed all that have come before it. As Lithgow says at the end of the interview, Chris Hardwick is a fantastic host. Both shine in this one.
Drama: An Actor’s Education by John Lithgow
In this riveting and surprising personal history, John Lithgow shares a backstage view of his own struggle, crisis, and discovery, revealing the early life and career that took place out of the public eye and before he became a nationally known star.
Above all, Lithgow’s memoir is a tribute to his most important influence: his father, Arthur Lithgow, who, as an actor, director, producer, and great lover of Shakespeare, brought theater to John’s boyhood. From bedtime stories to Arthur’s illustrious productions, performance and storytelling were constant and cherished parts of family life. Drama tells of the Lithgows’ countless moves between Arthur’s gigs—John attended eight secondary schools before flourishing onstage at Harvard—and details with poignancy and sharp recollection the moments that introduced a budding young actor to the undeniable power of theater.
Born Standing Up: A Comic’s Life by Steve Martin
John and Chris both raved about Steve Martin’s memoir. Anyone interested in the craft of comedy should read this one.
In the midseventies, Steve Martin exploded onto the comedy scene. By 1978 he was the biggest concert draw in the history of stand-up. In 1981 he quit forever. This book is, in his own words, the story of “why I did stand-up and why I walked away.”
Emmy and Grammy Award winner, author of the acclaimed New York Times bestsellers Shopgirl and The Pleasure of My Company, and a regular contributor to The New Yorker, Martin has always been awriter. His memoir of his years in stand-up is candid, spectacularly amusing, and beautifully written.
What have you listened to lately that added to your reading pile? Be sure to include the book, too.
Whether they debuted in hardcover last year or are paperback originals now, here are some inexpensive reads for May. We have our work cut out for us.
Long Island Noir
Edited by Kaylie Jones
Original stories by: Jules Feiffer, Matthew McGevna, Nick Mamatas, Kaylie Jones, Qanta Ahmed, Charles Salzberg, Reed Farrel Coleman, Tim McLoughlin, Sarah Weinman, JZ Holden, Richie Narvaez, Sheila Kohler, Jane Ciabattari, Steven Wishnia, Kenneth Wishnia, Amani Scipio, and Tim Tomlinson.
This new addition to Akashic’s noir series reveal how Long Island has always been a playground for the rich and famous–and while it used to be that only a select few could afford it, now everyone wants a piece of the pie. The McMansions pop up like mushrooms, limiting resources and destroying an already taxed environment. It feels a little like Rome in its last days–a kind of collective amnesia and blindness to the outside world has taken over. Everyone knows this, but no one wants to do anything about it, because big money is being spent–and made. And as the rich grow richer, the poor grow poorer and more disenfranchised; and greed only breeds more greed and violence. These stories cover the range of Long Island’s extremes, from the comfortably rich, to the horribly poor–people pushed to desperate acts in order to protect what they already have, or to try to take what they don’t from those who do.
Nom de Plume
By Carmela Ciuraru
Exploring the fascinating stories of more than a dozen authorial impostors across several centuries and cultures, Carmela Ciuraru plumbs the creative process and the darker, often crippling aspects of fame.
Only through the protective guise of Lewis Carroll could a shy, half-deaf Victorian mathematician at Oxford feel free to let his imagination run wild. The “three weird sisters” from Yorkshire—the Brontës—produced instant bestsellers that transformed them into literary icons, yet they wrote under the cloak of male authorship. Bored by her aristocratic milieu, a cigar-smoking, cross-dressing baroness rejected the rules of propriety by having sexual liaisons with men and women alike, publishing novels and plays under the name George Sand. Highly accessible and engaging, these provocative stories reveal the complex motives of writers who harbored secret identities—sometimes playfully, sometimes with terrible anguish and tragic consequences. Part detective story, part exposé, part literary history, Nom de Plume is an absorbing psychological meditation on identity and creativity.
By Tayari Jones
With the opening line of Silver Sparrow, “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a man’s deception, a family’s complicity, and the two teenage girls caught in the middle.
Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoon’s two families—the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode. This is the third stunning novel from an author deemed “one of the most important writers of her generation” (the Atlanta Journal Constitution).
State of Wonder
By Ann Patchett
In a narrative replete with poison arrows, devouring snakes, scientific miracles, and spiritual transformations, State of Wonder presents a world of stunning surprise and danger, rich in emotional resonance and moral complexity.
As Dr. Marina Singh embarks upon an uncertain odyssey into the insect-infested Amazon, she will be forced to surrender herself to the lush but forbidding world that awaits within the jungle. Charged with finding her former mentor Dr. Annick Swenson, a researcher who has disappeared while working on a valuable new drug, she will have to confront her own memories of tragedy and sacrifice as she journeys into the unforgiving heart of darkness. Stirring and luminous, State of Wonder is a world unto itself, where unlikely beauty stands beside unimaginable loss beneath the rain forest’s jeweled canopy.
By Keith Spera
The recent history of New Orleans is fraught with tragedy and triumph. Both are reflected in the city’s vibrant, idiosyncratic music community. In Keith Spera’s intimately reported Groove Interrupted, Aaron Neville returns to New Orleans for the first time after Hurricane Katrina to bury his wife. Fats Domino improbably rambles around Manhattan to promote a post-Katrina tribute CD. Alex Chilton lives anonymously in a battered cottage in the Treme neighborhood. Platinum-selling rapper Mystikal rekindles his career after six years in prison. Jazz trumpeter Terence Blanchard struggles to translate Katrina into music. The spotlight also shines on Allen Toussaint, Pete Fountain, Gatemouth Brown, the Rebirth Brass Band, Phil Anselmo, Juvenile, Jeremy Davenport and the 2006 New Orleans Jazz & Heritage Festival. With heartache, hope, humor and resolve, each of these contemporary narratives stands on its own. Together, they convey that the funky, syncopated spirit of New Orleans music is unbreakable, in spite of Katrina’s interruption.Keith Spera writes about music for The Times-Picayune in New Orleans. In 2006, he was a member of the newspaper’s Pulitzer Prize-winning Hurricane Katrina coverage team.
The Angry Buddhist
by Seth Greenland
Seth Greenland’s timely new novel is set in the high California desert between the trailer parks and amphetamine labs of Desert Hot Springs and the classic mid-century architecture of Palm Springs. In this sun-blasted territory, with its equally arid social culture, a fiercely contested congressional election is in progress. The wily incumbent, Randall Duke, is unburdened by ethical considerations. His opponent, Mary Swain, a sexy, well-financed newcomer, does not have a firm grip on American history or elemental economics.
Store of the Worlds: The Stories of Robert Sheckley
By Robert Sheckley, edited and with an introduction by Jonathan Lethem and Alex Abramovich
Robert Sheckley was an eccentric master of the American short story, and his tales, whether set in dystopic cityscapes, ultramodern advertising agencies, or aboard spaceships lighting out for hostile planets, are among the most startlingly original of the twentieth century. Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon.
From his New York Times obituary, December 10, 2005:
Like Ray Bradbury, he was interested in the scientific apparatus of science fiction – space travel, time travel, extrapolated futures – only so far as it served his purpose. While Mr. Bradbury poetically mourns the failure to live up to our dreams of the future, Mr. Sheckley mocked the self-delusions that lead to dreams in the first place.
He reveled in the freedom the genre afforded him to dramatize the fears and anxieties of everyday life. When he wrote about the war between the sexes, he conjured a future in which disappointed lovers had the legal option of using real bullets to express their anger. When he wrote about alienation as a state of mind, he sealed the reader in an endless loop of disaffection that reduced the outside world to a hallucination wrapped in an illusion.
Because he leavened his darkest visions with wit and absurdist plotting, he is considered one of science fiction’s seminal humorists, and a precursor to Douglas Adams, whose “Hitchhiker’s Guide to the Galaxy” (1979) seems to take place in a Sheckleyan universe. But Mr. Sheckley’s work is darker than Mr. Adams’s; the smiles he evokes leave a bitter taste on the lips. A better comparison might be to Kafka, a fabulist who never understood why his friends didn’t laugh when he read his stories to them.
