New in Paperback for May
Whether they debuted in hardcover last year or are paperback originals now, here are some inexpensive reads for May. We have our work cut out for us.
Long Island Noir
Edited by Kaylie Jones
Original stories by: Jules Feiffer, Matthew McGevna, Nick Mamatas, Kaylie Jones, Qanta Ahmed, Charles Salzberg, Reed Farrel Coleman, Tim McLoughlin, Sarah Weinman, JZ Holden, Richie Narvaez, Sheila Kohler, Jane Ciabattari, Steven Wishnia, Kenneth Wishnia, Amani Scipio, and Tim Tomlinson.
This new addition to Akashic’s noir series reveal how Long Island has always been a playground for the rich and famous–and while it used to be that only a select few could afford it, now everyone wants a piece of the pie. The McMansions pop up like mushrooms, limiting resources and destroying an already taxed environment. It feels a little like Rome in its last days–a kind of collective amnesia and blindness to the outside world has taken over. Everyone knows this, but no one wants to do anything about it, because big money is being spent–and made. And as the rich grow richer, the poor grow poorer and more disenfranchised; and greed only breeds more greed and violence. These stories cover the range of Long Island’s extremes, from the comfortably rich, to the horribly poor–people pushed to desperate acts in order to protect what they already have, or to try to take what they don’t from those who do.
Nom de Plume
By Carmela Ciuraru
Exploring the fascinating stories of more than a dozen authorial impostors across several centuries and cultures, Carmela Ciuraru plumbs the creative process and the darker, often crippling aspects of fame.
Only through the protective guise of Lewis Carroll could a shy, half-deaf Victorian mathematician at Oxford feel free to let his imagination run wild. The “three weird sisters” from Yorkshire—the Brontës—produced instant bestsellers that transformed them into literary icons, yet they wrote under the cloak of male authorship. Bored by her aristocratic milieu, a cigar-smoking, cross-dressing baroness rejected the rules of propriety by having sexual liaisons with men and women alike, publishing novels and plays under the name George Sand. Highly accessible and engaging, these provocative stories reveal the complex motives of writers who harbored secret identities—sometimes playfully, sometimes with terrible anguish and tragic consequences. Part detective story, part exposé, part literary history, Nom de Plume is an absorbing psychological meditation on identity and creativity.
By Tayari Jones
With the opening line of Silver Sparrow, “My father, James Witherspoon, is a bigamist,” author Tayari Jones unveils a breathtaking story about a man’s deception, a family’s complicity, and the two teenage girls caught in the middle.
Set in a middle-class neighborhood in Atlanta in the 1980s, the novel revolves around James Witherspoon’s two families—the public one and the secret one. When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode. This is the third stunning novel from an author deemed “one of the most important writers of her generation” (the Atlanta Journal Constitution).
State of Wonder
By Ann Patchett
In a narrative replete with poison arrows, devouring snakes, scientific miracles, and spiritual transformations, State of Wonder presents a world of stunning surprise and danger, rich in emotional resonance and moral complexity.
As Dr. Marina Singh embarks upon an uncertain odyssey into the insect-infested Amazon, she will be forced to surrender herself to the lush but forbidding world that awaits within the jungle. Charged with finding her former mentor Dr. Annick Swenson, a researcher who has disappeared while working on a valuable new drug, she will have to confront her own memories of tragedy and sacrifice as she journeys into the unforgiving heart of darkness. Stirring and luminous, State of Wonder is a world unto itself, where unlikely beauty stands beside unimaginable loss beneath the rain forest’s jeweled canopy.
By Keith Spera
The recent history of New Orleans is fraught with tragedy and triumph. Both are reflected in the city’s vibrant, idiosyncratic music community. In Keith Spera’s intimately reported Groove Interrupted, Aaron Neville returns to New Orleans for the first time after Hurricane Katrina to bury his wife. Fats Domino improbably rambles around Manhattan to promote a post-Katrina tribute CD. Alex Chilton lives anonymously in a battered cottage in the Treme neighborhood. Platinum-selling rapper Mystikal rekindles his career after six years in prison. Jazz trumpeter Terence Blanchard struggles to translate Katrina into music. The spotlight also shines on Allen Toussaint, Pete Fountain, Gatemouth Brown, the Rebirth Brass Band, Phil Anselmo, Juvenile, Jeremy Davenport and the 2006 New Orleans Jazz & Heritage Festival. With heartache, hope, humor and resolve, each of these contemporary narratives stands on its own. Together, they convey that the funky, syncopated spirit of New Orleans music is unbreakable, in spite of Katrina’s interruption.Keith Spera writes about music for The Times-Picayune in New Orleans. In 2006, he was a member of the newspaper’s Pulitzer Prize-winning Hurricane Katrina coverage team.
The Angry Buddhist
by Seth Greenland
Seth Greenland’s timely new novel is set in the high California desert between the trailer parks and amphetamine labs of Desert Hot Springs and the classic mid-century architecture of Palm Springs. In this sun-blasted territory, with its equally arid social culture, a fiercely contested congressional election is in progress. The wily incumbent, Randall Duke, is unburdened by ethical considerations. His opponent, Mary Swain, a sexy, well-financed newcomer, does not have a firm grip on American history or elemental economics.
Store of the Worlds: The Stories of Robert Sheckley
By Robert Sheckley, edited and with an introduction by Jonathan Lethem and Alex Abramovich
Robert Sheckley was an eccentric master of the American short story, and his tales, whether set in dystopic cityscapes, ultramodern advertising agencies, or aboard spaceships lighting out for hostile planets, are among the most startlingly original of the twentieth century. Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon.
From his New York Times obituary, December 10, 2005:
Like Ray Bradbury, he was interested in the scientific apparatus of science fiction – space travel, time travel, extrapolated futures – only so far as it served his purpose. While Mr. Bradbury poetically mourns the failure to live up to our dreams of the future, Mr. Sheckley mocked the self-delusions that lead to dreams in the first place.
He reveled in the freedom the genre afforded him to dramatize the fears and anxieties of everyday life. When he wrote about the war between the sexes, he conjured a future in which disappointed lovers had the legal option of using real bullets to express their anger. When he wrote about alienation as a state of mind, he sealed the reader in an endless loop of disaffection that reduced the outside world to a hallucination wrapped in an illusion.
Because he leavened his darkest visions with wit and absurdist plotting, he is considered one of science fiction’s seminal humorists, and a precursor to Douglas Adams, whose “Hitchhiker’s Guide to the Galaxy” (1979) seems to take place in a Sheckleyan universe. But Mr. Sheckley’s work is darker than Mr. Adams’s; the smiles he evokes leave a bitter taste on the lips. A better comparison might be to Kafka, a fabulist who never understood why his friends didn’t laugh when he read his stories to them.
What new paperbacks are you looking forward to this month? Comments are open.