Posts Tagged ‘interviews’
When one hears the words “geek” and “dating” in a single sentence images of awkward guys wearing taped glasses, too-short pants, and pocket protectors come to mind. Most likely they’re inching towards a girl who’s out of their league and scurrying off just as she’s about to notice.
While it’s true that many geeks, whether self-professed or labeled by others, might need a bit more help than the average person when it comes to socializing, Eric Smith is optimistic. Smith, a geek of the self-professed sort, believes that geeks are well-prepared for dating and, to prove it, has written a guide specifically for this vibrant and varied subculture.
In The Geek’s Guide to Dating, Smith harnesses the innate passion that connects all geeks, whether they’re spending their paycheck at the record store, on video games, or the latest epic fantasy series.
For the release of his book, Eric and I chatted about the definition of “geek,” why they’re well-suited for romantic involvement, and gay geek culture.
Contextual Life: This is a basic question but I feel like you might have an interesting answer, what made you write The Geek’s Guide to Dating?
Eric Smith: Actually, the book idea came from Quirk’s publisher, Jason Rekulak. He’s one smart guy that loves pulling ideas out of thin air.
I’d been writing essays about the intersection of relationships and my geek life (a few of which you can see on the Bygone Bureau), as well as rambling about local geek culture on my blog here in Philadelphia, Geekadelphia. He encouraged me to take my love of all-that-is-geek and mash it together with a dating book, one that we’d potentially illustrate with 8-bit artwork.
It was a natural blending of interests for me, and incredibly fun to write.
CL: You’re the Social Media and Marketing Manager for Quirk. What did it feel like to write a book for your own company?
ES: It was interesting! I mean, how many authors get to see the day to day creation of their book? I got to see incredibly early artwork, the “dummies” (blank copies of the book) floating around the office, specifics about the print run, publicity updates right from my colleagues who sit next to me; all that good stuff. I even put my own book on the company’s website!
There were also some challenges though. I promote all our titles via our various social media accounts. On the blog, Twitter, Facebook, Tumblr, you name it. I had to make sure I was balancing out promoting my book with everyone elses! It sounds silly, but it’s something I’ve been keeping very aware of. I adore all our authors, and I didn’t want them thinking I forgot about them.
CL: Another basic question, say we just met at a social gathering and I asked you to define “geek,” how would you answer?
ES: After I recovered from the shock that you didn’t know, possibly after sitting down and taking a deep breath, I’d explain that a geek is someone who is so invested in a hobby or a passion, that it becomes a part of their everyday life.
CL: In your book you differentiate between different types of geeks, which one are you?
ES: Me? I’m a video game geek and (much like yourself) a book geek. I’m the sort of guy who gets a kick out of midnight releases, takes days off to play new games, and plans evenings around gaming with friends on Xbox Live. I also love surrounding myself with books, from comics to classic literature. I spend a lot of time writing about both of those passions and love doing so.
CL: I’m so far out of the video game loop it’s not even funny. What kinds of games do you play and why?
ES: You know, it’s never too late to start a hobby that’s cripplingly addictive, Gab.
I really just love a game with a great story. Perhaps that’s my book geek shining through. Games that have epic narratives really get me excited to sit down and experience a new world. Some recent favorites include the Mass Effect series, Bioshock series (Infinite was incredible), and The Elder Scrolls V: Skyrim. I still haven’t stopped making “I took an arrow in the knee” jokes.
CL: We’re kids of the 80s so I have to ask, what was your favorite Atari game?
ES: The Halo series holds a special place in my heart. I’ll admit it, I’ve even read the Halo novels. I know, I know.
CL: You seem to believe geeks have an extraordinary amount of potential for dating. This is counterintuitive. What made you come to this conclusion?
ES: I’ve always felt like geeks are social creatures at heart. We thrive in communities where people share our interests.
