Posts Tagged ‘movies’
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper.
A recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.
Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.
Another excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.
Something that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.
Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.
Bonus: Orange is the New Black
I’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.
You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.
In her introduction to Geek Girls Unite: How Fangirls, Bookworms, Indie Chicks, and Other Misfits are Taking Over the World, Leslie Simon defines a geek as “A person who is wildly passionate about an activity, interest, or scientific field and strives to be an expert in said avocation.” What distinguishes a geek from his or her close relatives—say, a nerd, a dork, or a dweeb—is that a geek “does not necessarily sacrifice social status to participate in area of expertise; instead, person will often seek out like-minded peers—in both the real and virtual worlds—in order to connect, bond, and celebrate mutual love for this area.”
With this sociability in mind, Leslie aims to unite geeky girls worldwide. She notes that geek guys have sucked up the air in the room—Seth Rogan, Mark Zuckerberg, and Michael Cera, to name a few—and that it’s time for women to claim some of the oxygen; but first, we must learn to recognize one another. This is where Geek Girls Unite, an amusing field guide to geekdom, lends a helping hand.
There are many types of geeks out there: there’s the comic book geek, the music geek, the movie geek, the comedy geek, the geek who enjoys the domestic arts, and those geeks who always have their nose in a book. Using pop-anthropology, Leslie profiles each of these types, highlighting where they can be found, their outward signifiers, and who their historical predecessors are.
Having written something of a manifesto, Leslie says, “Embrace your quirkiness!” and with Geek Girls Unite she makes it a little bit easier.
Leslie spoke with me about the impetus for the book, her research, finding geek mentors, and growing up geek.
What was the spark that led you to write Geek Girls Unite?
I’ve been banging my head against the wall trying to remember what or who it was that sparked the idea for Geek Girls Unite and the only thing I got out of it was a big lump on my noggin. Odds are, I was probably standing in the middle of some weird L.A. party, feeling completely out of place and having horrible high-school flashbacks. Or maybe I watching 30 Rock, basking in the amazingness of Tina Fey and her Liz Lemon alter-ego while sucking back a glass of wine. Either way, I’m sure it was inspired by how I used to feel my quirks and idiosyncrasies held me back when, in fact, they probably helped propel me to where I am today.
You’d mentioned feeling ashamed of your geekiness growing up. I can totally relate. When I look back at what I did to fit in I cringe. How did you react to, or against, your inner-geek — and when did you finally accept that it was who you were and you weren’t going to change?
I still consider myself a work in progress but my geek evolution started happening when I was 18. Once I went away to college and realized that I could choose my friends, it was a whole different ball game. I wasn’t forced to socially cohabitate with people just because they lived in the same zip code; I could actually choose my comrades based on similar interests and outlooks. (What a concept!)
What would you tell your teen geek self if you ran into her today?
I would definitely tell her to loosen up and live a little… or a lot! In high school, I was so scared of life—scared of not doing well on a test, scared of my friends thinking I was lame, scared of getting in trouble for missing curfew, scared of disappointing my parents. I really didn’t understand the concept of unconditional love, whether it was coming from my friends, my family or myself. When you want so badly to be liked (and/or loved), it’s easy to loose focus on who you really are and what’s really important. I know that now… but it would’ve been nice to understand that a little sooner.
You can read the rest of the interview at The Nervous Breakdown
The unconventional documentary filmmaker Morgan Spurlock, best known for his film Super Size Me, an account of what happens when you eat only McDonald’s for 30 days, explores the advertising industry in his latest production. The Greatest Movie Ever Sold, now available on DVD, is an inside look at the ubiquity of advertising today. Spurlock pulls back the curtain to expose how product placement makes its way onto our television screens, into our Hollywood films, and even onto the fields of our high school football games.
In a humorous, meta-twist Spurlock seeks to finance the project with ads, auctioning off screen time in exchange for start-up money. A camera crew follows him as he meets with potential investors, pitches the idea, and hashes out the contracts.
As companies step forward, some of them major corporations with images to protect, and make their demands, Morgan worries about his integrity; however, his concern has the feel of a clever charade, a playful way to include critical voices. Morgan meets with cultural commentators such as Noam Chomsky and Ralph Nader as well as successful film directors J.J. Abrams and Quentin Tarantino. In their interviews, the former discuss corporate power and its influence on the general public while the latter share their firsthand experience with advertising in the film industry.
Pom Wonderful, the pomegranate juice company, winds up paying the largest sum, 1 million dollars, and their name, as part of the deal, is placed on the marquee. In fact, the full movie title is “Pom Wonderful Presents: The Greatest Movie Ever Sold”. Their financial support also means that whenever Morgan is in a meeting, Pom’s pomegranate juice is on the table. Similarly, wherever other drinks are present, those other company’s logos are out of focus. There are even a few commercial breaks featuring Spurlock as the star. Jet Blue, another major backer, gets the special treatment with an interview taking place in one of their terminals.
