What to Read: NANO Fiction
Last month, The Council of Literary Magazines and Presses (CLMP), a service organization for independent literary presses and magazines, hosted its annual GIANT Lit Mag Fair at Housing Works Bookstore Cafe in downtown Manhattan. For one day hundreds of literary publications cover tables and fill rolling carts throughout the store. For $2 each, regardless of original price and without limit, people can buy journals they normally wouldn’t have easy access to.
Among the titles available are those that are well-known, such as Granta and Conjunctions, as well lesser-known journals and obscure zines. The fair is an excellent place to discover new writing with little monetary risk.
Each year literary fans descend on the bookstore with multiple tote bags and oversized backpacks and often don’t leave until they are full. Others come to meet representatives of the journals who stand around answering questions. Whatever one’s intention for being there, it’s hard to walk away empty handed.
This year, I came across an interesting flash fiction journal caught my eye. NANO Fiction, currently on its 10th issue and in its 10th year, with its glossy cover, stood out from many others. The illustration, a woman standing in a dark forest with three rabbits in her arms, reminded me of the 50s style drawings of pulp comics. In fact, in the middle of the book, there’s a statement from the artist, Michael C. Rodriguez, where he explains that much of his inspiration for the work comes from fashion illustrations of women from the 1940s to the 60s. He goes on to say:
This series of images is composed of romantic narratives with underlying themes of love, isolation, deprivation, and man’s destructive nature. They represent life as a journey full of difficulties that are often hidden by the exterior illusions we choose to share with each other. The work illustrates this perspective by contrasting the mix of beautiful/romantic imagery with destructive undertones.
One could say the same of the stories included in the issue. Taken as a whole, there is a poetic darkness to the issue. From the gruesome description of the butchering of a deer after a hunt to hints of incessuous feelings towards a cousin, these stories are subversive in varied ways. Although the stories maintain their quality from beginning to end, my favorite remains the first, “Her Favorite Color is Light,” a piece that describes a synesthesiac experience.
Nora thinks the air and smell are one. You breathe in sweet or sour, musty or moldy or wet-dog or chicken-broth scented. You breathe out your own smell, and this is how animals know you. She’s five and reads the number one as white as snow, the number two is bluer than a dead man’s lips, the number four as orange-red like the tips of flames. Five is green as grass. Ask her to add two and five, and she’ll say a dead man’s lips and green grass equal a funeral that lasts seven hours.
In addition to the printed product, NANO Fiction’s website offers a weekly feature, a mixture of stories from the print edition, writing prompts, interviews, and reading suggestions. The editors also run an annual flash fiction contest with a $500 prize. Their current call for submissions closes August 31st, with the winner announced in September.
If the latest issue of NANO Fiction is any indication to what the journal is like as a whole, you should set yourself a reminder to look for the next one in the fall.