I mean, just look at an event like San Diego Comic Con, DragonCon, or [Insert City, Video Game, or Genre] Con. We descend on those conventions en masse, eager to meet our peers and talk to the people who produce the things we love.
You can’t play Magic the Gathering or D&D without a bunch of friends. There’s no going raiding in World of Warcraft by yourself. I mean, I’m sure you could find a way. It’s just more fun with others.
CL: Speaking of Cons, what’s one of the best experiences you’ve had at one?
ES: Probably two years ago, when I went to Philadelphia Comic Con in my Master Chief suit for the first time. I’d never tried walking a convention floor in a costume before, and I was actually a little nervous that my armor wasn’t going to size up to the rest of the outfits there. My best friend Tim (who runs Geekadelphia with me), showed up in his Stormtrooper armor, and we made quite the pair, wandering the con together.
People stopped me every few feet to take a photo and it took me all afternoon to make it from one side of the convention to the other … and I loved it. We made so many people smile that day. Such a great, great feeling.
Also, the 501st Legion invited me to change with them, which was great. I was getting suited up next to a Boba Fett and a Darth Vader. No big deal.
CL: You acknowledge that The Geek’s Guide to Dating is written from the male perspective and that you use the male pronoun throughout; however, you say that your “sweeping generalizations” apply to both sexes. Do you find that geek guys and geek girls adhere less to gender stereotypes?
ES: That’s an interesting question, and one that’s always a hot one in the geek community. Stereotypes and what makes a geek a geek. What constitutes a geek girl? A geek guy? I think, unfortunately for us, there are tons of stereotypes slapped onto those titles. Real geek girls should do this, real geek guys should do that … personally, I don’t think we adhere to them at all, but some people assume that we do, or worse, should.
Sidenote, the amazing writers over at The Mary Sue dissect this issue a lot, and way better than I can. This tag rounds up all their outstanding pieces.
CL: How does this stereotyping affect geek dating?
Then again, if you’re the kind of person passing those kind of judgements, I really don’t want you talking to or dating any of my awesome geek friends in the first place.ES: The way all things do when you make assumptions based on no facts. Negatively. You’re judging a girl or a guy before you get to know either of them? Well, you might be missing out on someone totally amazing.
CL: Agreed! So, big news, you recently got engaged. Meeting your fiance seems to coincide with the writing of your book. This leads me to wonder what your research was like.
ES: Hah! Yes, it was pretty serendipitous! We met a few months before I started working on the book, leading her to ask me if there will be a Geek’s Guide to Engagements and Weddings.
My fiancee was actually a big fan of reading dating books, so, while I was doing research, she let me borrow a few of her old books. It helped a lot with some of the sections in the book. I also let her read bits and pieces. Though as a very non-geek girl, she had plenty of questions. I didn’t mind though. It actually gave me a chance to teach her more about all the stuff I care about.
So I guess, in a weird way, my book helped me with dating as I was writing it.
CL: That’s beyond adorable. By now people can tell that you are a heterosexual guy. Your book focuses on heterosexual relationships but I’m wondering if you have any thoughts on gay geek culture.
ES: Just that they have an amazing geek network! Geeks Out! does outstanding work, and now there’s the Gaymer X video game convention. All geeks rally together to support their passions, so it’s really no different.
And their gay geek icons are pretty damn incredible. Ian McKellen? Neil Patrick Harris? Sean Maher? So awesome.
CL: Huge thanks for taking the time to talk about your new book. I hope every geek reads it!
ES: Anytime! Thanks for having me! And hey, if you’d like to watch some cute geeky couples talking about their relationships, there’s an adorable webseries tie in to the book. You can catch them on the Quirk blog and on Geekosystem every Tuesday! Here’s a link to the recent videos.
This interview first ran on The Rumpus. You can read it in full here. Below are a few excerpts.