As the advertising industry’s marketing departments mingle with science, their tactics are honed to perfection. Using manipulation, these companies are able to steer customers away from the competition and toward their product. Morgan visits a neuroscientist who scans his brain in an MRI machine while he watches advertisements featuring images meant to inspire fear, induce cravings, and rev up the hormones.
In his trip to Sao Paolo, Brazil, where public advertising has been banned, the audience is given a glimpse of urban life without a barrage of images, a stark contrast to the scenes shot in New York City and Los Angeles.
The Greatest Movie Ever Sold benefits from Spurlock’s wit and charm. As the New York Times says in their review, “Mr. Spurlock has Mr. [Michael] Moore’s prankster’s instincts, though not his sense of outrage.” It’s this lack of outrage that makes an otherwise damning movie downright amusing. No one comes out looking like a villain but viewing audiences will walk away better educated.
This film is perfect for those who appreciate sarcasm and those concerned with endless advertising in our lives—and everyone in between. The Greatest Movie Ever Sold shows that a lighthearted approach to a serious topic can be just as thought-provoking as a dogmatic one. After watching Spurlock’s on-screen antics, you’ll never miss those faced-out soda cans on your favorite prime time show again.
The Greatest Story Ever Sold official website
Morgan Spurlock’s TED Talk for The Greatest Story Ever Sold
Morgan Spurlock on KCRW’s The Business
Morgan Spurlock on NPR’s Talk of the Nation
Morgan Spurlock on Funny or Die (opens with sound)
Interview with Morgan Spurlock at AdWeek
Rogert Ebert’s review
New York Times review
AdWeek dives deeper into the MRI
What’s On the Shelf?
The Hidden Persuaders by Vance Packard
“The Hidden Persuaders is Vance Packard’s pioneering and prescient work revealing how advertisers use psychological methods to tap into our unconscious desires in order to “persuade” us to buy the products they are selling.
A classic examination of how our thoughts and feelings are manipulated by business, media and politicians, The Hidden Persuaders was the first book to expose the hidden world of “motivation research,” the psychological technique that advertisers use to probe our minds in order to control our actions as consumers. Through analysis of products, political campaigns and television programs of the 1950s, Packard shows how the insidious manipulation practices that have come to dominate today’s corporate-driven world began.” [via IndieBound]
Consuming Kids: Protecting Our Children from the Onslaught of Marketing & Advertising by Susan Linn
“[P]rovides instead a measured, but ultimately devastating, critique of consumerism and American childhood.
Children influence some $600 billion in annual spending, and marketers, as Linn amply documents, will stop at nothing to harness this kiddie-consumer juggernaut. Of the head-shaking stats and anecdotes Linn supplies, perhaps the most repulsive is the “nag factor study,” which identified the parents most susceptible to ‘pester power,’ whose kids thus make the most profitable advertising targets.” [via Mother Jones]
Buyology: Truth and Lies About Why We Buy by Martin Lindstrom
In Buy-ology: Truth and Lies About Why We Buy, author and marketing guru Martin Lindstromtakes us on a behind the scenes look at what sells and why we are lambs to the slaughter when it comes to buying ‘stuff.’ . . . Using one of the largest neuromarketing studies, Lindstrom attempts to look past what we say and figure out why we do what we do and how our brain responds to all of the incoming stimuli.” [via Interview with TreeHugger]
How We Decide by Jonah Lehrer
“Jonah Lehrer’s engaging new book, “How We Decide,” puts our decision-making skills under the microscope. . . . [Malcolm] Gladwell’s book [Blink] took an external vantage point on its subject, drawing largely on observations from psychology and sociology, [to study the boundary between reason and intuition] while Lehrer’s is an inside job, zooming in on the inner workings of the brain. We learn about the nucleus accumbens, spindle cells and the prefrontal cortex.” [via The New York Times] Watch Jonah discuss his book on Fora.tv (opens with sound).
No Logo by Naomi Klein
“Klein’s writing caught the wave of anti-globalization protests that swept across the planet a decade ago, beginning with the massive and violent demonstrations against the World Trade Organization meeting in Seattle in November 1999. Almost immediately, wherever world leaders gathered—international economic conferences, G8 summits, trade negotiations—they would be met with street protests and a parallel meeting of the planet’s angry marginalia, including counterculturalists, environmentalists, socialists, labor organizations, and human rights activists. No Logo was quickly adopted as the movement’s bible and, along with Nalgene water bottles and khaki cargo pants, became an essential part of the general-issue battle kit for campus lefties.
What are we to make of No Logo a decade on? It remains a passionate and ambitious snapshot of the newly globalized youth and consumer culture at the end of the 20th century. It is also an often infuriating work of agitprop that marries old Marxist prejudices about the market economy to a paranoid and conspiratorial account of the business of advertising.” [via Reason]