What new paperbacks are you looking forward to this month? Comments are open.
Here are a few things that caught my eyes and ears these past few days.
Rub Out the Words: the Letters of William S Burroughs 1959-1974 ed by Bill Morgan
I’ve always found William Burroughs intriguing — after all, he did kill his common-law wife while playing a game of William Tell, or so the story goes. I read his novel Junky multiple times but could never get into Naked Lunch, the book he is best known for. Now, Ecco has published the second volume of his letters: correspondence that spans the years after the publication of Naked Lunch to the year he left London to return to New York.
Of the collection, The Telegraph writes:
“This second volume of correspondence may not quite dispel this image of Burroughs as American fiction’s resident alien, the lexical bomb-thrower in the body of a government man – but it does offer intriguing glimpses into the personality behind the mask. …
For fans of [his] way-out approach [the cut-up technique], the letters will provide a valuable glimpse into the genesis of his most impenetrable work, the trilogy that comprised The Soft Machine, The Ticket That Exploded and Nova Express. …
One surprising theme in these letters is Burroughs’s cosmic indifference to the swelling counterculture. Our correspondent remains unmoved as the Sixties progress, beatniks become hippies, and even the parties he attends in Hampstead start to be filled with people ‘turning on’.”
What’s the big idea?
Dostoevsky tackled free will, Tolstoy the meaning of life – but is it still possible to write philosophical novels?
by Jennie Erdal
This past weekend’s Financial Times had an incredible essay on philosophy, literature, and the blending of the two into the philosophical novel.
Jennie Erdal, the author of the essay, begins with philosophy and philosophers: “while [they] were good at asking questions and setting out arguments, their engagement with truth was often woefully abstract, and a world away from the stuff of novels”. She continues, “The analytical style [of philosophy] rigidly separated reason from imagination, precision from imprecision.”
Of novels, she writes, “The more I read at university, the more I felt that fiction was where truth was to be discovered” and that some things “can never be adequately expressed in conventional philosophical prose.” Erdal then makes a case for the hybrid form, “moral philosophy needs the novel for the fullest possible expression of its aims . . . Plato was wrong to think that literature had nothing to offer philosophy . . . It is one thing to study John Stuart Mill’s defence of utilitarianism in ethics; quite another to read the passage in Dostoevsky’s Crime and Punishment (1866), where Raskolnikov tests utilitarianism to its limits by taking an axe and cleaving an old lady’s head in two.”
It’s a brilliant read all the way through. For anyone interested in literary theory and the grander workings of fiction, this is not to be missed.
Orbital / Wonky
It can be scary picking up a new album by a band who has been around for 25 years — especially if that band, up until recently, has been on hiatus — but that’s exactly what’s going on with electronic duo Orbital who just released Wonky, their first album since 2004.
About their music, one half of the group, Paul Hartnoll, told Wired magazine, “Ultimately, it has to move us emotionally…. We can get a great big thunderous beat … but melody is the real icing on the cake for me. If I get a really good melody, I get really excited about thinking about what’s going to come. That’s when I burst into tears, thinking, ‘That’s it!’ The hook’s got you, and you know you’re going to finish that piece.”
Explaining why they’re back together and making music, he says “When you’ve got a background and a history, and a rich idea of what you wanted to do, it was a real shame to give up … It was the live aspect that I missed.”
The article features the video for ‘New France’. Here’s the video for ‘Wonky’. Not sure how I feel about the cats.
A Fantastic Fear of Everything
Simon Pegg’s new comedy, A Fantastic Fear of Everything, looks amazing. Unfortunately, at the time of this post, no US release date has been confirmed. Science fiction and fantasy site io9 quotes the synopsis:
“Jack is a children’s author turned crime novelist whose detailed research into the lives of Victorian serial killers has turned him into a paranoid wreck, persecuted by the irrational fear of being murdered. When Jack is thrown a life-line by his long-suffering agent and a mysterious Hollywood executive takes a sudden and inexplicable interest in his script, what should be his big break rapidly turns into his big breakdown, as Jack is forced to confront his worst demons; among them his love life, his laundry and the origin of all fear.”