I first became aware of Scott McClanahan when Lazy Fascist Press released his short story collection, The Collected Works of Scott McClanahan Vol. 1, in May of 2012. The cover looked a lot like a Penguin Classic and it made me laugh. Who was this guy, risking a lawsuit? I asked myself. It was clever, reckless, and endearing. However, it wasn’t until a year later, with the release of Crapalachia, published by Two Dollar Radio, that McClanahan’s words were put in my ears.
The subtitle, “A Biography of a Place,” highlights one McClanahan’s strengths—capturing place. Many of his stories are set in West Virginia, the state from which he hails, but to think of him as a regional writer would miss the point. McClanahan, in all his work, explores people—and those people exist everywhere. A keen observer of the world around him, McClanahan often taps into the characters who populate his family, breathing life into them, and exposing their motivations, their frustrations, and their struggles with the day-to-day.
Through the stories of his Grandma Ruby, a true matriarch; his uncle Nathan, wheelchair-bound from cerebral palsy; and the neighborhood kids who play pranks on unwitting strangers, Scott draws readers into a world that is both harsh and relentless, but also full-hearted and smirky—a cold reality with a sense of humor. Now, just out with Hill William, a short story collection from Tyrant Books, McClanahan shows once again that words can mesmerize.
Defying the laws of geographical assumptions, Scott spoke with me from California—early in the morning on the East Coast, a punishing hour on the West. He assured me that I hadn’t made him get up; he still hadn’t been to sleep.
Rumpus: No one has to go out on tour unless you get paid a lot of money for your book and the publisher says, “You need to go do this,” so what made you decide to take the trip?
McClanahan: Well, I did that kind of Southern leg with my friend Chris Oxley. He played the guitar part of the time. It’s a good show—you’d love it if you saw it. Then I also did, with some friends of mine, what we call the the Future Dead Friends tour last fall, and that was through the Midwest. People were smoking crack, but why do I do it? It’s um…oh gosh…yeah, that’s a good question. Maybe I should think about it a little bit more and I wouldn’t have the financial difficulties that I’m having. ‘Cause they’re not big tour budgets by any means.
I stayed in a place in Mississippi called the Ole Miss Motel and it was a den of prostitutes and pimps. It really was. I’m talking P-I-M-P as pimps. I almost went into the wrong room one night, and they came and let me know I was going into the wrong room. Big girls with black eyes type of thing.
So it’s fun that way but, this is my answer: I think it’s important for writing to connect back to actual people rather than somebody—you know, a big publisher in New York telling you you should like something. Because you know this is a game, you’re a publicist as well. We know it’s a game. Somebody knows somebody who knows somebody, and all of a sudden you’re in Cosmopolitan or something talking about your book. I don’t want to be in Cosmo. Well, that’s not true. I do, but only if I’m on the cover.
I think it’s important to connect back to individuals who are out there—and by “out there” I mean, we’ve had cultural movements that have been in the middle of nowhere—Memphis, Tennessee in the 1950s, right? Absolutely nowhere, and they’ve not only changed American culture but they’ve changed the culture of the world. These bunch of country boys at Sun Studios. And so I think when you are out there and you read for people and you see people, there’s not that disconnect of literature with a lower case L—it’s not literature, the oral word. It’s Carl Sandburg, it’s V. Lindsey, it’s Dylan Thomas. It’s attempting to get back to that place…oh, I don’t know.
Shit, that answer makes no sense.
Rumpus: Your stories have a darkness to them—or they could be very dark—but there’s something that keeps them from going to this place where you’re buried. I’m going to reference that movie again but you were saying how you had this story about a dog that you thought was fun, but the whole audience was devastated.
McClanahan: Yeah. It’s a different perspective. You bring up a dog that committed suicide and some people aren’t going to find that humorous. But it’s all those things together. It’s like your daily existence. Are you in New York?
Rumpus: I am.
McClanahan: So, you know, you’re about to get on the train and go into work and probably within an hour, an hour-and-a-half, you’re going to have all different experiences. Oh my god, like whoa fuck, whoa haha, that’s hilarious, but that happens anywhere really. But I think those are the good things. It’s like being in a relationship. Like, you hate the person, you love the person. There’s darkness there, there’s lightness. That’s part of any relationship—a real, a real relationship.
Rumpus: What are you working on now?
McClanahan: The Sarah Book. It’s the best thing I’ve ever done. The hardcover is going to cushy like a pillow. You know how some children’s books are like? So you can dream on it or use it as a sex aid. Sometimes people need to sleep instead of reading.
By the Way with Jeff Garlin
Possibly the best find of the year has been By the Way, Jeff Garlin’s new podcast. Recorded live at Largo in Los Angeles, Garlin sits down with his talented friends to discuss all sorts of things. Garlin’s laugh alone makes this one infectious but the conversations will keep you coming back. If you’ve not been listening to it, your 2013 has been a wash.
Longform journalism has been making some noise lately and, along with Longreads, the site Longform has done much to propel it into the public consciousness. What might not be as known is that they have a weekly podcast where they interview journalists about their work. The conversations range from particular stories the writer has worked on to how they make ends meet between jobs. I look forward to it every week.
Just over the 200 episode mark and still going strong, Other People, hosted by Brad Listi, is one of the best author interview podcasts out there. Not content with a simple conversation about the writer’s latest book, Brad delves into childhood memories, the writing process, and anything unique to his guest’s experience that they’re willing to discuss.
Literary website Book Riot started a podcast this year and it quickly became one of my favorites. Every weekend I look forward to the bookish banter of co-founder Jeff O’Neal and Senior Editor Rebecca Schinsky. Together they parse out the week’s publishing and literary news, discuss the latest book gadgets, and go over the week’s new releases. Always fresh. A must-listen.
Late Night Library
If you’re reading this site, there’s a good chance you can never hear enough about publishing. Late Night Library is an organization based in Portland dedicated to promoting book culture, especially the indie sort. On their podcast Late Night Conversation, along with writers they interview industry people about their various positions and how it works within the chain of events, manuscript to bookstore.
Pop Culture Happy Hour
Hosted by NPR editors, producers, and critics, Pop Culture Happy Hour is a casual conversation about the week’s pop culture news. The chemistry of the co-hosts, their familiarity with each other, is most-endearing. Perfect way to kick off the weekend.
I became aware of Debbie Millman after Maria Popova highlighted her book, Brand Thinking, a collection of interviews with design and advertising creatives. A look into these minds was fascinating, in large part due to Millman’s knowledge of the industry and her subjects. On Design Matters, a podcast hosted by Design Observer, Millman brings her impeccable research and optimism to the conversation.
I don’t think it’s a stretch to say that Slate has perfected the podcast. Duration, format, everything. They’ve nailed it. While there are four main shows — the Political Gabfest, the Culture Gabfest, the Double X, and for all you sports fans, Hang Up and Listen, hosted by Stefan Fatsis, Josh Levin, and Mike Pesca — they continue to explore themed series. There’s Lexicon Valley, which discusses language, the monthly Audio Book Club, and, most recently, Mom and Dad are Fighting, a frank and honest look at parenting.
The popular site Boing Boing has a number of podcasts on their roster. One of my favorites is Gweek, a show where editor Mark Frauenfelder and friends bring authors, artists, and other creative types on to discuss their work. Some recent shows include interviews with Clive Thompson for his book on the Internet, book designer Chip Kidd, and Wired magazine founding editor Kevin Kelly.
Six Pixels of Separation
If you’re the least bit interested in where business and creativity meet, Mitch Joel’s interviews are a goldmine.
Long-form journalism—creative nonfiction which is longer than a traditional article but shorter than a novel—is all the rage these days. Whether you believe the genre has made a comeback or you feel it had never gone away, it’s hard to ignore the growing excitement for recently developed sites such as Byliner, Atavist, Longreads, and Longform.