They also have the trailer.
The first week in April, on the WTF podcast, Marc Maron spoke with musician and comedian Carrie Brownstein. Carrie was in the Olympia, Washington-based indie band Sleater-Kinney and is currently in Wild Flag; however, these days, she’s best known as co-creator of Portlandia, the sketch show on IFC. On the podcast, Marc and Carrie nerd out about music — and other things. One of my favorite WTFs so far.
On the Nerdist, voiceover actors Rob Paulsen and Maurice LaMarche taught me that voiceover actors are awesome. Rob and Maurice, which I only learned from this podcast, are the creators, and voices, of Pinky and the Brain. Their vocal skills do not end there. These two guys had Chris Hardwick awestruck. A must-listen.
What caught your eyes and ears these past few days? Comments are open.
In the fall of 2011, British electronic duo Plaid released Scintilli, their first studio album since 2003. Since the early 90s, band members Andy Turner and Ed Handley have been at the forefront of experimental techno, a genre known as “Intelligent Dance Music”.
Along with Aphex Twin, Autechre, Plastikman, and Squarepusher, the group ushered in a heyday for abstract beats and knob tweaking. During the late 90s, while the rave scene was still in decent shape, my friends and I would go to various underground clubs. Unless it was a party with multiple rooms, dance tracks dominated the sound system.
I was never big into dancing but I did get pretty good: I ran in place wearing big pants, I could make an invisible ball with my hands, and my glow stick technique was better than most. But techno and house were always second best to jungle and IDM. Rightly or wrongly, I felt the latter were more sophisticated. Jungle was intricate; it had rolling basslines and complex breaks. IDM got in your head and messed with it. For me, it was music without reference, something completely new.
Out of the bands that made up this marginalized group of IDMers, Plaid was the most melodic. Aphex Twin was dark and grating, close to industrial. The tracks could easily get under your skin. Autechre, too, was tough. They weren’t so much rhythmic as they were a methodical outburst of noise. I admired Plastikman’s minimalism, and Squarepusher’s jazz background gave him esteem, but they weren’t as listenable to as Plaid. On their second album, Not For Threes, the duo included two vocal tracks; one with international sensation Bjork and the other with a largely-unknown singer, Nicolette. A move that endeared them to electronica fans.
Plaid’s latest, is, for the most part, soothing. The tracks are short, with the longest clocking in at four and a half minutes, and can be broken down into three types: ephemeral, grimy, and playful. The opener, ‘Missing,’ with its harpsichord melody and whimsical vocals is an example of the first; ‘Eye Robot,’ with its industrial beats and gritty overlay falls under the second; and ‘Thank,’ an upbeat, bouncy tune that makes you see sunshine easily falls under the last.
A reviewer for the much-respected electronic music site Resident Advisor, criticized the album for its lack of adventurism. As a longtime fan of the band, it’s hard to argue. There’s nothing surprising about Scintilli, it’s Plaid through and through. But for someone who was praying against a gimmick, who was hoping they wouldn’t jump on some bandwagon for a cheap sale, the familiar is comforting. It’s like running into an old friend from college and realizing that, while you’ve both matured, you’re the same people at the core. Plaid is like an old friend you can come back to years later and pick up right where you left off; and, for those coming to them for the first time, there’s a whole catalog just like Scintilli ready for the listening.
Plaid’s official website
As someone who went to school for Music Business and who now works in book publishing, I often see the parallels between musicians and authors. It always surprised me when I first started my job search and the interviewer would ask, “Music Business? Why do you want to get into book publishing?” For me it was an easy leap, whether you’re working with a musician or a writer, it’s artist representation.
So, when I heard from John Anealio, co-host of the Functional Nerds podcast, that he wanted to have me on the show alongside a music marketing strategist, I was excited he made the connection as well.