Earlier this year, Buzzfeed announced its long-form section, breaking from its forte, the listicle; and just this past summer, The New York Times announced it was developing a new, long-form digital magazine.
Those who seek these medium length stories will be happy to know that Longform has a weekly podcast.
Hosted by Longform co-founders Aaron Lammer and Max Linsky, and Founder and Editor of Atavist, Evan Ratliff, the show asks nonfiction writers and editors about their assignments, creative processes, and careers. These free-flowing conversations offer invaluable insight into the world of journalism and the writers who bring you the stories.
Whether you’re a writer or a media junkie, this podcast, with sixty-five episodes in its archive, will be a highlight of your week. Here are just a few places to start, in descending date order.
Gay Talese began his writing career with The New York Times as their sports reporter in the late 50s. In the mid 60s he left to write full-time for Esquire. Talese is known for his profiles, most notably the one on Sinatra, “Sinatra Has a Cold,” which ran in Esquire in 1966.
Extra credit: Gay Talese, The Art of Nonfiction, No. 2; The Paris Review
Edith Zimmerman, Founding Editor of The Hairpin, talks about starting up the affiliate site to The Awl, running it, and handing it over to someone else. Known for unconventional approaches to writing profiles, she talks about her piece on Chris Evans, written for GQ, and what contributed to its originality.
Natasha Vargas-Cooper talks about crime reporting, her approach to perspective, trying to write a book in 30 days, and her interest in the human narrative. Her writing has appeared in GQ, Spin, New York, and on BuzzFeed.
Anyone familiar with Ann Friedman’s advice column on the Columbia Journalism Review’s website, #realtalk, won’t be surprised to hear that her episode is full of excellent tips for freelancers, like creating a weekly email newsletter and drinking with editors.
Extra credit: Ann writes a weekly column at The Cut on New York magazine’s website and recently wrote a piece about LinkedIn for The Baffler.
Emily Nussbaum, television critic for The New Yorker, talks about criticism today, how she chooses what to write about, and how Twitter helps her brainstorm.
Extra credit: Read Emily’s archive at The New Yorker. Follow her coverage on Twitter.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
Hip hop began in the 1970s as an underground movement; today it’s everywhere. From house parties in the suburbs to national television advertising campaigns it’s recognizable, celebrated, and imitated. Snoop Dogg made headlines when he changed his name to Snoop Lion and Jay Z and Beyonce were given the same treatment as the British Monarchy when they had their first child.
Since its start on the street of New York, hip hop has grown into a multi-billion dollar industry. The cash flow now includes not only music but art shows featuring graffiti as well as successful clothing lines.
1. Stuff You Should Know: How Hip-Hop Works (52:13)
In this episode of Stuff You Should Know, hosts Chuck and Josh discuss the history of hip-hop, from The Sugar Hill Gang to the present. They add their own personal history, which includes stories of attempted breakdancing and well-intentioned clothing choices. You can read more about it on their site.
2. Los Angeles Review of Books: 2pac and Biggie (1 hr.)
Co-authors Jeff Weiss and Evan McGarvey speak with host Colin Marshall about their book 2pac vs. Biggie: An Illustrated History of Rap’s Greatest Battle. They talk about the artists’ rivalry, their beginnings, how their styles differed, and why you’re missing out if you only listen to one and not the other.
3. NPR Fresh Air: Questlove (45:14)
The drummer for The Roots talks about his influences growing up, how he listens to music, and his favorite part of Soul Train. (Bonus: Also check out Terry Gross’s classic 2010 interview with Jay-Z.)
Dan Charnas, a veteran hip-hop journalist and one of the first writers for The Source, talks with Jesse Thorn about the history of the hip-hop music business and how executives and entrepreneurs turned an underground scene into the world’s predominant pop culture.
5. WBUR On Point: Fame and Fortune of Jay-Z (48:00)
Andrew Rice, contributing editor for New York magazine, spoke about his article on Jay-Z’s business acumen with James Braxton Peterson, director of Africana Studies, professor of English at Lehigh University, and founder of Hip Hop Scholars. Together they delve into the financial side of Jay-Z’s career.
If you were around in the ’90s, you might recognize Michael Rapaport from movies like Zebrahead, Poetic Justice, and Higher Learning. In 2011, he came out with a documentary on A Tribe Called Quest. He talks to The Treatment’s Elvis Mitchell about his love of hip-hop, his childhood in New York City, and his experience filming his favorite artists.
This post originally ran on Longreads, where I now contribute a monthly podcast roundup.
For a while now we’ve been hearing about the rise of television, how shows like Mad Men, Breaking Bad, and Game of Thrones have surpassed the film industry when people think of quality viewing experiences. Gone are the days where writers and actors dreamed of making it big in pictures, now talent is flocking to small screen.
Here are some recent interviews that will be of interest to those who like to dig deeper.
A recent panel discussion on WBUR’s On Point featured Lynda Obst, a film and television producer whose credits include “Sleepless in Seattle” and whose recent book, Sleepless in Hollywood: Tales from the New Abnormal in the Movie Business, chronicles the recent changes in the movie industry—big blockbusters becoming more common with smaller films barely being made. Alongside Obst, sometimes arguing, sometimes agreeing, was Sharon Waxman, CEO and EIC of TheWrap.com, a site that covers Hollywood and film industry.
Still making small films, however, is Sofia Coppola. This summer she’s back with The Bling Ring, a film based on the real life events of a group of California teenagers obsessed with celebrities; so much so that they break into stars’ homes. Sofia spoke with host Elvis Mitchell about making a true crime film and her filmmaking career so far.
Mad Men just wrapped up its sixth season and has one more to go before it’s off the air for good. Terry Gross spoke with Elisabeth Moss, better known as Peggy, about the evolution of her character, how she came to be an actress, and how much she knows about the show’s direction before shooting an episode.
Another excellent show currently on television is Sons of Anarchy, the story of a biker gang in California’s Central Valley, running drugs, guns, and their small town. “Jax” Teller, one of the heads of the club is played by Charlie Hunnam who, in real life, turns out to be British. In this interview with Chris Hardwick he talks about being approached by real bikers, his life growing up in a working-class town in North East England, and what it’s like to play a character for so many years.
Something that’s starting to get a lot of attention these days are web shows. One show that’s doing particularly well is The Lizzie Bennet Diaries, which, according the series’ site, “is a modernized adaptation of the classic Jane Austen novel, Pride and Prejudice” with the story told primarily through the lead character Lizzie Bennet‘s video diary entries.
Nerdist Writer’s Panel host Ben Blacker sat down with co-creator Bernie Su, writers Margaret Dunlap, Rachel Kiley, and Kate Rorick, and writer/transmedia guy Jay Bushman to talk about the impetus for the series and how it gets made.
Bonus: Orange is the New Black
I’ve started watching the new Netflix series, Orange is the New Black, a show based on author Piper Kerman’s memoir by the same name which tells the story about the 15 months she spent in prison for a small part she played in a drug smuggling ring. Orange stars Terry Schilling as Piper; Jason Biggs as her fiancée; Laura Prepon of That 70s Show as Alex Vause, Piper’s ex-girlfriend who introduced her to smuggling; and Natasha Lyonne of Slums of Beverly Hills, But I’m a Cheerleader, and American Pie as the ex-junkie inmate who knows how to get along on the inside.
You can read an excerpt from Kerman’s book on Salon, an interview with her on The Los Angeles Times about having her book made into a show, and an interview from 2012 about the book on The Rumpus. Piper even learned a few tips that you can apply to your worklife and shared them with Fast Company. Then, check out the two books Natasha Lyonne believes capture prison life.