The other guest on the show, Brian Thompson, is a “Vancouver based music industry entrepreneur, record label owner, artist manager, marketing consultant, digital strategist, brand architect, web designer, blogger, podcaster and industry speaker.” He’s one of the co-founders of Thorny Bleeder Records, “an artist development collective” that helps bands “establish and grow their profile and fan base, both domestically and internationally.”
Since being on the show with him, I’ve signed up for his email newsletter, The DIY Daily, a “daily newsletter delivering marketing advice, music industry news, social media tips & tools, tech, apps & gadgets, inspirational & motivational thoughts and much more.” Everyday, waiting for me in my inbox, are 20 great links about how artists of all kinds can use social media effectively. More than most apply to the publishing industry and are links I can forward along to my authors.
On The DIY Daily website, you’ll find a daily podcast offering a variety of marketing tips in under 20 minutes, an in-depth weekly podcast about the music business, daily quotes, and the aforementioned link roundup if you prefer to not to receive them by email.
On the show, Brian, John, Patrick and I discussed the benefits of email lists, social media, and how artists should treat themselves as a business.
You can listen to the episode here.
If you have any questions, check back on the Functional Nerds site next week. Book Publicist Jaym Gates and I will be collecting questions for a future online round table.
On the Shelf
Booklife: Strategies and Survival Tips for the 21st Century Writer by Jeff VanderMeer
Best known as the author of many science fiction and fantasy novels, as well as the editor of many genre anthologies, in Booklife, Jeff VanderMeer offers “timely advice in an era when the burden of production and publicity frequently falls on authors.” Booklife is an “essential reference [that] reflects on methods for being focused, productive, and savvy in the craft of writing.
Discussing a wide range of essential topics for self-promoting authors, this important guide explores questions such as How can authors use social media and the internet? How does the new online paradigm affect authors, readers, and the book industry? How can authors find the time to both create and promote their work? and What should never be done? Through good-humored encouragement, practical tips of the trade culled from 25 years of experience as a writer, reviewer, editor, publisher, agent, and blogger are shared. Including topics such as personal space versus public space, deadlines, and networking, the benefits of interacting with readers through new technologies is revealed.” [via IndieBound]
Anyone who follows me on Twitter knows that I’m a huge fan of arts & culture radio programs and podcasts. One of my favorites is produced by the science fiction and fantasy site SF Signal. Once a week they have a round table discussion with authors, bloggers, and other genre experts on a specific topic and then an author interview on a following day.
Patrick Hester, an author and blogger, is the host of the podcast and musician and blogger John Anealio is a sometimes guest. Both of these guys host an offshoot podcast, or what I consider to be an offshoot, called The Functional Nerds, also a weekly favorite of mine.
Once a week these two knowledgeable guys interview either a science fiction or fantasy author and discuss writing, music, movies, occasionally video games, and any other pop culture happening that comes to mind. Lately, they’ve branched out to include guests who might not have written a book but who are capable of discussing something nerdy.
When they asked me to be on the show, having first gotten to know each other through an author and then on Twitter (isn’t that how everything happens these days?), I was beyond psyched. Together with author Karin Lowachee, the four of us were to each come up with something we were nerding out about.
Oddly, or perhaps eerily, Karin and I both picked the FX show Sons of Anarchy. In the following podcast, you’ll hear me attempt to describe it and then Karin save us all from my bumbling. She does an impressive job explaining the deeper themes of the show — bringing in the Shakespearean elements and discussing why the characters are so compelling. Patrick decides he’s nerding out about Christmas, which is difficult for East Coasters (okay, me) to think about because it’s barely below 60 degrees here. Karin, at the last minute, because we’d doubled up on our nerdy picks, gave a plug for the graphic novel Damaged, the story of three brothers who choose different paths for meting out justice. You can read her interview with one of the creators, Michael Schwarz, at SF Signal.
And then finally, John threw us all back to the late-80s with his thoughts on Crowded House (opens with sound), possibly best known for their 1987 hit Something So Strong. Him and I then discuss a brief history of electronic music, referencing Squarepusher, Aphex Twin, Amon Tobin, and the German techno scene happening now — with my suggestion, Pantha Du Prince.
A good time was had by all. I hope you’ll listen. Here’s the link.